Ausgewählte Lieder und Gesänge für eine Singstimme und Klavier: Herbstgefühl PDF Download
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Author: Othmar Schoeck
Publisher:
ISBN:
Category : Songs (Low voice) with piano
Languages : un
Pages : 38
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Book Description
Author: Othmar Schoeck
Publisher:
ISBN:
Category : Songs (Low voice) with piano
Languages : un
Pages : 38
Get Book Here
Book Description
Author: Othmar Schoeck
Publisher:
ISBN:
Category : Songs (High voice) with piano
Languages : un
Pages : 42
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Book Description
Author: Othmar Schoeck
Publisher:
ISBN:
Category : Songs (Medium voice) with piano
Languages : un
Pages : 38
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Book Description
Author: Richard Strauss
Publisher:
ISBN:
Category : Songs (Low voice) with piano
Languages : en
Pages : 18
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Book Description
Author: Othmar Schoeck
Publisher:
ISBN:
Category : Songs (High voice) with piano
Languages : un
Pages : 42
Get Book Here
Book Description
Author: Othmar Schoeck
Publisher:
ISBN:
Category : Songs (High voice) with piano
Languages : un
Pages : 42
Get Book Here
Book Description
Author: New York Public Library. Reference Department
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 794
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Book Description
Author: Friedemann Sallis
Publisher: Cambridge University Press
ISBN: 0521866480
Category : Music
Languages : en
Pages : 297
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Book Description
This introduction provides students and scholars with the information and skills they need when studying composers' sketches.
Author: Martha Elliott
Publisher: Yale University Press
ISBN: 9780300109320
Category : Music
Languages : en
Pages : 380
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Book Description
Muziekhistorisch en musicologisch overzicht van de klassieke solozang vanaf de barok tot heden.
Author: Beate Julia Perrey
Publisher: Cambridge University Press
ISBN: 9780521814799
Category : Music
Languages : en
Pages : 276
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Book Description
This book offers a theory of Romantic song by re-evaluating Schumann's Dichterliebe of 1840, one of the most enigmatic works of the repertoire. It investigates the poetics of Early Romanticism in order to understand the mysterious magnetism and singular imaginative energy that imbues Schumann's musical language. The Romantics rejected the ideal of a coherent and organic whole and cherished the suggestive openness of the Romantic fragment, the disconcerting tone of Romantic irony and the endlessness of Romantic reflection - thereby realizing an aesthetic of fragmentation. Close readings of many songs from Dichterliebe show the singer's intense involvement with the piano's voice, suggesting a 'split Self' and the presence of the 'Other'. Seeing Schumann as the 'second poet of the poem' - here of Heine's famous Lyrisches Intermezzo - this book considers essential issues of musico-poetic intertextuality, introducing into musicology a hermeneutic that seeks to synthesize philosophical, literary-critical, music-analytical and psycho-analytical modes of thought.
