Author: Liz Norton
Publisher: Cambridge Scholars Publishing
ISBN: 1443865478
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
By first examining the origins of ecphrasis as a rhetorical trope, as well as its association with simile, the author provides an historical context on which to base a discussion of Ovid’s own use of the device. Consideration is given to recent theoretical approaches to the subject, as well as to a selection of ancient texts that may have influenced Ovid’s work. After this, a more in-depth examination of relevant passages within the Metamorphoses is undertaken. The author concludes by considering the benefits of an intertextual approach to the material, as well as looking at the extent to which Ovid’s determination to both allude to and outdo his predecessors, influenced the style and substance of his work. In looking at the links between the literary and plastic arts, the reader is invited to consider the possibility that Ovid’s pre-occupation with artists and artistic endeavours makes the Metamorphoses itself both an extended ecphrasis and a commentary on Ovid’s obsession with his own artistry.
Aspects of Ecphrastic Technique in Ovid's Metamorphoses
Author: Liz Norton
Publisher: Cambridge Scholars Publishing
ISBN: 1443865478
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
By first examining the origins of ecphrasis as a rhetorical trope, as well as its association with simile, the author provides an historical context on which to base a discussion of Ovid’s own use of the device. Consideration is given to recent theoretical approaches to the subject, as well as to a selection of ancient texts that may have influenced Ovid’s work. After this, a more in-depth examination of relevant passages within the Metamorphoses is undertaken. The author concludes by considering the benefits of an intertextual approach to the material, as well as looking at the extent to which Ovid’s determination to both allude to and outdo his predecessors, influenced the style and substance of his work. In looking at the links between the literary and plastic arts, the reader is invited to consider the possibility that Ovid’s pre-occupation with artists and artistic endeavours makes the Metamorphoses itself both an extended ecphrasis and a commentary on Ovid’s obsession with his own artistry.
Publisher: Cambridge Scholars Publishing
ISBN: 1443865478
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
By first examining the origins of ecphrasis as a rhetorical trope, as well as its association with simile, the author provides an historical context on which to base a discussion of Ovid’s own use of the device. Consideration is given to recent theoretical approaches to the subject, as well as to a selection of ancient texts that may have influenced Ovid’s work. After this, a more in-depth examination of relevant passages within the Metamorphoses is undertaken. The author concludes by considering the benefits of an intertextual approach to the material, as well as looking at the extent to which Ovid’s determination to both allude to and outdo his predecessors, influenced the style and substance of his work. In looking at the links between the literary and plastic arts, the reader is invited to consider the possibility that Ovid’s pre-occupation with artists and artistic endeavours makes the Metamorphoses itself both an extended ecphrasis and a commentary on Ovid’s obsession with his own artistry.
Structures of Epic Poetry
Author: Christiane Reitz
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110492598
Category : Literary Criticism
Languages : en
Pages : 2760
Book Description
This compendium (4 vols.) studies the continuity, flexibility, and variation of structural elements in epic narratives. It provides an overview of the structural patterns of epic poetry by means of a standardized, stringent terminology. Both diachronic developments and changes within individual epics are scrutinized in order to provide a comprehensive structural approach and a key to intra- and intertextual characteristics of ancient epic poetry.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110492598
Category : Literary Criticism
Languages : en
Pages : 2760
Book Description
This compendium (4 vols.) studies the continuity, flexibility, and variation of structural elements in epic narratives. It provides an overview of the structural patterns of epic poetry by means of a standardized, stringent terminology. Both diachronic developments and changes within individual epics are scrutinized in order to provide a comprehensive structural approach and a key to intra- and intertextual characteristics of ancient epic poetry.
Simile and Identity in Ovid's Metamorphoses
Author: Marie Louise von Glinski
Publisher: Cambridge University Press
ISBN: 0521760968
Category : History
Languages : en
Pages : 181
Book Description
The first monograph on Ovid's epic simile, offering fresh perspectives on central episodes of this important work.
Publisher: Cambridge University Press
ISBN: 0521760968
Category : History
Languages : en
Pages : 181
Book Description
The first monograph on Ovid's epic simile, offering fresh perspectives on central episodes of this important work.
Ekphrastic Image-making in Early Modern Europe, 1500–1700
Author: Arthur J. DiFuria
Publisher: BRILL
ISBN: 9004462066
Category : Art
Languages : en
Pages : 884
Book Description
This volume examines how and why many early modern pictures operate in an ekphrastic mode.
Publisher: BRILL
ISBN: 9004462066
Category : Art
Languages : en
Pages : 884
Book Description
This volume examines how and why many early modern pictures operate in an ekphrastic mode.
