Author: Courtney Lee Weida
Publisher: Cambridge Scholars Publishing
ISBN: 1443830216
Category : Art
Languages : en
Pages : 185
Book Description
This book is a collection of glimpses into the lives and works of fifteen prominent women artists in contemporary ceramics. Spanning multiple genres, generations, and geographies, these potters and ceramic sculptors describe nuances, contradictions, and tensions surrounding their artworks, artistic processes, and professional lives. Within this text, artistic ambivalences are questioned and analyzed in terms of myriad gender issues. Featured ceramicists include: Maureen Burns-Bowie, Esta Carnahan, Ellen Day, Cara Gay Driscoll, Dolores Dunning, Heidi Fahrenbacher, DeBorah Goletz, Lynn Goodman, Joan Hardin, Beth Heit, Tsehai Johnson, Kate Malone, Norma Messing, Elspeth Owen, and Mary Trainor. The qualitative research summarized within this book draws influence from feminist methodologies and the visual arts methodology of portraiture. Artists, art historians, and art educators interested in ceramics and gender will find detailed discussion of unexpected persistence of gendered associations within ceramic technology, social binaries of gender identity in symbols and traditions of clay, and subtle sexism surrounding ceramics in education. At the same time, this text celebrates women’s work in ceramics as an often neglected set of perspectives, highlighting the intricate complexities of artistic ambivalences and lived experiences of art within a dynamic dialogue.
Artistic Ambivalence in Clay
Author: Courtney Lee Weida
Publisher: Cambridge Scholars Publishing
ISBN: 1443830216
Category : Art
Languages : en
Pages : 185
Book Description
This book is a collection of glimpses into the lives and works of fifteen prominent women artists in contemporary ceramics. Spanning multiple genres, generations, and geographies, these potters and ceramic sculptors describe nuances, contradictions, and tensions surrounding their artworks, artistic processes, and professional lives. Within this text, artistic ambivalences are questioned and analyzed in terms of myriad gender issues. Featured ceramicists include: Maureen Burns-Bowie, Esta Carnahan, Ellen Day, Cara Gay Driscoll, Dolores Dunning, Heidi Fahrenbacher, DeBorah Goletz, Lynn Goodman, Joan Hardin, Beth Heit, Tsehai Johnson, Kate Malone, Norma Messing, Elspeth Owen, and Mary Trainor. The qualitative research summarized within this book draws influence from feminist methodologies and the visual arts methodology of portraiture. Artists, art historians, and art educators interested in ceramics and gender will find detailed discussion of unexpected persistence of gendered associations within ceramic technology, social binaries of gender identity in symbols and traditions of clay, and subtle sexism surrounding ceramics in education. At the same time, this text celebrates women’s work in ceramics as an often neglected set of perspectives, highlighting the intricate complexities of artistic ambivalences and lived experiences of art within a dynamic dialogue.
Publisher: Cambridge Scholars Publishing
ISBN: 1443830216
Category : Art
Languages : en
Pages : 185
Book Description
This book is a collection of glimpses into the lives and works of fifteen prominent women artists in contemporary ceramics. Spanning multiple genres, generations, and geographies, these potters and ceramic sculptors describe nuances, contradictions, and tensions surrounding their artworks, artistic processes, and professional lives. Within this text, artistic ambivalences are questioned and analyzed in terms of myriad gender issues. Featured ceramicists include: Maureen Burns-Bowie, Esta Carnahan, Ellen Day, Cara Gay Driscoll, Dolores Dunning, Heidi Fahrenbacher, DeBorah Goletz, Lynn Goodman, Joan Hardin, Beth Heit, Tsehai Johnson, Kate Malone, Norma Messing, Elspeth Owen, and Mary Trainor. The qualitative research summarized within this book draws influence from feminist methodologies and the visual arts methodology of portraiture. Artists, art historians, and art educators interested in ceramics and gender will find detailed discussion of unexpected persistence of gendered associations within ceramic technology, social binaries of gender identity in symbols and traditions of clay, and subtle sexism surrounding ceramics in education. At the same time, this text celebrates women’s work in ceramics as an often neglected set of perspectives, highlighting the intricate complexities of artistic ambivalences and lived experiences of art within a dynamic dialogue.
