Author: M. Owen Lee
Publisher: University of Toronto Press
ISBN: 9780802085801
Category : Music
Languages : en
Pages : 124
Book Description
Richard Wagner's knowledge of and passion for Greek drama was so profound that for Friedrich Nietzsche, Wagner was Aeschylus come alive again. Surprisingly little has been written about the pervasive influence of classical Greece on the quintessentially German master. In this elegant and masterfully argued book, renowned opera critic Father Owen Lee describes for the contemporary reader what it might have been like to witness a dramatic performance of Aeschylus in the theatre of Dionysus in Athens in the fifth century B.C. something that Wagner himself undertook to do on several occasions, imagining a performance of The Oresteia in his mind, reading it aloud to his friends, providing his own commentary, and relating the Greek classic drama to his own romantic view. Father Lee also uses Wagner's writings on Greece and entries from his wife's diaries to cast new light on Tristan und Isolde, Die Meistersinger, Parsifal, and especially the mighty Ring cycle, where Wagner made extensive use of Greek elements to give structural unity and dramatic credibility to his Nordic and Germanic myths. No opera fan, argues Father Lee, can really understand Wagner saving Brünhilde without knowing the Athena who, in Greek drama, first brought justice to Athens. Written with a clarity and depth of knowledge that have characterized all Father Lee's books on the classics of Greece and Rome and made his six other volumes of opera bestsellers, Athena Sings traces the profound influence an influence few music lovers are aware of that Greek theatre and culture had on the most German of composers and his revolutionary musical dramas.
Athena Sings
Author: M. Owen Lee
Publisher: University of Toronto Press
ISBN: 9780802085801
Category : Music
Languages : en
Pages : 124
Book Description
Richard Wagner's knowledge of and passion for Greek drama was so profound that for Friedrich Nietzsche, Wagner was Aeschylus come alive again. Surprisingly little has been written about the pervasive influence of classical Greece on the quintessentially German master. In this elegant and masterfully argued book, renowned opera critic Father Owen Lee describes for the contemporary reader what it might have been like to witness a dramatic performance of Aeschylus in the theatre of Dionysus in Athens in the fifth century B.C. something that Wagner himself undertook to do on several occasions, imagining a performance of The Oresteia in his mind, reading it aloud to his friends, providing his own commentary, and relating the Greek classic drama to his own romantic view. Father Lee also uses Wagner's writings on Greece and entries from his wife's diaries to cast new light on Tristan und Isolde, Die Meistersinger, Parsifal, and especially the mighty Ring cycle, where Wagner made extensive use of Greek elements to give structural unity and dramatic credibility to his Nordic and Germanic myths. No opera fan, argues Father Lee, can really understand Wagner saving Brünhilde without knowing the Athena who, in Greek drama, first brought justice to Athens. Written with a clarity and depth of knowledge that have characterized all Father Lee's books on the classics of Greece and Rome and made his six other volumes of opera bestsellers, Athena Sings traces the profound influence an influence few music lovers are aware of that Greek theatre and culture had on the most German of composers and his revolutionary musical dramas.
Publisher: University of Toronto Press
ISBN: 9780802085801
Category : Music
Languages : en
Pages : 124
Book Description
Richard Wagner's knowledge of and passion for Greek drama was so profound that for Friedrich Nietzsche, Wagner was Aeschylus come alive again. Surprisingly little has been written about the pervasive influence of classical Greece on the quintessentially German master. In this elegant and masterfully argued book, renowned opera critic Father Owen Lee describes for the contemporary reader what it might have been like to witness a dramatic performance of Aeschylus in the theatre of Dionysus in Athens in the fifth century B.C. something that Wagner himself undertook to do on several occasions, imagining a performance of The Oresteia in his mind, reading it aloud to his friends, providing his own commentary, and relating the Greek classic drama to his own romantic view. Father Lee also uses Wagner's writings on Greece and entries from his wife's diaries to cast new light on Tristan und Isolde, Die Meistersinger, Parsifal, and especially the mighty Ring cycle, where Wagner made extensive use of Greek elements to give structural unity and dramatic credibility to his Nordic and Germanic myths. No opera fan, argues Father Lee, can really understand Wagner saving Brünhilde without knowing the Athena who, in Greek drama, first brought justice to Athens. Written with a clarity and depth of knowledge that have characterized all Father Lee's books on the classics of Greece and Rome and made his six other volumes of opera bestsellers, Athena Sings traces the profound influence an influence few music lovers are aware of that Greek theatre and culture had on the most German of composers and his revolutionary musical dramas.
My American Harp
Author: Surazeus Astarius
Publisher: Lulu.com
ISBN: 1365807142
Category : Poetry
Languages : en
Pages : 672
Book Description
"My American Harp" presents 1,169 poems written 2010-2014 by Surazeus that explore what it means to be an American in the modern world of an interconnected global civilization.
Publisher: Lulu.com
ISBN: 1365807142
Category : Poetry
Languages : en
Pages : 672
Book Description
"My American Harp" presents 1,169 poems written 2010-2014 by Surazeus that explore what it means to be an American in the modern world of an interconnected global civilization.
Solariad
Author: Surazeus Astarius
Publisher: Lulu.com
ISBN: 1387297333
Category : Poetry
Languages : en
Pages : 482
Book Description
Solariad of Surazeus - Guidance of Solaria presents 114,920 lines of verse in 1,660 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 2006 to 2011.
Publisher: Lulu.com
ISBN: 1387297333
Category : Poetry
Languages : en
Pages : 482
Book Description
Solariad of Surazeus - Guidance of Solaria presents 114,920 lines of verse in 1,660 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 2006 to 2011.
Athena's Epithets
Author: Carl A. Anderson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110952262
Category : History
Languages : en
Pages : 116
Book Description
The volumes published in the series "Beiträge zur Altertumskunde" comprise monographs, collective volumes, editions, translations and commentaries on various topics from the fields of Greek and Latin Philology, Ancient History, Archeology, Ancient Philosophy as well as Classical Reception Studies. The series thus offers indispensable research tools for a wide range of disciplines related to Ancient Studies.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110952262
Category : History
Languages : en
Pages : 116
Book Description
The volumes published in the series "Beiträge zur Altertumskunde" comprise monographs, collective volumes, editions, translations and commentaries on various topics from the fields of Greek and Latin Philology, Ancient History, Archeology, Ancient Philosophy as well as Classical Reception Studies. The series thus offers indispensable research tools for a wide range of disciplines related to Ancient Studies.
Takomiad
Author: Surazeus Astarius
Publisher: Lulu.com
ISBN: 1387250671
Category : Poetry
Languages : en
Pages : 538
Book Description
Takomiad of Surazeus - Goddess of Takoma presents 125,667 lines of verse in 2,590 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 1984 to 1992.
Publisher: Lulu.com
ISBN: 1387250671
Category : Poetry
Languages : en
Pages : 538
Book Description
Takomiad of Surazeus - Goddess of Takoma presents 125,667 lines of verse in 2,590 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 1984 to 1992.
Gothiniad
Author: Surazeus Astarius
Publisher: Lulu.com
ISBN: 138726656X
Category : Poetry
Languages : en
Pages : 628
Book Description
Gothiniad of Surazeus - Oracle of Gotha presents 150,792 lines of verse in 1,948 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 1993 to 2000.
Publisher: Lulu.com
ISBN: 138726656X
Category : Poetry
Languages : en
Pages : 628
Book Description
Gothiniad of Surazeus - Oracle of Gotha presents 150,792 lines of verse in 1,948 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 1993 to 2000.
Kings Midas and the palace
Author:
Publisher: Pioneer Drama Service, Inc.
ISBN:
Category :
Languages : en
Pages : 52
Book Description
Publisher: Pioneer Drama Service, Inc.
ISBN:
Category :
Languages : en
Pages : 52
Book Description
Music and Monumentality
Author: Alexander Rehding
Publisher: Oxford University Press
ISBN: 0199888892
Category : Music
Languages : en
Pages : 522
Book Description
This critical study locates musical monumentality, a central property of the nineteenth-century German repertoire, at the intersections of aesthetics and memory. In examples including Beethoven, Liszt, Wagner and Bruckner, Rehding explores how monumentality contributes to an experiential music history and how it conveys the sublime to the listening public.
Publisher: Oxford University Press
ISBN: 0199888892
Category : Music
Languages : en
Pages : 522
Book Description
This critical study locates musical monumentality, a central property of the nineteenth-century German repertoire, at the intersections of aesthetics and memory. In examples including Beethoven, Liszt, Wagner and Bruckner, Rehding explores how monumentality contributes to an experiential music history and how it conveys the sublime to the listening public.
