Author: C. J. Herington
Publisher: Manchester University Press
ISBN:
Category : Athena (Greek deity)
Languages : en
Pages : 86
Book Description
Athena Parthenos and Athena Polias
Author: C. J. Herington
Publisher: Manchester University Press
ISBN:
Category : Athena (Greek deity)
Languages : en
Pages : 86
Book Description
Publisher: Manchester University Press
ISBN:
Category : Athena (Greek deity)
Languages : en
Pages : 86
Book Description
Athena Parthenos and Athena Polias
Author: C. J. Herington
Publisher: Manchester University Press
ISBN:
Category :
Languages : en
Pages : 86
Book Description
Publisher: Manchester University Press
ISBN:
Category :
Languages : en
Pages : 86
Book Description
Religious Platonism
Author: James Kern Feibleman
Publisher: Routledge
ISBN: 1134112777
Category : Philosophy
Languages : en
Pages : 216
Book Description
In Plato’s Laws is the earliest surviving fully developed cosmological argument. His influence on the philosophy of religion is wide ranging and this book examines both that and the influence of religion on Plato. Central to Plato’s thought is the theory of forms, which holds that there exists a realm of forms, perfect ideals of which things in this world are but imperfect copies. In this book, originally published in 1959, Feibleman finds two diverse strands in Plato’s philosophy: an idealism centered upon the Forms denying full ontological status to the realm of becoming, and a moderate realism granting actuality equal reality with Forms. For each strand Plato developed a conception of religion: a supernatural one derived from Orphism, and a naturalistic religion revering the traditional Olympian deities.
Publisher: Routledge
ISBN: 1134112777
Category : Philosophy
Languages : en
Pages : 216
Book Description
In Plato’s Laws is the earliest surviving fully developed cosmological argument. His influence on the philosophy of religion is wide ranging and this book examines both that and the influence of religion on Plato. Central to Plato’s thought is the theory of forms, which holds that there exists a realm of forms, perfect ideals of which things in this world are but imperfect copies. In this book, originally published in 1959, Feibleman finds two diverse strands in Plato’s philosophy: an idealism centered upon the Forms denying full ontological status to the realm of becoming, and a moderate realism granting actuality equal reality with Forms. For each strand Plato developed a conception of religion: a supernatural one derived from Orphism, and a naturalistic religion revering the traditional Olympian deities.
Ancient Greece and Rome
Author: Keith Hopwood
Publisher: Manchester University Press
ISBN: 9780719024016
Category : History
Languages : en
Pages : 472
Book Description
Sir Thomas Fairfax, not Oliver Cromwell, was creator and commander of Parliament's New Model Army from 1645 to1650. Although Fairfax emerged as England's most successful commander of the 1640s, this book challenges the orthodoxy that he was purely a military figure, showing how he was not apolitical or disinterested in politics. The book combines narrative and thematic approaches to explore the wider issues of popular allegiance, puritan religion, concepts of honour, image, reputation, memory, gender, literature, and Fairfax's relationship with Cromwell. 'Black Tom' delivers a groundbreaking examination of the transformative experience of the English revolution from the viewpoint of one of its leading, yet most neglected, participants. It is the first modern academic study of Fairfax, making it essential reading for university students as well as historians of the seventeenth century. Its accessible style will appeal to a wider audience of those interested in the civil wars and interregnum more generally.
Publisher: Manchester University Press
ISBN: 9780719024016
Category : History
Languages : en
Pages : 472
Book Description
Sir Thomas Fairfax, not Oliver Cromwell, was creator and commander of Parliament's New Model Army from 1645 to1650. Although Fairfax emerged as England's most successful commander of the 1640s, this book challenges the orthodoxy that he was purely a military figure, showing how he was not apolitical or disinterested in politics. The book combines narrative and thematic approaches to explore the wider issues of popular allegiance, puritan religion, concepts of honour, image, reputation, memory, gender, literature, and Fairfax's relationship with Cromwell. 'Black Tom' delivers a groundbreaking examination of the transformative experience of the English revolution from the viewpoint of one of its leading, yet most neglected, participants. It is the first modern academic study of Fairfax, making it essential reading for university students as well as historians of the seventeenth century. Its accessible style will appeal to a wider audience of those interested in the civil wars and interregnum more generally.
