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Author: Daniel H. Foster
Publisher: Cambridge University Press
ISBN: 1139486314
Category : Music
Languages : en
Pages : 399
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Book Description
Through his reading of primary and secondary classical sources, as well as his theoretical writings, Richard Wagner developed a Hegelian-inspired theory linking the evolution of classical Greek politics and poetry. This book demonstrates how, by turning theory into practice, Wagner used this evolutionary paradigm to shape the music and the libretto of the Ring cycle. Foster describes how each of the Ring's operas represents a particular phase of Greek poetic and political development: Das Rheingold and Die Walküre create epic national identity in its earlier and later stages respectively; Siegfried expresses lyric personal identity; and Götterdämmerung destructively culminates with a tragi-comedy about civic identity. This study sees the Greeks through the lens of those scholars whose work influenced Wagner most, focusing on epic, lyric, and comedy, as well as Greek tragedy. Most significantly, the book interrogates the ways in which Wagner uses Greek aesthetics to further his own ideological goals.
Author: Daniel H. Foster
Publisher: Cambridge University Press
ISBN: 1139486314
Category : Music
Languages : en
Pages : 399
Get Book Here
Book Description
Through his reading of primary and secondary classical sources, as well as his theoretical writings, Richard Wagner developed a Hegelian-inspired theory linking the evolution of classical Greek politics and poetry. This book demonstrates how, by turning theory into practice, Wagner used this evolutionary paradigm to shape the music and the libretto of the Ring cycle. Foster describes how each of the Ring's operas represents a particular phase of Greek poetic and political development: Das Rheingold and Die Walküre create epic national identity in its earlier and later stages respectively; Siegfried expresses lyric personal identity; and Götterdämmerung destructively culminates with a tragi-comedy about civic identity. This study sees the Greeks through the lens of those scholars whose work influenced Wagner most, focusing on epic, lyric, and comedy, as well as Greek tragedy. Most significantly, the book interrogates the ways in which Wagner uses Greek aesthetics to further his own ideological goals.
Author: Laurie McManus
Publisher: Oxford University Press
ISBN: 019008328X
Category : Music
Languages : en
Pages : 240
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Book Description
Brahms in the Priesthood of Art: Gender and Art Religion in the Nineteenth-Century German Musical Imagination explores the intersection of gender, art religion (Kunstreligion) and other aesthetic currents in Brahms reception of the nineteenth and early twentieth centuries. In particular, it focuses on the theme of the self-sacrificing musician devoted to his art, or "priest of music," with its quasi-mystical and German Romantic implications of purity seemingly at odds with the lived reality of Brahms's bourgeois existence. While such German Romantic notions of art religion informed the thinking on musical purity and performance, after the failed socio-political revolutions of 1848/49, and in the face of scientific developments, the very concept of musical priesthood was questioned as outmoded. Furthermore, its essential gender ambiguity, accommodating such performing mothers as Clara Schumann and Amalie Joachim, could suit the bachelor Brahms but leave the composer open to speculation. Supportive critics combined elements of masculine and feminine values with a muddled rhetoric of prophets, messiahs, martyrs, and other art-religious stereotypes to account for the special status of Brahms and his circle. Detractors tended to locate these stereotypes in a more modern, fin-de-siècle psychological framework that questioned the composer's physical and mental well-being. In analyzing these receptions side by side, this book revises the accepted image of Brahms, recovering lost ambiguities in his reception. It resituates him not only in a romanticized priesthood of art, but also within the cultural and gendered discourses overlooked by the absolute music paradigm.
Author: Emily Zazulia
Publisher: Oxford University Press
ISBN: 0197551939
Category : Music
Languages : en
Pages : 345
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Book Description
The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. In the early fifteenth century, a musician might be asked to sing a line slower, faster, or starting on a different pitch than what is written. By the end of the century composers had begun tasking singers with solving elaborate puzzles to produce sounds whose relationship to the written notes is anything but obvious. These instructions, which appear by turns unnecessary and confounding, challenge traditional conceptions of music writing that understand notation as an incidental consequence of the desire to record sound. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informedsometimes erroneouslyideas about the premodern era. Drawing on both musical and music-theoretical evidence, this book reframes our understanding of late-medieval musical notation as a system that was innovative, cutting-edge, and dynamicone that could be used to generate music, not just preserve it.
Author: International Musical Society
Publisher:
ISBN:
Category : Music
Languages : de
Pages : 590
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Book Description
Includes music.
Author: International Musical Society
Publisher:
ISBN:
Category : Music
Languages : de
Pages : 656
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Book Description
Author: Grace Andreacchi
Publisher: Andromache Books
ISBN: 1409236439
Category : Fiction
Languages : en
Pages : 221
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Book Description
BY GRACE ANDREACCHI. A piece of dizzying metafiction, a whirlwind journey through Sicily with an iconic German poet, a Canadan Bach specialist, a runaway diva and many others... Published by Andromache Books, London.
Author: Fabrice Fitch
Publisher: Cambridge University Press
ISBN: 0521899338
Category : Music
Languages : en
Pages : 295
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Book Description
This engaging study introduces Renaissance polyphony to a modern audience, balancing the listening experience with what lies beyond the notes.
Author: George Jean Nathan
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 530
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Book Description
Author:
Publisher:
ISBN:
Category : Compact discs
Languages : en
Pages : 208
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Book Description
Author:
Publisher: University of Pennsylvania Press
ISBN: 0871694263
Category :
Languages : en
Pages : 102
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Book Description