Ekphrasis in American Poetry
Author: Sandra Lee Kleppe
Publisher: Cambridge Scholars Publishing
ISBN: 1443885061
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
Ekphrasis in American Poetry: The Colonial Period to the 21st Century provides a sample of the chronological range and stylistic variety of ekphrastic poetry, or poetry that engages in various ways with different types of visual art, including pictographs, paintings, moving panoramas, daguerreotypes, photographs, landscape, and more. The volume shows how ekphrasis has been a part of American poetry from its inception, and that as many American men as women have produced work in this genre. The book opens with an overview chapter followed by an examination of American ekphrastic poems during the formative Colonial period where Europe, Africa, and Indigenous America met in encounters that are depicted in art and literature. It closes with two chapters on Native American poetry that consider how American landscapes serve as ekphrastic prompts for personal and collective experiences. In between are contributions on men and women poets and artists who have engaged with ekphrasis in a variety of ways from different periods. As such, American ekphrasis emerges as a genre that has implications far beyond the Eurocentric versions of the canon that have hitherto been discussed in the critical literature on the topic.
Publisher: Cambridge Scholars Publishing
ISBN: 1443885061
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
Ekphrasis in American Poetry: The Colonial Period to the 21st Century provides a sample of the chronological range and stylistic variety of ekphrastic poetry, or poetry that engages in various ways with different types of visual art, including pictographs, paintings, moving panoramas, daguerreotypes, photographs, landscape, and more. The volume shows how ekphrasis has been a part of American poetry from its inception, and that as many American men as women have produced work in this genre. The book opens with an overview chapter followed by an examination of American ekphrastic poems during the formative Colonial period where Europe, Africa, and Indigenous America met in encounters that are depicted in art and literature. It closes with two chapters on Native American poetry that consider how American landscapes serve as ekphrastic prompts for personal and collective experiences. In between are contributions on men and women poets and artists who have engaged with ekphrasis in a variety of ways from different periods. As such, American ekphrasis emerges as a genre that has implications far beyond the Eurocentric versions of the canon that have hitherto been discussed in the critical literature on the topic.
Ovid As An Epic Poet
Author: Brooks Otis
Publisher: Cambridge University Press
ISBN: 9780521143172
Category : History
Languages : en
Pages : 466
Book Description
Professor Otis shows that the unity of Ovid's Metamorphoses is not in the linkage but in the order or succession of episodes, motifs and ideas.
Publisher: Cambridge University Press
ISBN: 9780521143172
Category : History
Languages : en
Pages : 466
Book Description
Professor Otis shows that the unity of Ovid's Metamorphoses is not in the linkage but in the order or succession of episodes, motifs and ideas.
In the Wake of Medea
Author: Juliette Cherbuliez
Publisher: Fordham University Press
ISBN: 0823287831
Category : Literary Criticism
Languages : en
Pages : 165
Book Description
In the Wake of Medea examines the violence of seventeenth-century French political dramas. French tragedy has traditionally been taken to be a passionless, cerebral genre that refused all forms of violence. This book explores the rhetorical, literary, and performance strategies through which violence persists, contextualizing it in a longer literary and philosophical history from Ovid to Pasolini. The mythological figure of Medea, foreigner who massacres her brother, murders kings, burns down Corinth, and kills her own children, exemplifies the persistence of violence in literature and art. A refugee who is welcomed yet feared, who confirms the social while threatening its integrity, Medea offers an alternative to western philosophy’s ethical paradigm of Antigone. The Medean presence, Cherbuliez shows, offers a model of radically persistent and disruptive outsiderness, both for classical theater and for its wake in literary theory. In the Wake of Medea explores a range of artistic strategies integrating violence into drama, from rhetorical devices like ekphrasis to dramaturgical mechanisms like machinery, all of which involve temporal disruption. The full range of this Medean presence is explored in treatments of the character Medea and in works figuratively invoking a Medean presence, from the well-known tragedies of Racine and Corneille through a range of other neoclassical political theater, including spectacular machine plays, Neo-Stoic parables, didactic Christian theater. In the Wake of Medea recognizes the violence within these tragedies to explain why violence remains so integral to literature and arts today.