Guide to the Library of Congress Classification
Author: Lois Mai Chan
Publisher: Bloomsbury Publishing USA
ISBN: 1440844348
Category : Language Arts & Disciplines
Languages : en
Pages : 390
Book Description
Like earlier editions, this thoroughly updated sixth edition of the classic textbook provides readers with a basic understanding of the Library of Congress Classification system and its applications. The Library of Congress Classification system is used in academic, legal, medical, and research libraries throughout North America as well as worldwide; accordingly, catalogers and librarians in these settings all need to be able to use it. The established gold standard text for Library of Congress Classification (LCC), the sixth edition of Guide to the Library of Congress Classification updates and complements the classic textbook's coverage of cataloging in academic and research libraries. Clear and easy to understand, the text describes the reasoning behind assigning subject headings and subheadings, including use of tables; explains the principles, structure, and format of LCC; details notation, tables, assigning class numbers, and individual classes; and covers classification of special types of library materials. The last chapter of this perennially useful resource addresses the potential role of classification in libraries of the future.
Publisher: Bloomsbury Publishing USA
ISBN: 1440844348
Category : Language Arts & Disciplines
Languages : en
Pages : 390
Book Description
Like earlier editions, this thoroughly updated sixth edition of the classic textbook provides readers with a basic understanding of the Library of Congress Classification system and its applications. The Library of Congress Classification system is used in academic, legal, medical, and research libraries throughout North America as well as worldwide; accordingly, catalogers and librarians in these settings all need to be able to use it. The established gold standard text for Library of Congress Classification (LCC), the sixth edition of Guide to the Library of Congress Classification updates and complements the classic textbook's coverage of cataloging in academic and research libraries. Clear and easy to understand, the text describes the reasoning behind assigning subject headings and subheadings, including use of tables; explains the principles, structure, and format of LCC; details notation, tables, assigning class numbers, and individual classes; and covers classification of special types of library materials. The last chapter of this perennially useful resource addresses the potential role of classification in libraries of the future.
Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary
Author: Nicoletta Isar
Publisher: Springer Nature
ISBN: 303149945X
Category :
Languages : en
Pages : 300
Book Description
Publisher: Springer Nature
ISBN: 303149945X
Category :
Languages : en
Pages : 300
Book Description
The Art of Becoming An Artist
Author: Darylynn Starr Rank
Publisher: FriesenPress
ISBN: 1460293746
Category : Self-Help
Languages : en
Pages : 350
Book Description
Being an artist can be the most enchanting life imaginable – and the most tormenting. Finding your way to your own creative universe is an extraordinary and infinitely surprising journey. Still, every artist falters at some point. Call it what you will: blocks, obstacles, hitting the wall, tossing your painting into the ocean, or shredding your manuscript – we have all stumbled, we have all shut down. Based on the concept that creativity is unique to each individual, The Art of Becoming an Artist is designed to help artists discover the myriad, astonishing factors – social, educational, political, psychological, and personal history – that both enhance and interfere with our creativity. There is no “right” way to get to one’s art. There is only YOUR way. Finding that way is every artist’s goal. Using safe, gentle, revealing techniques to aid readers’ self-examination, The Art of Becoming an Artist produces epiphany after epiphany as it guides artists into shedding the restraints that are shutting them down. Artists of any stripe will find hope, excitement, and joy in this compassionate but thrilling process.
