Author: Jon Harris
Publisher:
ISBN: 9780718895327
Category : Painters
Languages : en
Pages : 0
Book Description
Over more than half a century Jon Harris has produced a remarkable body of work. At its heart are his images of Cambridge where he has lived and worked since 1961. Artist about Cambridge is a selection from those images, chosen to show something of the range and quality of his roving eye.
Artist about Cambridge
The Cambridge Illustrated History of Prehistoric Art
Author: Paul G. Bahn
Publisher: Cambridge University Press
ISBN: 9780521454735
Category : Art
Languages : en
Pages : 348
Book Description
Beautifully illustrated in color with many rare and unique photographs, prints, and drawings, "The Cambridge Illustrated History of Prehistoric Art" presents the first balanced and truly worldwide survey of prehistoric art. A fascinating study of an often neglected area, the book is a powerful combination of illustration and analysis. 164 color plates. Copyright © Libri GmbH. All rights reserved.
Publisher: Cambridge University Press
ISBN: 9780521454735
Category : Art
Languages : en
Pages : 348
Book Description
Beautifully illustrated in color with many rare and unique photographs, prints, and drawings, "The Cambridge Illustrated History of Prehistoric Art" presents the first balanced and truly worldwide survey of prehistoric art. A fascinating study of an often neglected area, the book is a powerful combination of illustration and analysis. 164 color plates. Copyright © Libri GmbH. All rights reserved.
Gaps and the Creation of Ideas
Author: Judith Seligson
Publisher: Cambridge Scholars Publishing
ISBN: 1527567230
Category : Social Science
Languages : en
Pages : 814
Book Description
Gaps and the Creation of Ideas: An Artist’s Book is a portrait of the space between things, whether they be neurons, quotations, comic-book frames, or fragments in a collage. This twenty-year project is an artist’s book that juxtaposes quotations and images from hundreds of artists and writers with the author’s own thoughts. Using Adobe InDesign® for composition and layout, the author has structured the book to show analogies among disparate texts and images. There have always been gaps, but a focus on the space between things is virtually synonymous with modernity. Often characterized as a break, modernity is a story of gaps. Around 1900, many independent strands of gap thought and experience interacted and interwove more intricately. Atoms, textiles, theories, women, Jews, collage, poetry, patchwork, and music figure prominently in these strands. The gap is a ubiquitous phenomenon that crosses the boundaries of neuroscience, rabbinic thinking, modern literary criticism, art, popular culture, and the structure of matter. This book explores many subjects, but it is ultimately a work of art.
Publisher: Cambridge Scholars Publishing
ISBN: 1527567230
Category : Social Science
Languages : en
Pages : 814
Book Description
Gaps and the Creation of Ideas: An Artist’s Book is a portrait of the space between things, whether they be neurons, quotations, comic-book frames, or fragments in a collage. This twenty-year project is an artist’s book that juxtaposes quotations and images from hundreds of artists and writers with the author’s own thoughts. Using Adobe InDesign® for composition and layout, the author has structured the book to show analogies among disparate texts and images. There have always been gaps, but a focus on the space between things is virtually synonymous with modernity. Often characterized as a break, modernity is a story of gaps. Around 1900, many independent strands of gap thought and experience interacted and interwove more intricately. Atoms, textiles, theories, women, Jews, collage, poetry, patchwork, and music figure prominently in these strands. The gap is a ubiquitous phenomenon that crosses the boundaries of neuroscience, rabbinic thinking, modern literary criticism, art, popular culture, and the structure of matter. This book explores many subjects, but it is ultimately a work of art.
The Language of Art History
Author: Salim Kemal
Publisher: Cambridge University Press
ISBN: 9780521445986
Category : Art
Languages : en
Pages : 264
Book Description
The first volume in the series Cambridge Studies in Philosophy and the Arts offers a range of responses by distinguished philosophers and art historians to some crucial issues generated by the relationship between the art object and language in art history. Each of the chapters in this volume is a searching response to theoretical and practical questions in terms accessible to readers of all human science disciplines. The editors, one a philosopher and one an art historian, provide an introductory chapter which outlines the themes of the volume and explicates the terms in which they are discussed. The contributors open new avenues of enquiry involving concepts of 'presence', 'projective properties', visual conventions and syntax, and the appropriateness of figurative language in accounting for visual art. The issues they discuss will challenge the boundaries to thought that some contemporary theorising sustains.
