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Author: Glenn Harper
Publisher: Isc Press
ISBN: 9780295993393
Category : Art and society
Languages : en
Pages : 0
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Book Description
Percent-for-art commissions may represent the official, professionalized face of public art, but beyond the plaza--in neighborhoods, back streets, vacant lots, suburban hinterlands, rural villages, and remote virtual realms--another kind of art has been taking shape, one that questions the very nature and experience of the commons. Driven by artists, curators, and nonprofit organizations, these independent projects treat public space as more than an outdoor gallery. Whether temporary or permanent, guerrilla or sanctioned, object or action, such works invite us to imagine alternative ways of seeing and being while opening up new possibilities for individual and collective consciousness. When we enter its domain, public space becomes a site of resistance, a stage on which to enact experimental scenarios, and a catalyst for action--a place of both art and life. Twylene Moyer and Glenn Harper are the editors of four previous volumes in the Perspectives on Contemporary Sculpture series.
Author: Glenn Harper
Publisher: Isc Press
ISBN: 9780295993393
Category : Art and society
Languages : en
Pages : 0
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Book Description
Percent-for-art commissions may represent the official, professionalized face of public art, but beyond the plaza--in neighborhoods, back streets, vacant lots, suburban hinterlands, rural villages, and remote virtual realms--another kind of art has been taking shape, one that questions the very nature and experience of the commons. Driven by artists, curators, and nonprofit organizations, these independent projects treat public space as more than an outdoor gallery. Whether temporary or permanent, guerrilla or sanctioned, object or action, such works invite us to imagine alternative ways of seeing and being while opening up new possibilities for individual and collective consciousness. When we enter its domain, public space becomes a site of resistance, a stage on which to enact experimental scenarios, and a catalyst for action--a place of both art and life. Twylene Moyer and Glenn Harper are the editors of four previous volumes in the Perspectives on Contemporary Sculpture series.
Author: Cher Krause Knight
Publisher: John Wiley & Sons
ISBN: 1119190800
Category : Art
Languages : en
Pages : 512
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Book Description
A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale. Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves Includes 19 essays in four sections: tradition, site, audience, and critical frameworks Covers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass media Contains “artist’s philosophy” essays, which address larger questions about an artist’s body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.
Author: Josh MacPhee
Publisher: AK Press
ISBN: 9781904859321
Category : Education
Languages : en
Pages : 338
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Book Description
Looks at the history of the depiction of anti-authoritarian social movements in art.
Author: Leanne Prain
Publisher: Arsenal Pulp Press
ISBN: 1551525518
Category : Crafts & Hobbies
Languages : en
Pages : 600
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Book Description
Strange Material explores the relationship between handmade textiles and storytelling. Through text, the act of weaving a tale or dropping a thread takes on new meaning for those who previously have seen textiles—quilts, blankets, articles of clothing, and more—only as functional objects. This book showcases crafters who take storytelling off the page and into the mediums of batik, stitching, dyeing, fabric painting, knitting, crochet, and weaving, creating objects that bear their messages proudly, from personal memoir and cultural fables to pictorial histories and wearable fictions. Full-color throughout, the book includes chapters on various aspects of textile storytelling, from "Textiles of Protest, Politics, and Power" to "The Fabric of Remembrance"; it also includes specific projects, such as the well-known and profoundly moving Names Project AIDS Memorial Quilt, as well as poetry mittens, button blankets, and stitched travel diaries. Offbeat, poetic, and subversive, Strange Material will inspire readers to re-imagine the possibilities of creating through needle and fabric. Leanne Prain is the co-author (with Mandy Moore) of Yarn Bombing, now in its third printing, and the author of Hoopla: The Art of Unexpected Embroidery. A professional graphic designer, Leanne holds degrees in creative writing, art history, and publishing.
Author: Fawn Daphne Plessner
Publisher: Rowman & Littlefield
ISBN: 1538151480
Category : Political Science
Languages : en
Pages : 241
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Book Description
This book examines how citizen art practices perform new kinds of politics, as distinct from normative (status, participatory and cosmopolitan) models. It contends that at a time in which the conditions of citizenship have been radically altered (e.g., by the increased securitization and individuation of bodies and so forth), there is an urgent drive for citizen art to be enacted as a tool for assessing the “hollowed out” conditions of citizenship. Citizen art, it shows, stands apart from other forms of art by performing acts of citizenship that reveal and transgress the limitations of state-centred citizenship regimes, whilst simultaneously enacting genuinely alternative modes of (non-statist) citizenship. This book offers a new formulation of citizen art—one that is interrogated on both critical and material levels, and as such, remodels the foundations on which citizenship is conceived, performed and instituted.
Author: Valentina Rozas-Krause
Publisher: Fordham Univ Press
ISBN: 1531506410
Category : Art
Languages : en
Pages : 299
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Book Description
Breaking the Bronze Ceiling uncovers a glaring omission in our global memorial landscape—the conspicuous absence of women. Exploring this neglected narrative, the book emerges as the foremost guide to women's memorialization across diverse cultures and ages. As global memorials come under intense examination, with metropolises vying for a more inclusive recognition of female contributions, this book stands at the forefront of contemporary discussion. The book’s thought-provoking essays artfully traverse the complex terrains of gender portrayal, urban tales, ancestral practices, and grassroots activism—all anchored in the bedrock of cultural remembrance. Rich in the range of cases discussed, the book sifts through multifaceted representations of women, from Marians to Liberties, to handmaidens, to particular historical women. Breaking the Bronze Ceiling offers a panoramic view of worldwide memorials, critically analyzing grandiose tributes while also honoring subtle gestures—be it evocative plaques, inspiring namesakes, or dynamic demonstrations. The book will be of interest to historians of art and architecture, as well as to activists, governmental bodies, urban planners, and NGOs committed to regional history and memory. More than a mere compilation, Breaking the Bronze Ceiling epitomizes a movement. The book comprehensively assesses the portrayal of women in public art and offers a fervent plea to address the severe underrepresentation of women in memorials. Contributors: Carolina Aguilera, Manuela Badilla, Daniel E. Coslett, Erika Doss, Tania Gutiérrez-Monroy, Daniel Herwitz, Katherine Hite, Lauren Kroiz, Ana María León, Fernando Luis Martínez Nespral, Pía Montealegre, Sierra Rooney, Daniela Sandler, Kirk Savage, Susan Slyomovics, Marita Sturken, Amanda Su, Dell Upton, Nathaniel Robert Walker, and Mechtild Widrich
Author: Cher Krause Knight
Publisher: Cambridge Scholars Publishing
ISBN: 1527512002
Category : Art
Languages : en
Pages : 328
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Book Description
While many museums have ignored public art as a distinct arena of art production and display, others have – either grudgingly or enthusiastically – embraced it. Some institutions have partnered with public art agencies to expand the scope of special exhibitions; other museums have attempted to establish in-house public art programs. This is the first book to contextualize the collaborations between museums and public art through a range of essays marked by their coherence of topical focus, written by leading and emerging scholars and artists. Organized into three sections it represents a major contribution to the field of art history in general, and to those of public art and museum studies in particular. It includes essays by art historians, critics, curators, arts administrators and artists, all of whom help to finally codify the largely unwritten history of how museums and public art have and continue to intersect. Key questions are both addressed and offered as topics for further discussion: Who originates such public art initiatives, funds them, and most importantly, establishes the philosophy behind them? Is the efficacy of these initiatives evaluated in the same way as other museum exhibitions and programs? Can public art ever be a “permanent” feature in any museum? And finally, are the museum and public art ultimately at odds, or able to mutually benefit one another?
Author: Randal Joy Thompson
Publisher: Emerald Group Publishing
ISBN: 1838678018
Category : Business & Economics
Languages : en
Pages : 288
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Book Description
Will capitalism give way to a commons-centric society as many scholars and activists predict? Viewing the commons as a vehicle for a new world order, Randal Joy Thompson proposes ‘proleptic leadership’, which envisions how leaders will continue to be essential as the custodians of responsible agency and conscious choice.
Author: Katayoun Arian
Publisher: Hatje Cantz Verlag
ISBN: 3775756752
Category : Art
Languages : en
Pages : 368
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Book Description
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.
Author: Joanna Page
Publisher: UCL Press
ISBN: 178735976X
Category : Art
Languages : en
Pages : 289
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Book Description
Projects that bring the ‘hard’ sciences into art are increasingly being exhibited in galleries and museums across the world. In a surge of publications on the subject, few focus on regions beyond Europe and the Anglophone world. Decolonizing Science in Latin American Art assembles a new corpus of art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists’ kitchens. While they draw on recent scientific research, these art projects also ‘decolonize’ science. If increasing knowledge of the natural world has often gone hand-in-hand with our objectification and exploitation of it, the artists studied here emphasize the subjectivity and intelligence of other species, staging new forms of collaboration and co-creativity beyond the human. They design technologies that work with organic processes to promote the health of ecosystems, and seek alternatives to the logics of extractivism and monoculture farming that have caused extensive ecological damage in Latin America. They develop do-it-yourself, open-source, commons-based practices for sharing creative and intellectual property. They establish critical dialogues between Western science and indigenous thought, reconnecting a disembedded, abstracted form of knowledge with the cultural, social, spiritual, and ethical spheres of experience from which it has often been excluded. Decolonizing Science in Latin American Art interrogates how artistic practices may communicate, extend, supplement, and challenge scientific ideas. At the same time, it explores broader questions in the field of art, including the relationship between knowledge, care, and curation; nonhuman agency; art and utility; and changing approaches to participation. It also highlights important contributions by Latin American thinkers to themes of global significance, including the Anthropocene, climate change and environmental justice.