Publisher: FriesenPress
ISBN: 1460293746
Category : Self-Help
Languages : en
Pages : 350
Book Description
Being an artist can be the most enchanting life imaginable – and the most tormenting. Finding your way to your own creative universe is an extraordinary and infinitely surprising journey. Still, every artist falters at some point. Call it what you will: blocks, obstacles, hitting the wall, tossing your painting into the ocean, or shredding your manuscript – we have all stumbled, we have all shut down. Based on the concept that creativity is unique to each individual, The Art of Becoming an Artist is designed to help artists discover the myriad, astonishing factors – social, educational, political, psychological, and personal history – that both enhance and interfere with our creativity. There is no “right” way to get to one’s art. There is only YOUR way. Finding that way is every artist’s goal. Using safe, gentle, revealing techniques to aid readers’ self-examination, The Art of Becoming an Artist produces epiphany after epiphany as it guides artists into shedding the restraints that are shutting them down. Artists of any stripe will find hope, excitement, and joy in this compassionate but thrilling process.
The Smith College Museum of Art
Author: Smith College. Museum of Art
Publisher: Hudson Hills
ISBN: 9781555951948
Category : Architecture
Languages : en
Pages : 252
Book Description
Smith College art professors Davis and Leshko showcase 100 paintings and sculptures from their institution's vaunted collection, encompassing Americans from Gilbert Stuart to Louise Nevelson and Europeans from Corot to Henry Moore. In the introduction, how and why Smith became steward of such a fine body of work is ascribed to the school's high-minded mission and its generous alumni donors. The rest of the book is divided into two sections, one American and the other European. Each individual full-color reproduction is accompanied by an informative one-page essay and a brief reading list. During several years of renovations at Smith, the items featured in this book are traveling to diverse sites, which should increase the book's appeal. 118 colour & 1 b/w illustrations
Publisher: Hudson Hills
ISBN: 9781555951948
Category : Architecture
Languages : en
Pages : 252
Book Description
Smith College art professors Davis and Leshko showcase 100 paintings and sculptures from their institution's vaunted collection, encompassing Americans from Gilbert Stuart to Louise Nevelson and Europeans from Corot to Henry Moore. In the introduction, how and why Smith became steward of such a fine body of work is ascribed to the school's high-minded mission and its generous alumni donors. The rest of the book is divided into two sections, one American and the other European. Each individual full-color reproduction is accompanied by an informative one-page essay and a brief reading list. During several years of renovations at Smith, the items featured in this book are traveling to diverse sites, which should increase the book's appeal. 118 colour & 1 b/w illustrations
Pregrets
Author: Anselm Berrigan
Publisher: Black Square Editions
ISBN: 9781736324806
Category :
Languages : en
Pages : 104
Book Description
Poetry. New poems by Anselm Berrigan. "In the world of Anselm Berrigan sketchiness is next to godliness and repeated heavy-lifting becomes a pleasure. PREGRETS has the feel of wandering a giant armory filled with enigmatic objects and pointed memories. Dust motes in daylight betray a thin path forward so the 'tongue' of the book seems in constant peril; addictively so. 'Red copter rises slicing a scraper into outer cubicle dreams...' Possessed of a haunted style that moves beyond surface. Fathomless."--Cedar Sigo "With PREGRETS; Anselm Berrigan captures the scattered environs and tonal intrusions that compose thought-break as society--a reflection of the seemingly scattered populace; where the all is broken while becoming thought; 'unity would like / its finked deproductions back.' If we remove a cogent arc; the dips and peaks of our lives become weirdly accessible; where each observed indentation of skin on skin action becomes a jeweled aphorism; a telegrammed imagistic; from u to us--'I'm a covered base / levitating carry-ons into sub-extinction.' Berrigan synthesizes time's arrival as an act of pregret; by giving us regrets to degret from; now he's got me doing it! The breathless yet finite scrawl of these poems--ecosystems of empowerment that infuse the neighborhood walk with the centered page--re-train listening as a sort of ekphrasis of unfolding; to capture the journey's formation with a delicate insistence on the everyday apogee found between the words; 'being a thingless / telephat;' of poet to reader; 'give my love to the air out there.'"