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Author: Assia Djebar
Publisher: University of Virginia Press
ISBN:
Category : Fiction
Languages : en
Pages : 240
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Book Description
Translated for the first time into English, this collection of short fiction by one of the leading writers of North Africa details the plight of Algerian women and raises far-reaching issues that speak to us all. Women of Algiers quickly sold out its first printing of 15,000 in France and was hugely popular in Italy, but the book was denounced in Algeria for its criticism of the postcolonial socialist regime, which denied and subjugated women even as it celebrated the liberation of men. It was the first work to do so openly. These stylistically innovative, lyrical stories address the cloistering of women, the implications of reticence, and the significance of language and its connection to oppression (Djebar calls official Arabic "an authoritarian language that is simultaneously the language of men"). Mixing newly written pieces with older ones, Djebar attempts "to bring the past into a dialogue with the present". The stories raise issues surrounding this passage from colonial to postcolonial culture - national literature, cultural authenticity, and the impact of war on both men and women. The book's title comes from a Delacroix painting that depicts a unique glimpse of the harem, an emblem of the dual violation of Algerian women, both colonial and gendered.
Author: Assia Djebar
Publisher: University of Virginia Press
ISBN:
Category : Fiction
Languages : en
Pages : 240
Get Book Here
Book Description
Translated for the first time into English, this collection of short fiction by one of the leading writers of North Africa details the plight of Algerian women and raises far-reaching issues that speak to us all. Women of Algiers quickly sold out its first printing of 15,000 in France and was hugely popular in Italy, but the book was denounced in Algeria for its criticism of the postcolonial socialist regime, which denied and subjugated women even as it celebrated the liberation of men. It was the first work to do so openly. These stylistically innovative, lyrical stories address the cloistering of women, the implications of reticence, and the significance of language and its connection to oppression (Djebar calls official Arabic "an authoritarian language that is simultaneously the language of men"). Mixing newly written pieces with older ones, Djebar attempts "to bring the past into a dialogue with the present". The stories raise issues surrounding this passage from colonial to postcolonial culture - national literature, cultural authenticity, and the impact of war on both men and women. The book's title comes from a Delacroix painting that depicts a unique glimpse of the harem, an emblem of the dual violation of Algerian women, both colonial and gendered.
Author: Assia Djebar
Publisher: Heinemann Educational Publishers
ISBN:
Category : Education
Languages : en
Pages : 260
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Book Description
In this stunning novel, Assia Djebar intertwines the history of her native Algeria with episodes from the life of a young girl in a story stretching from the French conquest in 1830 to the War of Liberation of the 1950s. The girl, growing up in the old Roman coastal town of Cherchel, sees her life in contrast to that of a neighboring French family, and yearns for more than law and tradition allow her to experience. Headstrong and passionate, she escapes from the cloistered life of her family to join her brother in the maquis' fight against French domination. Djebar's exceptional descriptive powers bring to life the experiences of girls and women caught up in the dual struggle for independence - both their own and Algeria's.
Author: Jane Hiddleston
Publisher: Liverpool University Press
ISBN: 1846310318
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
For more than fifty years, Assia Djebar has used the tools of poetry, fiction, drama, and film to vividly portray the complex world of Muslim women. In the process, she has become one of the most important figures in North African literature. In Assia Djebar, Jane Hiddleston traces Djebar’s development as a writer against the backdrop of North Africa’s tumultuous history. Djebar’s early writings were largely an attempt to delineate the experience of being a woman, an intellectual, and an Algerian, but her more recent work evinces a growing sense that the influence of French culture on Algerian letters may make such a project impossible. The first book-length study of this indispensable writer, Assia Djebar will interest scholars of post-colonial literature, women’s studies, or Francophone culture.
Author: Assia Djebar
Publisher: Seven Stories Press
ISBN: 1583229698
Category : Fiction
Languages : en
Pages : 226
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Book Description
What happens when catastrophe becomes an everyday occurrence? Each of the seven stories in Assia Djebar’s The Tongue’s Blood Does Not Run Dry reaches into the void where normal and impossible realities coexist. All the stories were written in 1995 and 1996—a time when, by official accounts, some two hundred thousand Algerians were killed in Islamist assassinations and government army reprisals. Each story grew from a real conversation on the streets of Paris between the author and fellow Algerians about what was happening in their native land. Contemporary events are joined on the page by classical themes in Arab literature, whether in the form of Berber texts sung by the women of the Mzab or the tales from The Book of One Thousand and One Nights. The Tongue’s Blood Does Not Run Dry beautifully explores the conflicting realities of the role of women in the Arab world. With renowned and unparalleled skill, Assia Djebar gives voice to her longing for a world she has put behind her.
