Author: Tim Bonyhady
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 234

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Book Description
Australian landscape painting 1788-1901; includes chapter on depiction of Aborigines in landscape settings.

Author: Amber Creswell Bell
Publisher:
ISBN: 9781760760113
Category : Landscape painting, Australian
Languages : en
Pages : 271

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Book Description
I love a sunburnt country, A land of sweeping plains, Of ragged mountain ranges, Of droughts and flooding rains. I love her far horizons, I love her jewel-sea, Her beauty and her terror The wide brown land for me!Dorothea Mackellar's words have a knack for swelling the metaphorical chest of many Australians with the evocative descriptions in her iconic encomium, 'My Country'. Just as Mackellar zeroed in on the particular nuances of Australia that make our country so unique, this book forms an aesthetic study of the Australian landscape as seen, experienced and expressed by the Australian artists who choose to paint it.Surveying 50 artists working in various mediums and depicting varied terrains, A Painted Landscape showcases an incredible diversity of landscapes and in doing so, dispels the myth that Australia is all 'beach and bush'. Focusing on contemporary landscape painters, this is Australia in the 21st century through a specifically creative lens.

Author: Patrick McCaughey
Publisher: Miegunyah Press
ISBN: 9780522861204
Category : Art, Australian
Languages : en
Pages : 376

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Book Description
'Painting matters to Australia and Australians as it does in few other countries. It has formed our consciousness, our sense of where we come from, and who we are. It cries out for wider recognition and acknowledgement.' - Patrick McCaughey Why has Australia, an island continent with a small population, produced such original and powerful art? And why is it so little known beyond our shores? Strange Country: Why Australian Painting Matters is Patrick McCaughey's answer.

Author: Richard Read
Publisher: Terra Foundation for the Arts
ISBN: 9780932171696
Category : Landscape painting, American
Languages : en
Pages : 0

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Book Description
"This publication arose from an inspired partnership between the Terra Foundation, The University of Western Australia, the Art Gallery of Western Australia, and the University of Melbourne's Ian Potter Museum of Art. Together, the partners co-organized and presented the Terra Collection Initiative exhibition Continental shift: Nineteenth Century American and Australian Landscape Painting (shown in Melbourne as Not as the Songs of Other Land s: 19th Century American and Australian Landscape Painting)."--Page 7.

Author: Mitchell Albala
Publisher: Watson-Guptill
ISBN: 0823008347
Category : Art
Languages : en
Pages : 202

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Book Description
Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.

Author: Christopher Allen
Publisher: John Wiley & Sons
ISBN: 1118767586
Category : Art
Languages : en
Pages : 564

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Book Description
A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.

Author: Christopher Heathcote
Publisher:
ISBN: 9781743052396
Category : Australia
Languages : en
Pages : 89

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Book Description
This book takes a fresh look at one of the nation's major modern artists, surveying Drysdale's approach to landscape across painting, drawing and photography. Using original research, Heathcote highlights what the artist saw as urgent issues facing Australia mid-century, revealing the underpinning symbolism of Drysdale's outback imagery.

Author: Barbara Burton
Publisher:
ISBN:
Category : Australia
Languages : en
Pages : 216

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Book Description

Author: Tim Bonyhady
Publisher: National Gallery London
ISBN: 9781857096125
Category : Impressionism
Languages : en
Pages : 0

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Book Description
Catalog of an exhibition held at the National Gallery, London, December 7, 2016-March 26, 2017.

Author: Barbara Novak Altschul Professor of Art History Barnard College and Columbia University (Emerita)
Publisher: Oxford University Press, USA
ISBN: 0195345665
Category : Art
Languages : en
Pages : 328

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Book Description
In this richly illustrated volume, featuring more than fifty black-and-white illustrations and a beautiful eight-page color insert, Barbara Novak describes how for fifty extraordinary years, American society drew from the idea of Nature its most cherished ideals. Between 1825 and 1875, all kinds of Americans--artists, writers, scientists, as well as everyday citizens--believed that God in Nature could resolve human contradictions, and that nature itself confirmed the American destiny. Using diaries and letters of the artists as well as quotes from literary texts, journals, and periodicals, Novak illuminates the range of ideas projected onto the American landscape by painters such as Thomas Cole, Albert Bierstadt, Frederic Edwin Church, Asher B. Durand, Fitz H. Lane, and Martin J. Heade, and writers such as Ralph Waldo Emerson, Henry David Thoreau, and Frederich Wilhelm von Schelling. Now with a new preface, this spectacular volume captures a vast cultural panorama. It beautifully demonstrates how the idea of nature served, not only as a vehicle for artistic creation, but as its ideal form. "An impressive achievement." --Barbara Rose, The New York Times Book Review "An admirable blend of ambition, elan, and hard research. Not just an art book, it bears on some of the deepest fantasies of American culture as a whole." --Robert Hughes, Time Magazine