Publisher: Cambridge University Press
ISBN: 9780521445986
Category : Art
Languages : en
Pages : 264
Book Description
The first volume in the series Cambridge Studies in Philosophy and the Arts offers a range of responses by distinguished philosophers and art historians to some crucial issues generated by the relationship between the art object and language in art history. Each of the chapters in this volume is a searching response to theoretical and practical questions in terms accessible to readers of all human science disciplines. The editors, one a philosopher and one an art historian, provide an introductory chapter which outlines the themes of the volume and explicates the terms in which they are discussed. The contributors open new avenues of enquiry involving concepts of 'presence', 'projective properties', visual conventions and syntax, and the appropriateness of figurative language in accounting for visual art. The issues they discuss will challenge the boundaries to thought that some contemporary theorising sustains.
Michelangelo
Author: William E. Wallace
Publisher: Cambridge University Press
ISBN: 1139505688
Category : Art
Languages : en
Pages : 477
Book Description
In this vividly written biography, William E. Wallace offers a new view of the artist. Not only a supremely gifted sculptor, painter, architect and poet, Michelangelo was also an aristocrat who firmly believed in the ancient, noble origins of his family. The belief in his patrician status fueled his lifelong ambition to improve his family's financial situation and to raise the social standing of artists. Michelangelo's ambitions are evident in his writing, dress and comportment, as well as in his ability to befriend, influence and occasionally say 'no' to popes, kings and princes. Written from the words of Michelangelo and his contemporaries, this biography not only tells his own stories, but also brings to life the culture and society of Renaissance Florence and Rome. Not since Irving Stone's novel The Agony and the Ecstasy has there been such a compelling and human portrayal of this remarkable yet credible human individual.
Publisher: Cambridge University Press
ISBN: 1139505688
Category : Art
Languages : en
Pages : 477
Book Description
In this vividly written biography, William E. Wallace offers a new view of the artist. Not only a supremely gifted sculptor, painter, architect and poet, Michelangelo was also an aristocrat who firmly believed in the ancient, noble origins of his family. The belief in his patrician status fueled his lifelong ambition to improve his family's financial situation and to raise the social standing of artists. Michelangelo's ambitions are evident in his writing, dress and comportment, as well as in his ability to befriend, influence and occasionally say 'no' to popes, kings and princes. Written from the words of Michelangelo and his contemporaries, this biography not only tells his own stories, but also brings to life the culture and society of Renaissance Florence and Rome. Not since Irving Stone's novel The Agony and the Ecstasy has there been such a compelling and human portrayal of this remarkable yet credible human individual.
An Introduction to the Philosophy of Art
Author: Richard Eldridge
Publisher: Cambridge University Press
ISBN: 9780521805216
Category : Art
Languages : en
Pages : 300
Book Description
Richard Eldridge presents a clear and compact survey of philosophical theories of the nature and significance of art. Drawing on materials from classical and contemporary philosophy as well as from literary theory and art criticism, he explores the representational, expressive, and formal dimensions of art, and he argues that works of art present their subject matter in ways that are of enduring cognitive, moral, and social interest. His accessible study will be invaluable to students and to all readers who are interested in the relation between thought and art.
Publisher: Cambridge University Press
ISBN: 9780521805216
Category : Art
Languages : en
Pages : 300
Book Description
Richard Eldridge presents a clear and compact survey of philosophical theories of the nature and significance of art. Drawing on materials from classical and contemporary philosophy as well as from literary theory and art criticism, he explores the representational, expressive, and formal dimensions of art, and he argues that works of art present their subject matter in ways that are of enduring cognitive, moral, and social interest. His accessible study will be invaluable to students and to all readers who are interested in the relation between thought and art.
British Art and the First World War, 1914-1924
Author: James Fox
Publisher: Cambridge University Press
ISBN: 1107105870
Category : Art
Languages : en
Pages : 259
Book Description
Overturning decades of scholarly orthodoxies, James Fox makes a bold new argument about the First World War's cultural consequences.