Author: Assia Djebar
Publisher: Seven Stories Press
ISBN: 1609801075
Category : Biography & Autobiography
Languages : en
Pages : 194
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Book Description
In Algerian White, Assia Djebar weaves a tapestry of the epic and bloody ongoing struggle in her country between Islamic fundamentalism and the post-colonial civil society. Many Algerian writers and intellectuals have died tragically and violently since the 1956 struggle for independence. They include three beloved friends of Djebar: Mahfoud Boucebi, a psychiatrist; M'Hamed Boukhobza, a sociologist; and Abdelkader Alloula, a dramatist; as well as Albert Camus. In Algerian White, Djebar finds a way to meld the personal and the political by describing in intimate detail the final days and hours of these and other Algerian men and women, many of whom were murdered merely because they were teachers, or writers, or students. Yet, for Djebar, they cannot be silenced. They continue to tell stories, smile, and endure through her defiant pen. Both fiction and memoir, Algerian White describes with unerring accuracy the lives and deaths of those whose contributions were cut short, and then probes even deeper into the meaning of friendship through imagined conversations and ghostly visitations.
Author: Assia Djebar
Publisher: Seven Stories Press
ISBN: 1609803051
Category : Fiction
Languages : en
Pages : 370
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Book Description
So Vast the Prison is the double-threaded story of a modern, educated Algerian woman existing in a man's society, and, not surprisingly, living a life of contradictions. Djebar, too, tackles cross-cultural issues just by writing in French of an Arab society (the actual act of writing contrasting with the strong oral traditions of the indigenous culture), as a woman who has seen revolution in a now post-colonial country, and as an Algerian living in exile. In this new novel, Djebar brilliantly plays these contradictions against the bloody history of Carthage, a great civilization the Berbers were once compared to, and makes it both a tribute to the loss of Berber culture and a meeting-point of culture and language. As the story of one woman's experience in Algeria, it is a private tale, but one embedded in a vast history. A radically singular voice in the world of literature, Assia Djebar's work ultimately reaches beyond the particulars of Algeria to embrace, in stark yet sensuous language, the universal themes of violence, intimacy, ostracism, victimization, and exile.
Author: Priscilla Ringrose
Publisher: Rodopi
ISBN: 9042017392
Category : Law
Languages : en
Pages : 269
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Book Description
What are the political implications of an Arab feminist writing practice? How do the works of Assia Djebar, Algeria's internationally acclaimed francophone writer, relate to the priorities and perspectives of both Western and Arab feminist politics? Does Djebar succeed in her aim of reclaiming the history of her homeland, and of her religion, Islam, for women? Or in reclaiming the sexuality of Arab women? In Assia Djebar: In Dialogue with Feminisms, Priscilla Ringrose uncovers the mechanisms of Djebar's revisionary feminism and examines the echoes and dissonances between what Djebar terms her "own kind of feminism" and the thinking of French and Arab feminists such as Irigaray, Cixous, Kristeva, Mernissi and Ahmed. Arguing that Djebar's work is in constant dialogue with other feminisms, Ringrose assesses the strengths and weaknesses of its ideals and identifies their own particular intervention into current political and cultural debates. This book will appeal not only to scholars working on Djebar, but also to students of colonial history, women's studies and cultural politics.
Author: Assia Djebar
Publisher:
ISBN:
Category : Algeria
Languages : en
Pages : 134
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Book Description
Author: Michael F. O'Riley
Publisher: Peter Lang
ISBN: 9780820495361
Category : Foreign Language Study
Languages : en
Pages : 164
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Book Description
Postcolonial Haunting and Victimization: Assia Djebar's New Novels treats one of the central problems within the current geo-political conflict between Islam and the West: how the memory of imperialism fuels fundamentalist claims to territory and creates a paradigm of victimization through which martyrdom and terrorism prevail. Through an examination of the most recent works by the award-winning Algerian author Assia Djebar, this book considers how the culture of victimization prevails in postcolonial thought and practice, not only in the West but in formerly colonized territories as well. It examines the work of important postcolonial critics, such as Achille Mbembe and others, in dialogue with the works of Djebar, one of the most popular international postcolonial authors treating these questions from within the contemporary framework. Both in theory and in practice, this book reveals how pervasive haunting and victimization are in the wake of September 11th and provides an alternative way of responding to them. It demonstrates how Djebar's reticence to explore the details of colonialism marks an important shift in postcolonial literature and criticism and an important attempt to address the dynamics of victimization. Postcolonial Haunting and Victimization will be a great resource to all those interested in the question of Islam and the West as well as to a wide array of readers in the fields of literary and postcolonial studies.
Author: Brigitte Weltman-Aron
Publisher: Columbia University Press
ISBN: 0231539878
Category : Philosophy
Languages : en
Pages : 327
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Book Description
Born and raised in French Algeria, Assia Djebar and Hélène Cixous represent in their literary works signs of conflict and enmity, drawing on discordant histories so as to reappraise the political on the very basis of dissensus. In a rare comparison of these authors' writings, Algerian Imprints shows how Cixous and Djebar consistently reclaim for ethical and political purposes the demarcations and dislocations emphasized in their fictions. Their works affirm the chance for thinking afforded by marginalization and exclusion and delineate political ways of preserving a space for difference informed by expropriation and nonbelonging. Cixous's inquiry is steeped in her formative encounter with the grudging integration of the Jews in French Algeria, while Djebar's narratives concern the colonial separation of "French" and "Arab," self and other. Yet both authors elaborate strategies to address inequality and injustice without resorting to tropes of victimization, challenging and transforming the understanding of the history and legacy of colonized space.
