Author: Maureen Peeck-O'Toole
Publisher: BRILL
ISBN: 9004484167
Category : Literary Criticism
Languages : en
Pages : 220

Get Book Here

Book Description

Author: Janet Gezari
Publisher: Oxford University Press
ISBN: 0199298181
Category : Literary Criticism
Languages : en
Pages : 196

Get Book Here

Book Description
Emily Brontë's poetry is more often celebrated than read. This book seeks to reinstate her poems at the heart of Victorian writing while underlining their relevance. For admirers of 'Wuthering Heights', this work brings the concerns and methods of the novel into focus by relating them to the poems.

Author: Simon Marsden
Publisher: A&C Black
ISBN: 1441153500
Category : Literary Criticism
Languages : en
Pages : 192

Get Book Here

Book Description
Readers of Emily Brontë's poetry and of Wuthering Heights have seen in their author, variously, a devout if somewhat unorthodox Christian, a heretic, or a visionary "mystic of the moors". Rather than seeking to resolve this matter, Emily Brontë and the Religious Imagination suggests that such conflicting readings are the product of tensions, conflicts and ambiguities within the texts themselves. Rejecting the idea that a single, coherent set of religious doctrines are to be found in Brontë's work, this book argues that Wuthering Heights and the poems dramatise individual experiences of faith in the context of a world in which such faith is always conflicted, always threatened. Brontë's work dramatises the experience of imaginative faith that is always contested by the presence of other voices, other worldviews. Her characters cling to visionary faith in the face of death and mortality, awaiting and anticipating a final vindication, an eschatological fulfilment that always lies in a future beyond the scope of the text.

Author: Charlotte Brontë
Publisher:
ISBN:
Category :
Languages : en
Pages : 178

Get Book Here

Book Description

Author: Elizabeth K. Helsinger
Publisher:
ISBN: 9780813938004
Category : English poetry
Languages : en
Pages : 0

Get Book Here

Book Description
In arguing for the crucial importance of song for poets in the long nineteenth century, Elizabeth Helsinger focuses on both the effects of song on lyric forms and the mythopoetics through which poets explored the affinities of poetry with song. Looking in particular at individual poets and poems, Helsinger puts extensive close readings into productive conversation with nineteenth-century German philosophic and British scientific aesthetics. While she considers poets long described as "musical"--Alfred, Lord Tennyson, Gerard Manly Hopkins, Emily Brontë, and Algernon Charles Swinburne--Helsinger also examines the more surprising importance of song for those poets who rethought poetry through the medium of visual art: Dante Gabriel Rossetti, William Morris, and Christina Rossetti. In imitating song's forms and sound textures through lyric's rhythm, rhyme, and repetition, these poets were pursuing song's "thought" in a double sense. They not only asked readers to think of particular kinds of song as musical sound in social performance (ballads, national airs, political songs, plainchant) but also invited readers to think like song: to listen to the sounds of a poem as it moves minds in a different way from philosophy or science. By attending to the formal practices of these poets, the music to which the poets were listening, and the stories and myths out of which each forged a poetics that aspired to the condition of music, Helsinger suggests new ways to think about the nature and form of the lyric in the nineteenth century.

Author: Maaike Meijer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111563464
Category : Language Arts & Disciplines
Languages : en
Pages : 204

Get Book Here

Book Description
No detailed description available for "Historiography of women's cultural traditions".

Author: Jonathan Culler
Publisher: Harvard University Press
ISBN: 0674425804
Category : Literary Criticism
Languages : en
Pages : 406

Get Book Here

Book Description
What sort of thing is a lyric poem? An intense expression of subjective experience? The fictive speech of a specifiable persona? Theory of the Lyric reveals the limitations of these two conceptions of the lyric—the older Romantic model and the modern conception that has come to dominate the study of poetry—both of which neglect what is most striking and compelling in the lyric and falsify the long and rich tradition of the lyric in the West. Jonathan Culler explores alternative conceptions offered by this tradition, such as public discourse made authoritative by its rhythmical structures, and he constructs a more capacious model of the lyric that will help readers appreciate its range of possibilities. “Theory of the Lyric brings Culler’s own earlier, more scattered interventions together with an eclectic selection from others’ work in service to what he identifies as a dominant need of the critical and pedagogical present: turning readers’ attention to lyric poems as verbal events, not fictions of impersonated speech. His fine, nuanced readings of particular poems and kinds of poems are crucial to his arguments. His observations on the workings of aspects of lyric across multiple different structures are the real strength of the book. It is a work of practical criticism that opens speculative vistas for poetics but always returns to poems.” —Elizabeth Helsinger, Critical Theory

Author: Laura Inman
Publisher: Liverpool University Press
ISBN: 1782841458
Category : Literary Collections
Languages : en
Pages : 203

Get Book Here

Book Description
Emily Bront is known as a novelist, but she was first and equally a poet. Before during and after writing Wuthering Heights, she wrote poetry. Indeed, she wrote virtually nothing else for us to read no other work of fiction or correspondence. Her poems, however, fill this void. They are varied, lyrical, intriguing, and innovative, yet they ...

Author: Emily Brontë
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 186

Get Book Here

Book Description
A collection of Brontë's poetry with a portrait of the poet as a frontispiece, a brief foreword, and a pencil drawing by the poet.

Author: Deborah Lutz
Publisher: Oxford University Press
ISBN: 0192602438
Category : Literary Criticism
Languages : en
Pages : 241

Get Book Here

Book Description
This book shows how authors in nineteenth-century Britain used the materials of writing (and of reading, drawing, and handicraft) for inspiration and creative composition. In doing so, it reshapes the sensory history of working on and with paper. These activities were many and varied: Charlotte Brontë composed poems and doodled in the margins of school books, George Eliot recorded writing ideas on her blotter, Elizabeth Barrett Browning sewed paper to paper to edit her poems, and Jane Austen employed straight pins to "cut and paste." Albums provided a playful space to collect and to produce text-and-collage gifts for friends, circumventing print culture for a more intimate book making, as Elizabeth Gaskell and Anna Atkins knew. Notebooks and commonplace books were vital to Eliot, Michael Field, and Emily Brontë as part of a writing process. Writers experimented with crafts and needlework to compose text without paper and ink, most notably in the case of samplers. What writing and drawing happened on—including bibles, sewing patterns, and walls—mattered, as related to, and generative of, the themes of the work. This expansive field of meanings that creativity with textual (and material) things could have was common to the Victorians, but the writers explored here were extravagant even among their self-reflexive contemporaries in their undoing, remaking, miniaturizing, encrypting, reusing, and transforming. The edge of the page, the width of the margin, the covers of the book, were limiting factors, but also provocations to push on further, be radical.