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Author: Mary Elizabeth Braddon
Publisher:
ISBN:
Category :
Languages : en
Pages : 338
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Book Description
Author: Mary Elizabeth Braddon
Publisher:
ISBN:
Category :
Languages : en
Pages : 338
Get Book Here
Book Description
Author: Mary Elizabeth Braddon
Publisher: e-artnow
ISBN:
Category : Fiction
Languages : en
Pages : 820
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Book Description
This eBook edition has been formatted to the highest digital standards and adjusted for readability on all devices. "Lady Audley's Secret " – As Sir Michael Audley celebrates his marriage to Lucy Graham, his nephew, the barrister Robert Audley, welcomes his old friend George Talboys back to England, after three years of gold prospecting in Australia. George finds out that his wife Helen has died and that his son is under the care of his father in law. After settling the matter of the boy's guardianship, the Robert and George set off to visit Sir Michael. While at the country manor Audley Court, Lady Audley avoids meeting George, and when the two seek an audience with the new Lady Audley, she makes many excuses to avoid their visit. Shortly thereafter, George disappears, much to Robert's consternation. Unwilling to believe that George has simply left without a notice, Robert begins to look into the circumstances around George's strange disappearance. His notes indicate the involvement of Lady Audley, much to his chagrin, and he slowly begins to collect evidence against her. "Aurora Floyd" forms a sequel to Lady Audley's Secret. It tells the story of Aurora Floyd, daughter of a marriage between a nobleman and an actress. As she grows into maturity, this head-strong, dangerous and seductive vixen becomes embroiled in mystery and scandal. The story includes such controversial events as bigamy, murder and elopement.
Author: Mary Elizabeth Braddon
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 830
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Book Description
Mary Elizabeth Braddon's novels, 'Lady Audley's Secret' and 'Aurora Floyd', exemplify the sensation fiction genre of the Victorian era with their thrilling plots and sensational twists. Braddon's adept use of melodrama and suspense keeps readers on the edge of their seats as they navigate through the mysterious secrets and scandals of the characters. The novels are filled with complex, morally ambiguous characters and explore themes of deception, identity, and class struggle, making them timeless classics in the realm of gothic literature. Braddon's writing style is characterized by vivid descriptions and intricate plot developments that keep readers engaged and intrigued until the very end. The detailed settings and rich character development immerse readers in the world of the Victorian era, providing a glimpse into the societal norms and taboos of the time. Mary Elizabeth Braddon's personal experiences and her keen observations of the society around her are reflected in her novels, as she delves into the intricacies of human nature and social dynamics. Her background as a successful writer and editor in the Victorian era equipped her with the skills and insights necessary to craft compelling narratives that continue to captivate readers today. Fans of gothic literature and suspenseful storytelling will find Mary Elizabeth Braddon's 'Lady Audley's Secret' and 'Aurora Floyd' to be gripping and unforgettable reads that showcase her talent as a pioneering author in the sensation fiction genre of the 19th century.
Author: Mary Elizabeth Braddon
Publisher: Library of Alexandria
ISBN: 1465605320
Category : Fiction
Languages : en
Pages : 754
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Book Description
ÊFaint streaks of crimson glimmer here and there amidst the rich darkness of the Kentish woods. Autumn's red finger has been lightly laid upon the foliageÑsparingly, as the artist puts the brighter tints into his picture: but the grandeur of an August sunset blazes upon the peaceful landscape, and lights all into glory. The encircling woods and wide lawn-like meadows, the still ponds of limpid water, the trim hedges, and the smooth winding roads; undulating hill-tops, melting into the purple distance; labouring men's cottages gleaming white from the surrounding foliage; solitary roadside inns with brown thatched roofs and moss-grown stacks of lop-sided chimneys; noble mansions hiding behind ancestral oaks; tiny Gothic edifices; Swiss and rustic lodges; pillared gates surmounted by escutcheons hewn in stone, and festooned with green wreaths of clustering ivy; village churches and prim school-houses: every object in the fair English prospect is steeped in a luminous haze, as the twilight shadows steal slowly upward from the dim recesses of shady woodland and winding lane, and every outline of the landscape darkens against the deepening crimson of the sky. Upon the broad fa�ade of a mighty red-brick mansion, built in the favourite style of the early Georgian era, the sinking sun lingers long, making gorgeous illumination. The long rows of narrow windows are all a-flame with the red light, and an honest homeward-tramping villager pauses once or twice in the roadway to glance across the smooth width of dewy lawn and tranquil lake, half fearful that there must be something more than natural in the glitter of those windows, and that maybe Maister Floyd's house is a-fire. The stately red-brick mansion belongs to Maister Floyd, as he is called in the honest patois of the Kentish rustics; to Archibald Martin Floyd, of the great banking-house of Floyd, Floyd, and Floyd, Lombard Street, City. The Kentish rustics know very little of this City banking-house, for Archibald Martin, the senior partner, has long retired from any active share in the business, which is carried on entirely by his nephews, Andrew and Alexander Floyd, both steady, middle-aged men, with families and country houses; both owing their fortune to the rich uncle, who had found places in his counting-house for them some thirty years before, when they were tall, raw-boned, sandy-haired, red-complexioned Scottish youths, fresh from some unpronounceable village north of Aberdeen. The young gentlemen signed their names McFloyd when they first entered their uncle's counting-house; but they very soon followed that wise relative's example, and dropped the formidable prefix. "We've nae need to tell these sootherran bodies that we're Scotche," Alick remarked to his brother, as he wrote his name for the first time A. Floyd, all short.