Publisher: Cambridge University Press
ISBN: 1107105870
Category : Art
Languages : en
Pages : 259
Book Description
Overturning decades of scholarly orthodoxies, James Fox makes a bold new argument about the First World War's cultural consequences.
Why Do We Need Art? What Do We Gain by Being Creative? And Other Big Questions
Author: Annemarie Young
Publisher: Wayland
ISBN: 9781526312594
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
Publisher: Wayland
ISBN: 9781526312594
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
Cambridge and the Study of Netherlandish Art
Author: Meredith McNeill Hale
Publisher: Brepols Publishers
ISBN: 9782503566344
Category : Art
Languages : en
Pages : 0
Book Description
The Speelman Fellowship in Netherlandish Art at Wolfson College, Cambridge, celebrated its fortieth anniversary in 2011. Holders of the Fellowship have included such world-renowned scholars as Dr Lorne Campbell of the National Gallery, London, Professor Joanna Woodall of the Courtauld Institute of Art, and Professor Ivan Gaskell of the Bard Institute in New York. They have all contributed to the present volume, which presents new research by no fewer than seven Speelman Fellows and is edited by the post's present incumbent. Edward Speelman's endowment of the Fellowship in 1971 has crucially supplemented Cambridge's tradition of distinguished scholarship in the field. It also complements the important holdings of Dutch and Flemish works in the Fitzwilliam Museum and in Cambridge Colleges, a range of which are discussed in this volume. The eminent historian of Early Modern Art, Professor Jean Michel Massing of King's College, who has advised on the selection of Speelman Fellows for nearly forty years, also contributes an essay here.
Publisher: Brepols Publishers
ISBN: 9782503566344
Category : Art
Languages : en
Pages : 0
Book Description
The Speelman Fellowship in Netherlandish Art at Wolfson College, Cambridge, celebrated its fortieth anniversary in 2011. Holders of the Fellowship have included such world-renowned scholars as Dr Lorne Campbell of the National Gallery, London, Professor Joanna Woodall of the Courtauld Institute of Art, and Professor Ivan Gaskell of the Bard Institute in New York. They have all contributed to the present volume, which presents new research by no fewer than seven Speelman Fellows and is edited by the post's present incumbent. Edward Speelman's endowment of the Fellowship in 1971 has crucially supplemented Cambridge's tradition of distinguished scholarship in the field. It also complements the important holdings of Dutch and Flemish works in the Fitzwilliam Museum and in Cambridge Colleges, a range of which are discussed in this volume. The eminent historian of Early Modern Art, Professor Jean Michel Massing of King's College, who has advised on the selection of Speelman Fellows for nearly forty years, also contributes an essay here.
The Twentieth Century
Author: Rosemary Lambert
Publisher: Cambridge University Press
ISBN: 9780521296229
Category : Art
Languages : en
Pages : 96
Book Description
The twentieth century has seen great and rapid changes in society and in art. Artists have challenged all the traditional ways of seeing and depicting the world. They have grouped together in a bewildering series of movements, or followed individual and sometimes baffling preoccupations. In Rosemary Lambert's The Twentieth Century, the art lover is helped through the maze. Key works from Cubism and Fauvism to Pop Art and Photo Realism, from Picasso and Braque to the Bauhaus and beyond, are explored in non-technical language. The reader is conveyed by the author's own enthusiasm towards the discovery of many fascinating parallels in the painting, sculpture and architecture of this century.
Publisher: Cambridge University Press
ISBN: 9780521296229
Category : Art
Languages : en
Pages : 96
Book Description
The twentieth century has seen great and rapid changes in society and in art. Artists have challenged all the traditional ways of seeing and depicting the world. They have grouped together in a bewildering series of movements, or followed individual and sometimes baffling preoccupations. In Rosemary Lambert's The Twentieth Century, the art lover is helped through the maze. Key works from Cubism and Fauvism to Pop Art and Photo Realism, from Picasso and Braque to the Bauhaus and beyond, are explored in non-technical language. The reader is conveyed by the author's own enthusiasm towards the discovery of many fascinating parallels in the painting, sculpture and architecture of this century.