Greek Tragic Style
Author: R. B. Rutherford
Publisher: Cambridge University Press
ISBN: 1107377072
Category : History
Languages : en
Pages : 493
Book Description
Greek tragedy is widely read and performed, but outside the commentary tradition detailed study of the poetic style and language of Aeschylus, Sophocles and Euripides has been relatively neglected. This book seeks to fill that gap by providing an account of the poetics of the tragic genre. The author describes the varied handling of spoken dialogue and of lyric song; major topics such as vocabulary, rhetoric and imagery are considered in detail and illustrated from a broad range of plays. The contribution of the chorus to the dramas is also discussed. Characterisation, irony and generalising statements are treated in separate chapters and these topics are illuminated by comparisons which show not only what is shared by the three major dramatists but also what distinguishes their practice. The book sheds light both on the genre as a whole and on many particular passages.
Publisher: Cambridge University Press
ISBN: 1107377072
Category : History
Languages : en
Pages : 493
Book Description
Greek tragedy is widely read and performed, but outside the commentary tradition detailed study of the poetic style and language of Aeschylus, Sophocles and Euripides has been relatively neglected. This book seeks to fill that gap by providing an account of the poetics of the tragic genre. The author describes the varied handling of spoken dialogue and of lyric song; major topics such as vocabulary, rhetoric and imagery are considered in detail and illustrated from a broad range of plays. The contribution of the chorus to the dramas is also discussed. Characterisation, irony and generalising statements are treated in separate chapters and these topics are illuminated by comparisons which show not only what is shared by the three major dramatists but also what distinguishes their practice. The book sheds light both on the genre as a whole and on many particular passages.
The Hallelujah Effect
Author: Babette Babich
Publisher: Routledge
ISBN: 1317029569
Category : Music
Languages : en
Pages : 324
Book Description
This book studies the working efficacy of Leonard Cohen's song Hallelujah in the context of today's network culture. Especially as recorded on YouTube, k.d. lang's interpretation(s) of Cohen's Hallelujah, embody acoustically and visually/viscerally, what Nietzsche named the 'spirit of music'. Today, the working of music is magnified and transformed by recording dynamics and mediated via Facebook exchanges, blog postings and video sites. Given the sexual/religious core of Cohen's Hallelujah, this study poses a phenomenological reading of the objectification of both men and women, raising the question of desire, including gender issues and both homosexual and heterosexual desire. A review of critical thinking about musical performance as 'currency' and consumed commodity takes up Adorno's reading of Benjamin's analysis of the work of art in the age of mechanical reproduction as applied to music/radio/sound and the persistent role of 'recording consciousness'. Ultimately, the question of what Nietzsche called the becoming-human-of-dissonance is explored in terms of both ancient tragedy and Beethoven's striking deployment of dissonance as Nietzsche analyses both as playing with suffering, discontent, and pain itself, a playing for the sake not of language or sense but musically, as joy.
Publisher: Routledge
ISBN: 1317029569
Category : Music
Languages : en
Pages : 324
Book Description
This book studies the working efficacy of Leonard Cohen's song Hallelujah in the context of today's network culture. Especially as recorded on YouTube, k.d. lang's interpretation(s) of Cohen's Hallelujah, embody acoustically and visually/viscerally, what Nietzsche named the 'spirit of music'. Today, the working of music is magnified and transformed by recording dynamics and mediated via Facebook exchanges, blog postings and video sites. Given the sexual/religious core of Cohen's Hallelujah, this study poses a phenomenological reading of the objectification of both men and women, raising the question of desire, including gender issues and both homosexual and heterosexual desire. A review of critical thinking about musical performance as 'currency' and consumed commodity takes up Adorno's reading of Benjamin's analysis of the work of art in the age of mechanical reproduction as applied to music/radio/sound and the persistent role of 'recording consciousness'. Ultimately, the question of what Nietzsche called the becoming-human-of-dissonance is explored in terms of both ancient tragedy and Beethoven's striking deployment of dissonance as Nietzsche analyses both as playing with suffering, discontent, and pain itself, a playing for the sake not of language or sense but musically, as joy.