Ancient Greece
Author: Peter Green
Publisher: Penguin Putnam
ISBN:
Category : History
Languages : en
Pages : 204
Book Description
Publisher: Penguin Putnam
ISBN:
Category : History
Languages : en
Pages : 204
Book Description
The Frame in Classical Art
Author: Verity Platt
Publisher: Cambridge University Press
ISBN: 1316943275
Category : Art
Languages : en
Pages : 737
Book Description
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.
Publisher: Cambridge University Press
ISBN: 1316943275
Category : Art
Languages : en
Pages : 737
Book Description
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.
Black Athena: The linguistic evidence
Author: Martin Bernal
Publisher: Rutgers University Press
ISBN: 0813536553
Category : Civilization, Western
Languages : en
Pages : 852
Book Description
Publisher: Rutgers University Press
ISBN: 0813536553
Category : Civilization, Western
Languages : en
Pages : 852
Book Description
Chryselephantine Statuary in the Ancient Mediterranean World
Author: Kenneth D. S. Lapatin
Publisher:
ISBN: 9780198153115
Category : Mediterranean Region
Languages : en
Pages : 374
Book Description
Composite statues of gold (chrysos), ivory (elephas), and other precious materials were the most celebrated artworks of classical antiquity. Greek and Latin authors leave no doubt that such images provided a centrepiece for religious and civic life and that vast sums were spent to producethem. A number of these statues were the creations of antiquity's most highly acclaimed artists: Polykleitos, Alkamenes, Leochares, and, of course, Pheidias, whose magnificent Zeus Olympios came to be ranked among the Seven Wonders of the World. Although a few individual images such as Pheidias'Athena Parthenos have been the subject of detailed scholarly analysis, chryselephantine statuary as a class, from the exquisite statuettes of Minoan Crete to the majestic temple images constructed by classical Greek city-states and imitated by the Romans, has not received comprehensive study since1815. This book presents not only the ancient literary and epigraphical evidence for lost statues and examines representations of them in other media, but also assembles and analyses much-neglected physical survivals, elucidating throughout the innovative techniques, such as ivory-bending, employedin their production as well as the variety of social, religious, and political roles they played within the ancient societies that produced them.
Publisher:
ISBN: 9780198153115
Category : Mediterranean Region
Languages : en
Pages : 374
Book Description
Composite statues of gold (chrysos), ivory (elephas), and other precious materials were the most celebrated artworks of classical antiquity. Greek and Latin authors leave no doubt that such images provided a centrepiece for religious and civic life and that vast sums were spent to producethem. A number of these statues were the creations of antiquity's most highly acclaimed artists: Polykleitos, Alkamenes, Leochares, and, of course, Pheidias, whose magnificent Zeus Olympios came to be ranked among the Seven Wonders of the World. Although a few individual images such as Pheidias'Athena Parthenos have been the subject of detailed scholarly analysis, chryselephantine statuary as a class, from the exquisite statuettes of Minoan Crete to the majestic temple images constructed by classical Greek city-states and imitated by the Romans, has not received comprehensive study since1815. This book presents not only the ancient literary and epigraphical evidence for lost statues and examines representations of them in other media, but also assembles and analyses much-neglected physical survivals, elucidating throughout the innovative techniques, such as ivory-bending, employedin their production as well as the variety of social, religious, and political roles they played within the ancient societies that produced them.
The Oxford Handbook of Ancient Greek Religion
Author: Esther Eidinow
Publisher: Oxford Handbooks
ISBN: 0199642036
Category : History
Languages : en
Pages : 737
Book Description
This handbook offers both students and teachers of ancient Greek religion a comprehensive overview of the current state of scholarship in the subject, from the Archaic to the Hellenistic periods. It not only presents key information, but also explores the ways in which such information is gathered and the different approaches that have shaped the area. In doing so, the volume provides a crucial research and orientation tool for students of the ancient world, and also makes a vital contribution to the key debates surrounding the conceptualization of ancient Greek religion. The handbook's initial chapters lay out the key dimensions of ancient Greek religion, approaches to evidence, and the representations of myths. The following chapters discuss the continuities and differences between religious practices in different cultures, including Egypt, the Near East, the Black Sea, and Bactria and India. The range of contributions emphasizes the diversity of relationships between mortals and the supernatural - in all their manifestations, across, between, and beyond ancient Greek cultures - and draws attention to religious activities as dynamic, highlighting how they changed over time, place, and context.
Publisher: Oxford Handbooks
ISBN: 0199642036
Category : History
Languages : en
Pages : 737
Book Description
This handbook offers both students and teachers of ancient Greek religion a comprehensive overview of the current state of scholarship in the subject, from the Archaic to the Hellenistic periods. It not only presents key information, but also explores the ways in which such information is gathered and the different approaches that have shaped the area. In doing so, the volume provides a crucial research and orientation tool for students of the ancient world, and also makes a vital contribution to the key debates surrounding the conceptualization of ancient Greek religion. The handbook's initial chapters lay out the key dimensions of ancient Greek religion, approaches to evidence, and the representations of myths. The following chapters discuss the continuities and differences between religious practices in different cultures, including Egypt, the Near East, the Black Sea, and Bactria and India. The range of contributions emphasizes the diversity of relationships between mortals and the supernatural - in all their manifestations, across, between, and beyond ancient Greek cultures - and draws attention to religious activities as dynamic, highlighting how they changed over time, place, and context.
Myth, Ethos, and Actuality
Author: David Castriota
Publisher: Univ of Wisconsin Press
ISBN: 9780299133542
Category : Architecture
Languages : en
Pages : 356
Book Description
Using material remains, as well as the evidence of contemporary Greek history, rhetoric, and poetry, David Castriota interprets the Athenian monuments as vehicles of an official ideology intended to celebrate and justify the present in terms of the past. Castriota focuses on the strategy of ethical antithesis that asserted Greek moral superiority over the "barbaric" Persians, whose invasion had been repelled a generation earlier. He examines how, in major public programs of painting and sculpture, the leading artists of the period recast the Persians in the guise of wild and impious mythic antagonists to associate them with the ethical flaws or weaknesses commonly ascribed to women, animals, and foreigners. The Athenians, in contrast, were compared to mythic protagonists representing the excellence and triumph of Hellenic culture. Castriota's study is innovative in emphasizing the ethical implication of mythic precedents, which required substantial alterations to render them more effective as archetypes for the defense of Greek culture against a foreign, morally inferior enemy. The book looks in new ways at how the patrons and planners sought to manipulate viewer response through the selective presentation or repackaging of mythic traditions.
Publisher: Univ of Wisconsin Press
ISBN: 9780299133542
Category : Architecture
Languages : en
Pages : 356
Book Description
Using material remains, as well as the evidence of contemporary Greek history, rhetoric, and poetry, David Castriota interprets the Athenian monuments as vehicles of an official ideology intended to celebrate and justify the present in terms of the past. Castriota focuses on the strategy of ethical antithesis that asserted Greek moral superiority over the "barbaric" Persians, whose invasion had been repelled a generation earlier. He examines how, in major public programs of painting and sculpture, the leading artists of the period recast the Persians in the guise of wild and impious mythic antagonists to associate them with the ethical flaws or weaknesses commonly ascribed to women, animals, and foreigners. The Athenians, in contrast, were compared to mythic protagonists representing the excellence and triumph of Hellenic culture. Castriota's study is innovative in emphasizing the ethical implication of mythic precedents, which required substantial alterations to render them more effective as archetypes for the defense of Greek culture against a foreign, morally inferior enemy. The book looks in new ways at how the patrons and planners sought to manipulate viewer response through the selective presentation or repackaging of mythic traditions.