--Edwin Torres "Houdini word smithy Anselm Berrigan writes elsewhere about poetry coming from a place as if a filter between your consciousness and the world fluttering in. This magic act; not facile; is unpredictable--the filter works lovingly overtime; hard at its alchemy; arrangement; intuitive flowing 'moves' of brain flash; found attitude; multiple voiced increments. Sometimes I'm breathless inside a language barrage or barrel speedily turning not bound by any one thought. Other times I'm with abandon in the cognition quotidian soup. ('The abstract poet runs where in cognito again?') But consciousness is a vivid Zen equalizer--a syncretic piling on as words jump the gate; rhapsodize; list; lumber; scan this wild existence. So what IS the sense of PREGRETS? 'gret' comes from the 'greter' meaning to weep; mourn; lament from the Frankish 'gretan.' Was it that moment before you weep? or imagined later? Future pluperfect? Regrets suggest a past. Begrets suggest something between begetting and beginning; more complicated than 'first thought; best thought' And we have also Deflategrets; Freegrets; Megrets; Gretgrets; and then Degrets de-constructs the lament perhaps. So PREGRETS I figure gets at origins that already have some kind of affect/karma but don't have to add up. A huge relief. This work is all about duration and mind and space; and Time as spiral. Often like dream text with that crazy 'other' fluttering in wild tandem. 'The escapist fig as fondled contour.' Amazing."--Anne Waldman
Publisher: Black Square Editions
ISBN: 9781736324806
Category :
Languages : en
Pages : 104
Book Description
Poetry. New poems by Anselm Berrigan. "In the world of Anselm Berrigan sketchiness is next to godliness and repeated heavy-lifting becomes a pleasure. PREGRETS has the feel of wandering a giant armory filled with enigmatic objects and pointed memories. Dust motes in daylight betray a thin path forward so the 'tongue' of the book seems in constant peril; addictively so. 'Red copter rises slicing a scraper into outer cubicle dreams...' Possessed of a haunted style that moves beyond surface. Fathomless."--Cedar Sigo "With PREGRETS; Anselm Berrigan captures the scattered environs and tonal intrusions that compose thought-break as society--a reflection of the seemingly scattered populace; where the all is broken while becoming thought; 'unity would like / its finked deproductions back.' If we remove a cogent arc; the dips and peaks of our lives become weirdly accessible; where each observed indentation of skin on skin action becomes a jeweled aphorism; a telegrammed imagistic; from u to us--'I'm a covered base / levitating carry-ons into sub-extinction.' Berrigan synthesizes time's arrival as an act of pregret; by giving us regrets to degret from; now he's got me doing it! The breathless yet finite scrawl of these poems--ecosystems of empowerment that infuse the neighborhood walk with the centered page--re-train listening as a sort of ekphrasis of unfolding; to capture the journey's formation with a delicate insistence on the everyday apogee found between the words; 'being a thingless / telephat;' of poet to reader; 'give my love to the air out there.'"--Edwin Torres "Houdini word smithy Anselm Berrigan writes elsewhere about poetry coming from a place as if a filter between your consciousness and the world fluttering in. This magic act; not facile; is unpredictable--the filter works lovingly overtime; hard at its alchemy; arrangement; intuitive flowing 'moves' of brain flash; found attitude; multiple voiced increments. Sometimes I'm breathless inside a language barrage or barrel speedily turning not bound by any one thought. Other times I'm with abandon in the cognition quotidian soup. ('The abstract poet runs where in cognito again?') But consciousness is a vivid Zen equalizer--a syncretic piling on as words jump the gate; rhapsodize; list; lumber; scan this wild existence. So what IS the sense of PREGRETS? 'gret' comes from the 'greter' meaning to weep; mourn; lament from the Frankish 'gretan.' Was it that moment before you weep? or imagined later? Future pluperfect? Regrets suggest a past. Begrets suggest something between begetting and beginning; more complicated than 'first thought; best thought' And we have also Deflategrets; Freegrets; Megrets; Gretgrets; and then Degrets de-constructs the lament perhaps. So PREGRETS I figure gets at origins that already have some kind of affect/karma but don't have to add up. A huge relief. This work is all about duration and mind and space; and Time as spiral. Often like dream text with that crazy 'other' fluttering in wild tandem. 'The escapist fig as fondled contour.' Amazing."--Anne Waldman
