At home portraiture. Flashlight. Commercial and press photography PDF Download
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Author: American School of Art and Photography (Scranton, Pa.)
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 454
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Book Description
Author: American School of Art and Photography (Scranton, Pa.)
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 454
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 436
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Book Description
Author: Jennifer Emery
Publisher: Amherst Media
ISBN: 1608958957
Category : Photography
Languages : en
Pages : 128
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Book Description
Effective commercial portraiture is heavily reliant on clean, crisp lighting looks that emphasize color, contrast, contours, and texture to allow viewers of magazines, newspapers, television, and movies to view a product or model/celebrity in a precise and predetermined way that suits the overall marketing campaign and leaves viewers with a specific, conscripted feeling about the product /person being shown. Crafting this type of polished lighting requires absolute proficiency with the tools of the trade, from flash, to beauty lights, to softboxes, to gobos and gels. It also requires thinking outside the box to create lighting with a “hook”—a certain quality that binds the look to the brand identity and can be carried out repeatedly across several advertising campaigns. Whether you are producing album cover art, lingerie shoots for an intimates catalog, or production stills for television shows or movies, Jennifer Emery will give you the technical and creative skill set you need to thrive artistically, work efficiently with models and set designers, and win repeat clients. Beginning with essential strategies for finding and casting talent, paying/trading with that talent, and creating an open dialogue throughout the directorial stages, Jennifer builds a solid foundation from which the artistic concept can spring forth. In the following chapters, she presents text and images that will instruct readers on creating numerous looks/projects, including: (1) Beauty lighting for beauty/cosmetics ads (2) High-Key Lighting for a magazine cover shoot, (3) Lighting groups for a movie/TV poster, (4) Sculpting light for boudoir/lingerie/swimsuit/nude photograph, (5) Working with speedlights/flash for editorial fashion and lifestyle shoots, and (6) Lighting exterior locations for high fashion and fashion editorial work. Armed with these skills, photographers will be able to approach any commercial lighting job with a repertoire of skills, an ability to overcome challenges, and the confidence needed to nail the shot every time.
Author: John A. Tennant
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 72
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Book Description
Author: Christopher Grey
Publisher: Amherst Media
ISBN: 160895689X
Category : Photography
Languages : en
Pages : 160
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Book Description
Light, vibrant and malleable, is the greatest tool at the disposal of portrait photographers. In this acclaimed book—with over 50,000 copies in print—Christopher Grey walks you through studio portrait lighting from start to finish. Dozens of image sequences and before/after pairings show you precisely how each change of light position and modifier affects the look of the lighting on the subject. From classic portrait lighting patterns to unexpected but powerful looks, Grey teaches you everything you need to know to control light effectively. Armed with these powerful skills, you’ll be able to create portraits that are more flattering, more marketable, and more creative.
Author: Nick Fancher
Publisher: Peachpit Press
ISBN: 0133889335
Category : Photography
Languages : en
Pages : 118
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Book Description
In Run and Gun: One-Light Solutions for Commercial and Portrait Photographers, photographer Nick Fancher discusses more than 20 one-light photo scenarios and setups for both portraits and product/commercial work, showing finished images as well lighting diagrams as he discusses each photograph. This ebook was written for the photographer who has just picked up a flash and has the ability to trigger it from somewhere other than the top of their camera. It does not cover the buttons and dials of your camera or flash, but instead Nick quickly and efficiently discusses different kinds of photographs you can accomplish with your newly acquired flash–images such as a portraits and product shots created with soft light, hard light, with a colored (gelled) fill light, and much more. Additionally, he covers using your flash to overpower the sun, as well as how to creatively use a slower shutter speed to create powerful aesthetic effects in your images. Finally, Nick shares a series of product shots he created as a self-assignment to further develop his own lighting, editing, and styling skills. After reading and working through Run and Gun, you'll be armed with ideas and techniques to head out and create similar images with your newly acquired flash.
Author: Fitz W. Guerin
Publisher:
ISBN:
Category : Photography, Flash-light
Languages : en
Pages : 70
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Book Description
Author: James Boniface Schriever
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 476
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Book Description
Author: James Boniface Schriever
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 506
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Book Description
Author:
Publisher: Amherst Media
ISBN: 1608958167
Category : Photography
Languages : en
Pages : 318
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Book Description
Some photographers make portraits that we can’t take our eyes off of. These images create mood, evoke emotion, and pique our curiosity. They have that certain something that other portraits seem to lack. These rare images are memorable—the kind of shots that clients want and photographers strive to emulate. These portraits are technically precise and have style. Neil van Niekerk is a big name in the portrait and wedding photography industry. His masterful photographs get a reaction, and he’s devoted to helping others create compelling portraits for their clients. In this book, van Niekerk shows readers strategies for creating a wide range of portrait looks (romantic, fun, sweet, dramatic, glamorous, or moody) in lackluster, middle-of-nowhere locales, small home studios, big expanses, and even on rooftops. Starting with traditional lighting and posing strategies and moving through “spicier” varieties, he shows readers how integrating specialized lighting (rim lighting, backlighting, flare, and low-key lighting—using natural light and artificial sources) and compositional approaches (shallow depth of field, lens compression, and unorthodox perspectives) into their creative approach can allow them to take full creative control over their portrait-taking process so that they’re able to deliver incredible shots of their clients in any photographic conditions.