Publisher: Fordham University Press
ISBN: 0823287831
Category : Literary Criticism
Languages : en
Pages : 165
Book Description
In the Wake of Medea examines the violence of seventeenth-century French political dramas. French tragedy has traditionally been taken to be a passionless, cerebral genre that refused all forms of violence. This book explores the rhetorical, literary, and performance strategies through which violence persists, contextualizing it in a longer literary and philosophical history from Ovid to Pasolini. The mythological figure of Medea, foreigner who massacres her brother, murders kings, burns down Corinth, and kills her own children, exemplifies the persistence of violence in literature and art. A refugee who is welcomed yet feared, who confirms the social while threatening its integrity, Medea offers an alternative to western philosophy’s ethical paradigm of Antigone. The Medean presence, Cherbuliez shows, offers a model of radically persistent and disruptive outsiderness, both for classical theater and for its wake in literary theory. In the Wake of Medea explores a range of artistic strategies integrating violence into drama, from rhetorical devices like ekphrasis to dramaturgical mechanisms like machinery, all of which involve temporal disruption. The full range of this Medean presence is explored in treatments of the character Medea and in works figuratively invoking a Medean presence, from the well-known tragedies of Racine and Corneille through a range of other neoclassical political theater, including spectacular machine plays, Neo-Stoic parables, didactic Christian theater. In the Wake of Medea recognizes the violence within these tragedies to explain why violence remains so integral to literature and arts today.
Handbook of Intermediality
Author: Gabriele Rippl
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110393786
Category : Literary Criticism
Languages : en
Pages : 850
Book Description
This handbook offers students and researchers compact orientation in their study of intermedial phenomena in Anglophone literary texts and cultures by introducing them to current academic debates, theoretical concepts and methodologies. By combining theory with text analysis and contextual anchoring, it introduces students and scholars alike to a vast field of research which encompasses concepts such as intermediality, multi- and plurimediality, intermedial reference, transmediality, ekphrasis, as well as related concepts such as visual culture, remediation, adaptation, and multimodality, which are all discussed in connection with literary examples. Hence each of the 30 contributions spans both a theoretical approach and concrete analysis of literary texts from different centuries and different Anglophone cultures.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110393786
Category : Literary Criticism
Languages : en
Pages : 850
Book Description
This handbook offers students and researchers compact orientation in their study of intermedial phenomena in Anglophone literary texts and cultures by introducing them to current academic debates, theoretical concepts and methodologies. By combining theory with text analysis and contextual anchoring, it introduces students and scholars alike to a vast field of research which encompasses concepts such as intermediality, multi- and plurimediality, intermedial reference, transmediality, ekphrasis, as well as related concepts such as visual culture, remediation, adaptation, and multimodality, which are all discussed in connection with literary examples. Hence each of the 30 contributions spans both a theoretical approach and concrete analysis of literary texts from different centuries and different Anglophone cultures.
Simile and Identity in Ovid's Metamorphoses
Author: Marie Louise von Glinski
Publisher: Cambridge University Press
ISBN: 1139504207
Category : Literary Collections
Languages : en
Pages :
Book Description
Nulli sua forma manebat. The world of Ovid's Metamorphoses is marked by constant flux in which nothing keeps its original form. This book argues that Ovid uses the epic simile to capture states of unresolved identity - in the transition between human, animal and divine identity, as well as in the poem's textual ambivalence between genres and the negotiation of fiction and reality. In conjuring up a likeness, the mental image of the simile enters a dialectic of appearances in a visually complex and treacherous universe. Original and subtle close readings of episodes in the poem, from Narcissus to Adonis, from Diana's blush to the freeform dreams in the House of Sleep, trace the simile's potential for exploiting indeterminacy and immateriality. In its protean permutations the simile touches on the most profound issues of the poem - the nature of humanity and divinity and the essence of poetic creation.
Publisher: Cambridge University Press
ISBN: 1139504207
Category : Literary Collections
Languages : en
Pages :
Book Description
Nulli sua forma manebat. The world of Ovid's Metamorphoses is marked by constant flux in which nothing keeps its original form. This book argues that Ovid uses the epic simile to capture states of unresolved identity - in the transition between human, animal and divine identity, as well as in the poem's textual ambivalence between genres and the negotiation of fiction and reality. In conjuring up a likeness, the mental image of the simile enters a dialectic of appearances in a visually complex and treacherous universe. Original and subtle close readings of episodes in the poem, from Narcissus to Adonis, from Diana's blush to the freeform dreams in the House of Sleep, trace the simile's potential for exploiting indeterminacy and immateriality. In its protean permutations the simile touches on the most profound issues of the poem - the nature of humanity and divinity and the essence of poetic creation.
Dreaming with Open Eyes
Author: Ayana O. Smith
Publisher: Univ of California Press
ISBN: 0520421108
Category : Music
Languages : en
Pages : 326
Book Description
Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures.
Publisher: Univ of California Press
ISBN: 0520421108
Category : Music
Languages : en
Pages : 326
Book Description
Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures.