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Author: Stephen John Campbell
Publisher:
ISBN:
Category : Art patronage
Languages : en
Pages : 0
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Book Description
Author: Stephen John Campbell
Publisher:
ISBN:
Category : Art patronage
Languages : en
Pages : 0
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Book Description
Author: Elizabeth Williams
Publisher:
ISBN: 9781956470154
Category :
Languages : en
Pages : 256
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Book Description
This updated edition of The Illustrated Courtroom came to be because the world of court art has evolved so dramatically since our book's first edition. Trial art is now a fixture both in the 24/7 news cycle and in the fast-moving online world. And numerous epic news stories that broke in the past few years proved hard to ignore. We welcomed the opportunity to include some notable examples. The #MeToo social movement exploded internationally in 2017, signaling massive support for victims of sexual assault. Uber-powerful Hollywood movie producer Harvey Weinstein's precipitous fall was at its heart, following decades of rumors of his sexually predatory behavior. In February 2020, I drew Weinstein being found guilty of rape and criminal sexual acts then sentenced to 23 years in prison. Artist Aggie Kenny's work is also featured in this book. She and I covered multimillionaire financier Jeffrey Epstein's July 2019 arraignment on sex trafficking charges in New York. Epstein was first convicted as a sex offender back in 2008 but unlike in 2008, in 2019, he faced major prison time. However, on August 10, before he could stand trial, he was found dead in his cell. The story and theories on how Epstein died gripped the nation. We court artists have always needed nerves of steel plus an aptitude for speed and precision, but now, with the Internet's meme culture, our work is ever more closely scrutinized. Any perceived failure to produce a good likeness of a famous face triggers a flood of criticism. In 2015, an artist's rendition of New England Patriots' football star Tom Brady at the #Deflategate proceedings-which followed allegations that Brady's team had cheated by using under-inflated balls-was pilloried as unflattering and unrecognizable. The illustration swiftly went viral. Its artist was heavily criticized as parodies and memes erupted, ridiculing her artwork. The effect of the COVID-19 pandemic on the courts has been significant. Courtroom artists faced a whole new challenge, people's faces behind masks, behind barriers or on video. Limited seating in courtrooms due to social distancing. At the Britney Spears conservatorship, hearing some lawyers made their arguments via video, while others were in court wearing masks. Artists drew the R.Kelly sex trafficking trial from a blurry video feed piped into an overflow courtroom. These episodes alone are proof positive that we courtroom artists now inhabit a whole new world
Author: Vaughan Hart
Publisher: Routledge
ISBN: 1134876785
Category : History
Languages : en
Pages : 514
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Book Description
Spanning from the inauguration of James I in 1603 to the execution of Charles I in 1649, the Stuart court saw the emergence of a full expression of Renaissance culture in Britain. Hart examines the influence of magic on Renaissance art and how in its role as an element of royal propaganda, art was used to represent the power of the monarch and reflect his apparent command over the hidden forces of nature. Court artists sought to represent magic as an expression of the Stuart Kings' divine right, and later of their policy of Absolutism, through masques, sermons, heraldry, gardens, architecture and processions. As such, magic of the kind enshrined in Neoplatonic philosophy and the court art which expressed its cosmology, played their part in the complex causes of the Civil War and the destruction of the Stuart image which followed in its wake.
Author: Priscilla Coleman
Publisher: Wildy, Simmonds & Hill Publishing
ISBN: 9780854900398
Category : Courtroom art
Languages : en
Pages : 64
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Book Description
Priscilla Coleman has been drawing court scenes for over 20 years. The pictures collected here mark many of the most important trials of that period. There is a widespread misunderstanding among those who see pictures on TV or in the newspapers that an artist can sketch as much as they like in court. As lawyers know, far from taking a palate and easel into the public gallery, any attempt at photography, drawings or visual representations is strictly verboten. Artists have to memorise in court the colours, shades, clothing, facial mannerisms and physical idiocyncracies then go out and draw a likeness from memory . . . against the clock.
Author: Steven Kossak
Publisher: Metropolitan Museum of Art
ISBN: 0870997823
Category : Miniature painting, Indic
Languages : en
Pages : 154
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Book Description
A catalogue to accompany an exhibit held at the museum from March to July 1997. Color reproductions of 83 paintings are presented chronologically rather than in the usual separate sections on Mughal, Deccani, Rijput, and Pahari traditions. Kossak, associate curator of Asian art at the museum, offers an introductory essay. Distributed in the US by Harry N. Abrams. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Deborah Hutton
Publisher: Indiana University Press (Ips)
ISBN:
Category : Art
Languages : en
Pages : 272
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Book Description
The courtly patrons and artists of Bijapur, an Islamic kingdom that flourished in the Deccan region of India in the 16th and 17th centuries, produced lush paintings and elaborately carved architecture, evidence of a highly cosmopolitan Indo-Islamic culture. This stunningly illustrated study traces the development of Bijapuri art and courtly identity through detailed examination of selected paintings, architecture and literature.
Author: Elena Fumagalli
Publisher: Viella Libreria Editrice
ISBN: 8867284371
Category : Art
Languages : en
Pages : 281
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Book Description
Up to now the theme of the artist in the service of Italian courts has been examined in various studies focused mostly on the High Renaissance, as though the phenomenon was relevant only to the XV and XVI centuries. It actually lasted much longer, spanning the whole longue durée of the lives of the courts of the ancient regime. The present volume intends to fill this gap, presenting for the first time a comprehensive examination of the subject of the court artist from sixteenth to seventeenth century and the transformations of this role. “Court artist” is here defined as one who received a regular salary, and was therefore attached to the court by a more or less exclusive service relationship. The book is divided in six chapters: each of them examines the position of the court artist in the service of the most important ruling families in Italy (the Savoy in Turin, the Gonzaga in Mantua, the Este in Modena, the Della Rovere in Pesaro and Urbino, the Medici in Florence) and in papal Rome, a particular and unique center of power.
Author: Kathleen Morand
Publisher: Austin : University of Texas Press
ISBN:
Category : Architecture
Languages : en
Pages : 422
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Book Description
Author: Thomas DaCosta Kaufmann
Publisher: University of Chicago Press
ISBN: 0226427307
Category : Art
Languages : en
Pages : 576
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Book Description
In this book, Thomas DaCosta Kaufmann chronicles more than three hundred years of painting, sculpture, and architecture in Germany, Poland, the Czech Republic, Slovakia, Hungary, Austria, Ukraine, Lithuania and western parts of the Russian Federation. Massive in scale, the book is highly accessible and lavishly illustrated. The readability of the text and the entirely new insights it provides into three hundred years of Central European history make this a vital introduction to one of the least understood periods in the history of art.
Author: Renée Ater
Publisher: Legal History Library
ISBN: 9789004364301
Category : Art
Languages : en
Pages : 272
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Book Description
"In May It Please the Court, artist Xavier Cortada portrays ten significant decisions by the Supreme Court of the United States that originated from people, places, and events in Florida. These cases cover the rights of criminal defendants, the rights of free speech and free exercise of religion, and the powers of states. In Painting Constitutional Law, scholars of constitutional law analyse the paintings and cases, describing the law surrounding the cases and discussing how Cortada captures these foundational decisions, their people, and their events on canvas. This book explores new connections between contemporary art and constitutional law. Contributors are: Renée Ater, Mary Sue Backus, Kathleen A. Brady, Jenny E. Carroll, Erwin Chemerinsky, Xavier Cortada, Andrew Guthrie Ferguson, Leslie Kendrick, Corinna Barrett Lain, Paul Marcus, Linda C. McClain, M.C. Mirow, James E. Pfander, Laura S. Underkuffler, and Howard M. Wasserman"--