Author: Marlene Tromp
Publisher: State University of New York Press
ISBN: 1438422334
Category : Biography & Autobiography
Languages : en
Pages : 334
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Book Description
Mary Elizabeth Braddon, journal editor and bestselling author of more than eighty novels during the late nineteenth and early twentieth centuries, was a key figure in the Victorian literary scene. This volume brings together new essays from a variety of perspectives that illuminate both the richness of Braddon's oeuvre and the variety of critical approaches to it. Best known as the author of Lady Audley's Secret and Aurora Floyd, Braddon also wrote penny dreadfuls, realist novels, plays, short stories, reviews, and articles. The contributors move beyond her two most famous works and reflect a range of current issues and approaches, including gender, genre, imperialism, colonial reception, commodity culture, and publishing history. Contributors include Jennifer Carnell, Jeni Curtis, Pamela K. Gilbert, Lauren Goodlad, Aeron Haynie, Heidi Holder, Gail Turley Houston, Heidi H. Johnson, Toni Johnson-Woods, James R. Kincaid, Elizabeth Langland, Eve Lynch, Graham Law, Katherine Montweiler, Lillian Nayder, Lyn Pykett, and Tabitha Sparks, and Marlene Tromp.
Author: Eveline Podgorski
Publisher: GRIN Verlag
ISBN: 3640230582
Category : Biography & Autobiography
Languages : en
Pages : 62
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Book Description
Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 2,3, University of Paderborn, course: 19th century sensation novels, 18 entries in the bibliography, language: English, abstract: In the context of the Hauptseminar "19th century sensation novels" we looked - among other texts - at two different sensation novels, one of them being Mary Elizabeth Braddon's "Lady Audley's Secret", a sensation novel published in 1862. The sensation novel is a phenomenon originating in the 1860s and was mostly written for a great public. The aim was to evoke an intense as well as rather shocking response and strong feelings by dealing with subjects like mystery inside the domestic sphere. The sensation novel also went against common standards and taboos concerning class boundaries and the gender roles with actually no moral or didactic purpose. This term paper does not only deal with the novel "Lady Audley's Secret" as a sensation novel but examines it - together with Braddon's other novel "Aurora Floyd" - in the context of Victorian Femininity. Firstly, I will give a short overview of the historical background of the so-called "Victorian Era" and a more detailed view of "Victorian Femininity". Since the focus of this term paper is on femininity and the role of women, I will not go further into economics and expansion during the "Victorian Era", but portray political events which were important for women at that time. This is followed by a description of the role of 19th century women in the domestic and public sphere, as well as an insight into education and work. Subsequently, the development of this gender role throughout this time is brought up in relation to an essay by Eliza Lynn Linton called "The Girl of the Period". Secondly, a short overview over Mary Elizabeth Braddon's life and work is presented and reflected for it is rather uncommon for the Victorian Era in which she lived. Afterwards the plots of the two novels "Lady Audley's Secret"
Author: Mary Elizabeth Braddon
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 11311
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Book Description
This carefully crafted ebook: "MARY ELIZABETH BRADDON – Ultimate Collection: Sensation Novels, Detective Mysteries, Victorian Romances & Supernatural Tales" is formatted for your eReader with a functional and detailed table of contents: Introduction: My First Novel by M. E. Braddon Novels: The Trail of the Serpent Lady Audley's Secret Aurora Floyd The Captain of the Vulture John Marchmont's Legacy Eleanor's Victory Henry Dunbar The Doctor's Wife Birds of Prey Charlotte's Inheritance Run to Earth Fenton's Quest The Lovels of Arden A Strange World The Cloven Foot Vixen Mount Royal Phantom Fortune The Golden Calf Wyllard's Weird Mohawks All Along the River Gerard (The World, the Flesh, and the Devil) London Pride His Darling Sin The Infidel Beyond These Voices Short Stories: Ralph the Bailiff and Other Stories: Ralph the Bailiff Captain Thomas The Cold Embrace My Daughters The Mystery of Fernwood Samuel Lowgood's Revenge The Lawyer's Secret My First Happy Christmas Lost and Found Eveline's Visitant – A Ghost Story Found in the Muniment Chest How I Heard my Own Will Read Flower and Weed and Other Tales: Flower and Weed George Caulfield's Journey The Clown's Quest Dr. Carrick If She Be Not Fair to Me The Shadow in the Corner His Secret Thou Art the Man Milly Darrell Good Lady Ducayne At Chrighton Abbey Children's Book: The Christmas Hirelings
Author: Colin Henry Hazlewood
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
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Book Description
Author: Mary Elizabeth Braddon
Publisher:
ISBN:
Category :
Languages : en
Pages : 328
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Book Description
Author: Mary Elizabeth Braddon
Publisher: Broadview Press
ISBN: 9781551113579
Category : Fiction
Languages : en
Pages : 516
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Book Description
Lady Audley’s Secret (1862) was one of the most widely read novels in the Victorian period. The novel exemplifies “sensation fiction” in featuring a beautiful criminal heroine, an amateur detective, blackmail, arson, violence, and plenty of suspenseful action. To its contemporary readers, it also offered the thrill of uncovering blackmail and criminal violence within the homes of the upper class. The novel makes trenchant critiques of Victorian gender roles and social stereotypes, and it creates significant sympathy for the heroine, despite her criminal acts, as she suffers from the injustices of the “marriage market” and rebels against them. This Broadview edition includes a critical introduction and a broad selection of primary source material, including reproductions of the twenty-two woodcut illustrations from the London Journal serialization of the novel, extracts from two Victorian dramatizations of the work, satirical commentaries, and contemporary reviews.