Becoming Andy Warhol
Author: Nick Bertozzi
Publisher: Abrams
ISBN: 1613129297
Category : Biography & Autobiography
Languages : en
Pages : 196
Book Description
Celebrated during his lifetime as much for his personality as for his paintings, Andy Warhol (1928–87) is the most famous and influential of the Pop artists, who developed the notion of 15 minutes of fame, and the idea that an artist could be as illustrious as the work he creates. This graphic novel biography offers insight into the turning point of Warhol’s career and the creation of the Thirteen Most Wanted Men mural for the 1964 World’s Fair, when Warhol clashed with urban planner Robert Moses, architect Philip Johnson, and Governor Nelson Rockefeller. In Becoming Andy Warhol, New York Times bestselling writer Nick Bertozzi and artist Pierce Hargan showcase the moment when, by stubborn force of personality and sheer burgeoning talent, Warhol went up against the creative establishment and emerged to become one of the most significant artists of the 20th century.
Publisher: Abrams
ISBN: 1613129297
Category : Biography & Autobiography
Languages : en
Pages : 196
Book Description
Celebrated during his lifetime as much for his personality as for his paintings, Andy Warhol (1928–87) is the most famous and influential of the Pop artists, who developed the notion of 15 minutes of fame, and the idea that an artist could be as illustrious as the work he creates. This graphic novel biography offers insight into the turning point of Warhol’s career and the creation of the Thirteen Most Wanted Men mural for the 1964 World’s Fair, when Warhol clashed with urban planner Robert Moses, architect Philip Johnson, and Governor Nelson Rockefeller. In Becoming Andy Warhol, New York Times bestselling writer Nick Bertozzi and artist Pierce Hargan showcase the moment when, by stubborn force of personality and sheer burgeoning talent, Warhol went up against the creative establishment and emerged to become one of the most significant artists of the 20th century.
Contemporary Art and the Home
Author: Colin Painter
Publisher: Routledge
ISBN: 1000184005
Category : Social Science
Languages : en
Pages : 316
Book Description
The home is, for many people, the location for their most intense relationships with visual things. Because they are constructed through the objects we choose, domestic spaces are deeply revealing of a range of cultural issues. How is our interpretation of an object affected by the domestic environment in which it is placed? Why choose a stainless steel teapot over a leopard print one? How do the images hanging on the walls of our homes arrive there? In placing contemporary art in the context of the ordinary home, this book embarks on the contentious topic of whether high art impacts on ordinary people. What is the size and nature of the audience for contemporary art in Britain? Do people really visit more art galleries than attend football matches? What is the significance of the home in relation to such questions? Indeed, what constitutes art in the home? This book carefully unpicks these questions as well as the troubled relationship between the home as a place of comfort and reassurance and the often unsettling and challenging images offered by contemporary art. Within the art world, the home has been addressed as a subject and even used as a temporary gallery and a space for installations, and yet it is not common for works by todays avant-garde artists to be conceived and marketed to participate in the domestic lives that most people live. Handsomely illustrated, this book unites contemporary art, craft and design, with sociology, anthropology and cultural studies to provide an unusual and forthright addition to ongoing art and culture debates.
Publisher: Routledge
ISBN: 1000184005
Category : Social Science
Languages : en
Pages : 316
Book Description
The home is, for many people, the location for their most intense relationships with visual things. Because they are constructed through the objects we choose, domestic spaces are deeply revealing of a range of cultural issues. How is our interpretation of an object affected by the domestic environment in which it is placed? Why choose a stainless steel teapot over a leopard print one? How do the images hanging on the walls of our homes arrive there? In placing contemporary art in the context of the ordinary home, this book embarks on the contentious topic of whether high art impacts on ordinary people. What is the size and nature of the audience for contemporary art in Britain? Do people really visit more art galleries than attend football matches? What is the significance of the home in relation to such questions? Indeed, what constitutes art in the home? This book carefully unpicks these questions as well as the troubled relationship between the home as a place of comfort and reassurance and the often unsettling and challenging images offered by contemporary art. Within the art world, the home has been addressed as a subject and even used as a temporary gallery and a space for installations, and yet it is not common for works by todays avant-garde artists to be conceived and marketed to participate in the domestic lives that most people live. Handsomely illustrated, this book unites contemporary art, craft and design, with sociology, anthropology and cultural studies to provide an unusual and forthright addition to ongoing art and culture debates.
Velázquez, the Artist as a Maker
Author: José López-Rey
Publisher:
ISBN:
Category :
Languages : en
Pages : 648
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 648
Book Description
Encyclopedia of the Black Arts Movement
Author: Verner D. Mitchell
Publisher: Rowman & Littlefield
ISBN: 1538101467
Category : Art
Languages : en
Pages : 411
Book Description
The Black Arts Movement (BAM) encompassed a group of artists, musicians, novelists, and playwrights whose work combined innovative approaches to literature, film, music, visual arts, and theatre. With a heightened consciousness of black agency and autonomy—along with the radical politics of the civil rights movement, the Black Muslims, and the Black Panthers—these figures represented a collective effort to defy the status quo of American life and culture. Between the late 1950s and the end of the 1970s, the movement produced some of America’s most original and controversial artists and intellectuals. In Encyclopedia of the Blacks Arts Movement, Verner D. Mitchell and Cynthia Davis have collected essays on the key figures of the movement, including Maya Angelou, James Baldwin, Amiri Baraka, Nikki Giovanni, Larry Neal, Sun Ra, Sonia Sanchez, Ntozake Shange, and Archie Shepp. Additional entries focus on Black Theatre magazine, the Negro Ensemble Company, lesser known individuals—including Kathleen Collins, Tom Dent, Bill Gunn, June Jordan, and Barbara Ann Teer—and groups, such as AfriCOBRA and the New York Umbra Poetry Workshop. The Black Arts Movement represented the most prolific expression of African American literature since the Harlem Renaissance of the 1920s. Featuring essays by contemporary scholars and rare photographs of BAM artists, Encyclopedia of the Blacks Arts Movement is an essential reference for students and scholars of twentieth-century American literature and African American cultural studies.
Publisher: Rowman & Littlefield
ISBN: 1538101467
Category : Art
Languages : en
Pages : 411
Book Description
The Black Arts Movement (BAM) encompassed a group of artists, musicians, novelists, and playwrights whose work combined innovative approaches to literature, film, music, visual arts, and theatre. With a heightened consciousness of black agency and autonomy—along with the radical politics of the civil rights movement, the Black Muslims, and the Black Panthers—these figures represented a collective effort to defy the status quo of American life and culture. Between the late 1950s and the end of the 1970s, the movement produced some of America’s most original and controversial artists and intellectuals. In Encyclopedia of the Blacks Arts Movement, Verner D. Mitchell and Cynthia Davis have collected essays on the key figures of the movement, including Maya Angelou, James Baldwin, Amiri Baraka, Nikki Giovanni, Larry Neal, Sun Ra, Sonia Sanchez, Ntozake Shange, and Archie Shepp. Additional entries focus on Black Theatre magazine, the Negro Ensemble Company, lesser known individuals—including Kathleen Collins, Tom Dent, Bill Gunn, June Jordan, and Barbara Ann Teer—and groups, such as AfriCOBRA and the New York Umbra Poetry Workshop. The Black Arts Movement represented the most prolific expression of African American literature since the Harlem Renaissance of the 1920s. Featuring essays by contemporary scholars and rare photographs of BAM artists, Encyclopedia of the Blacks Arts Movement is an essential reference for students and scholars of twentieth-century American literature and African American cultural studies.