Audiovisual Ethnomusicology PDF Download
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Author: Leonardo D'Amico
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783034336093
Category :
Languages : en
Pages : 470
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Book Description
Author: Leonardo D'Amico
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783034336093
Category :
Languages : en
Pages : 470
Get Book Here
Book Description
Author: Klisala Harrison
Publisher: Cambridge Scholars Publishing
ISBN: 1443824356
Category : Music
Languages : en
Pages : 255
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Book Description
Applied ethnomusicology is an approach guided by principles of social responsibility, which extends the usual academic goal of broadening and deepening knowledge and understanding toward solving concrete problems and toward working both inside and beyond typical academic contexts (International Council for Traditional Music 2007). This edited volume is based on the first symposium of the ICTM’s Study Group on Applied Ethnomusicology in Ljubljana, Slovenia in 2008 that brought together more than thirty specialists from sixteen countries worldwide. It contains a Preface, an extensive Introduction, and twelve selected peer-reviewed articles by authors from Australia, Austria, Canada, Germany, Slovenia, Serbia, South Africa, the United Kingdom, and the United States of America, divided into four thematic groups. These groups encompass: diverse perspectives on the growing field of applied ethnomusicology in various geographical and problem-solving contexts; research and teaching-related connotations; the potential in contributing to sustainable music cultures; and the use of music in conflict resolution situations. The edited volume Applied Ethnomusicology: Historical and Contemporary Approaches brings together previously dispersed knowledge and perspectives, and offers new insights to various disciplines within the humanities and social sciences. Rooted in diverse scholarly traditions, it addresses a variety of challenges in today’s world and aims to benefit the quality of human existence.
Author: Michael B. MacDonald
Publisher: Bloomsbury Publishing USA
ISBN: 1501369415
Category : Music
Languages : en
Pages : 321
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Book Description
Using cine-ethnomusicology as a focus, Cineworlding introduces readers to ways of thinking eco-cinematically. Screens are omnipresent, we carry digital cinema production equipment in our pockets, but this screen-based technological revolution has barely impacted social science scholarship. Mixing existential phenomenological fiction about social science digital cinema research practice followed by theoretical reflection and discussion of methods, this book has emerged from a decade-long inquiry into cineworlding and a desire to help others produce digital media to engage creatively with the digital networks that surround us.
Author: Gianmario Borio
Publisher: Routledge
ISBN: 1317091450
Category : Music
Languages : en
Pages : 430
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Book Description
It is undeniable that technology has made a tangible impact on the nature of musical listening. The new media have changed our relationship with music in a myriad of ways, not least because the experience of listening can now be prolonged at will and repeated at any time and in any space. Moreover, among the more striking social phenomena ushered in by the technological revolution, one cannot fail to mention music’s current status as a commodity and popular music’s unprecedented global reach. In response to these new social and perceptual conditions, the act of listening has diversified into a wide range of patterns of behaviour which seem to resist any attempt at unification. Concentrated listening, the form of musical reception fostered by Western art music, now appears to be but one of the many ways in which audiences respond to organized sound. Cinema, for example, has developed specific ways of combining images and sounds; and, more recently, digital technology has redefined the standard forms of mass communication. Information is aestheticized, and music in turn is incorporated into pre-existing symbolic fields. This volume - the first in the series Musical Cultures of the Twentieth Century - offers a wide-ranging exploration of the relations between sound, technology and listening practices, considered from the complementary perspectives of art music and popular music, music theatre and multimedia, composition and performance, ethnographic and anthropological research.
Author: Christopher L. Ballengee
Publisher: Rowman & Littlefield
ISBN: 1666902969
Category : Music
Languages : en
Pages : 195
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Book Description
Music, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the whole, the authors illuminate how the invention of documentary film was at first a product of the colonialist project. Yet over time, access to filmmaking technologies led to the creation of documentary films relevant for local communities and national identities. In this sense, documentary film in the Global South might be broadly defined as a mode of personally or politically mediated storytelling that, by one route or another, has become a useful and recognizable means of memorializing traumatic histories and critiquing everyday lived experience. As the essays in this volume attest, close readings of documentary soundscapes provide fresh perspectives on ways of hearing and ways of being heard in the Global South.
Author: Janet Sturman
Publisher: SAGE Publications
ISBN: 1483317749
Category : Music
Languages : en
Pages : 2730
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Book Description
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition
Author: Nick Thieberger
Publisher: Sydney University Press
ISBN: 1743328818
Category : Music
Languages : en
Pages : 397
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Book Description
Keeping Time: Dialogues on music and archives in Honour of Linda Barwick explores current issues in ethnomusicology and the archiving and repatriation of ethnographic field recordings. The 19 chapters by 36 authors consider archiving practices as a site of interaction between researchers and cultural heritage communities; cross-disciplinary approaches to understanding song; and the role of musical transcription in non-Western music. This volume is international in scope with case studies with Indigenous and minority peoples from Papua New Guinea, China, India, the Torres Strait and mainland Aboriginal Australia; the latter being the focus of the majority of chapters. Topics include the revival of songs from early written sources, creation of new songs based in old genres, the concept of “sing” in other languages, spirits as the origin of song knowledge, and how to manage ethnographic records over time. Keeping Time approaches Indigenous practices from a range of disciplines, including linguistics, history and performing arts, as well as Indigenous Studies, cultural revitalisation (including reclamation of Indigenous languages), Indigenous knowledge and application to climate change. Offered in honour of Emeritus Professor Linda Barwick, the founder of the Indigenous Music, Language and Performing Arts series, Keeping Time offers a diverse range of opinions on ethnographic research practices and their value to society. There are 3 audio examples available to be listened to here: https://open.sydneyuniversitypress.com.au/keeping_time.html
Author: Ingrid Åkesson
Publisher: Cambridge Scholars Publishing
ISBN: 1443892238
Category : Music
Languages : en
Pages : 280
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Book Description
This anthology concerns traditional music and archives, and discusses their relationship as seen from historical and epistemological perspectives. Music recordings on wax cylinders, 78 records or magnetic tape, made in the first half of the 20th century, are regarded today as valuable sources for understanding musical processes in their social dimension and as unique cultural heritage. Most of these historical sound recordings are preserved in sound archives, now increasingly accessible in digital formats. Written by renowned experts, the articles here focus on archives, individual and collective memory, and heritage as today’s recreation of the past. Contributors discuss the role of historical sources of traditional music in contemporary research based on examples from music cultures in West Africa, Scandinavia, Turkey, and Portugal, among others. The book will appeal to musicologists and cultural anthropologists, as well as historians and sociologists, and will be of interest to anyone concerned with sound archives, libraries, universities and cultural institutions dedicated to traditional music.
Author: Martin Clayton
Publisher: Oxford University Press
ISBN: 0199811326
Category : Music
Languages : en
Pages : 257
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Book Description
This book explores how the immediate experience of musical sound relates to processes of meaning construction and discursive mediation. A unique multi-authored work that both draws on and contributes to current debates in ethnomusicology, musicology, psychology, and cognitive science, it presents a novel and productive view of how cultural practice relates to the experience and meaning of musical performance.
Author: Anthony Seeger
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 338
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Book Description
This unique book is based on the results of a workshop for an international group of administrators of research-based archives held near New Delhi in December 1999, the aim of which was to bring together archivists from audio and visual archives in industrializing countries, principally from the Southern Hemisphere, which have a relatively recent history of audiovisual archives; to take concerns of audiovisual archives outside the national and regional boundaries that so often define these archives; and to focus on audiovisual archives that document musical and folklore traditions and thus those which are involved with ethnomusicology. Pooling the experience of participants from Austria, Australia, China, Cuba, Ghana, India, Indonesia, Papua New Guinea, Peru, The Philippines, South Africa, Sudan and the United States, the volume will be of interest to cultural workers both as an introductory textbook in ethnomusicology courses and as a book for specialists. The book begins with a theoretical introduction including general observations on archives, a discussion of the principal points in the participant papers, a description of the workshop itself and how the process of the workshop has been transformed into this volume. Section One deals with archive structure and operations, including a chapter on recording technology for audio archives which begins with a paper by the world-renowned expert in technology for audiovisual archives, Dr Dietrich Schüller, Director of the Vienna Phonogramm-Archiv, Austria, the oldest such archive in the world and one on issues of copyright and ethics. Section Two consists of the participants papers. The volume also includes useful material such as a bibliography of major resources on audiovisual archives and a website list of the most important professional organizations and archive sites. Anthony Seeger is Professor of Ethnomusicology at University of California at Los Angeles. He has been Director of the Archives of Traditional Music, University of Indiana and Director of Smithsonian Folkways recordings and the Curator of the archives. He has consulted internationally and published widely on issues of archiving in ethnomusicology and on intellectual property rights. He has been the President of the Society of Ethnomusicology and is currently Secretary General of the International Council of Traditional Music. Shubha Chaudhuri is Director of the Archives and Research Centre for Ethnomusicology of the American Institute of Indian Studies. She has a background in Linguistics and has been with the ARCE for the last twenty years. She has been very actively involved in issues of archiving as well as training workshops and consulting in this field. She is Vice President, International Association of Sound and Audio Visual Archives. Contributors include: Dr Dietrich Schüller (Vienna, Austria), Don Niles (Papua New Guinea), Alex Huerta (Peru), Ali Al-Daw (Sudan), Maxwell Addo (Ghana), Marialita Tamanio-Yraola (Philippines), To Ngoc Thanh (Vietnam), Valmont Layne (South Africa), Endo Suanda (Indonesia) Gert-Matthias Wegner (Nepal), J. Lawrence Witzleben and Tsui Ying-Fai (China), Olavo Alen (Cuba), Grace Koch (Australia).
