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Author: Jeffrey R. Ingold
Publisher: CSS Publishing
ISBN: 0788013130
Category :
Languages : en
Pages : 20
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Book Description
Use these dramatic monologues for a unique perspective on the events of Jesus' crucifixion. Viewed through the eyes of a Blacksmith, Carpenter, Stone Mason, Tanner, and Basket Maker, the presentations introduce the congregation to those who crafted the whip, wove the crown of thorns, forged the nails, constructed the cross, and chiseled out the tomb. Pastors can present these monologues themselves or assign them to church members. They have the flexibility of being performed very simply or quite elaborately. Few if any props are necessary. Jeffrey R. Ingold is the associate pastor of First Lutheran Church in Nashville, Tennessee. He previously served at Trinity Evangelical Lutheran Church in Ellwood City, Pennsylvania. Ingold earned the Master of Divinity degree from Trinity Lutheran Seminary in Columbus, Ohio, and the Bachelor of Arts degree in Music and Theater from West Virginia Wesleyan College. He has produced several plays, liturgical dramas, and musicals, and is a principal member of the Nashville Opera Chorus.
Author: Jeffrey R. Ingold
Publisher: CSS Publishing
ISBN: 0788013130
Category :
Languages : en
Pages : 20
Get Book Here
Book Description
Use these dramatic monologues for a unique perspective on the events of Jesus' crucifixion. Viewed through the eyes of a Blacksmith, Carpenter, Stone Mason, Tanner, and Basket Maker, the presentations introduce the congregation to those who crafted the whip, wove the crown of thorns, forged the nails, constructed the cross, and chiseled out the tomb. Pastors can present these monologues themselves or assign them to church members. They have the flexibility of being performed very simply or quite elaborately. Few if any props are necessary. Jeffrey R. Ingold is the associate pastor of First Lutheran Church in Nashville, Tennessee. He previously served at Trinity Evangelical Lutheran Church in Ellwood City, Pennsylvania. Ingold earned the Master of Divinity degree from Trinity Lutheran Seminary in Columbus, Ohio, and the Bachelor of Arts degree in Music and Theater from West Virginia Wesleyan College. He has produced several plays, liturgical dramas, and musicals, and is a principal member of the Nashville Opera Chorus.
Author: Robert Henkes
Publisher: McFarland
ISBN: 9780786414994
Category : Art
Languages : en
Pages : 184
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Book Description
The crucifixion of Christ has been richly portrayed by countless artists for hundreds of years, but it was European Renaissance styles and painters such as Kurz, Benjamin West and John Valentine Haidt that first informed American artists of the possibilities for depicting the crucifixion. This work features artists living and working in America from the mid-18th to the 21st century who depicted the crucifixion of Christ in their artwork. The 19th century saw painters like Julian Russell Story, John Singer Sargent, Vassili Verestchagin and Fred Holland break from the Renaissance tradition of the 18th century to begin a religious art revolution. The 20th century saw painters like Thomas Eakins and George Bellows continuing the traditions of the 19th until the Realist style became dominant, which lasted until the latter part of the century and the rise of Abstract Expressionism and a number of experimental styles such as Op, Pop, and Super-realism.
Author: Mary Emmerling
Publisher: Gibbs Smith
ISBN: 9781423613398
Category : Art
Languages : en
Pages : 140
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Book Description
Art of the Cross celebrates one of the world's most recognized ancient symbols-the cross. This iconic symbol predates Christianity in cultures around the world, and has been used as a religious symbol and as an ornament from the dawn of civilization. Crosses have been found in almost every part of the old world, from Scandinavia where the Tau cross symbolized the hammer of the God Thor, to India, where the vertical shaft represents the higher, celestial states of being and the horizontal bar represents the lower, earthly states.
Author: Pamela H. Smith
Publisher: University of Chicago Press
ISBN: 0226764265
Category : Art
Languages : en
Pages : 402
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Book Description
Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a "new" philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans. From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans' objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.
Author: Judith Couchman
Publisher: Paraclete Press
ISBN: 1612614051
Category : Religion
Languages : en
Pages : 321
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Book Description
Have you stood in front of a painting and thought, What does this mean? The Art of Faith answers this question again and again, with insight, wit, and verve, providing a thorough reference to Christian art through the centuries. Practical and easy to read, this book unfolds the ancient world of Christian images for believers who want to enrich their faith, college students studying art history, and travelers to religious sites. With this book in hand, you can visit museums, churches, or other sacred places and identify a work of art’s style and meaning. Or even explore the signs and symbols of your local church. Whatever your relationship to art or Christianity, open this book when you’re curious about a painting, sculpture, symbol, or other sacred work. It will answer your questions about The Art of Faith.
Author: Lisa H. Cooper
Publisher: Cambridge University Press
ISBN: 0521768977
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
The first book-length study to articulate the vital presence of artisans and craft labor in medieval English literature from c.1000-1483.
Author: Richard Viladesau
Publisher:
ISBN: 019533566X
Category : Electronic books
Languages : en
Pages : 366
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Book Description
Author: Jennifer Scheper Hughes
Publisher: Oxford University Press
ISBN: 0199710392
Category : Religion
Languages : en
Pages : 329
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Book Description
In 1543, in a small village in Mexico, a group of missionary friars received from a mysterious Indian messenger an unusual carved image of Christ crucified. The friars declared it the most poignantly beautiful depiction of Christ's suffering they had ever seen. Known as the Cristo Aparecido (the "Christ Appeared"), it quickly became one of the most celebrated religious images in colonial Mexico. Today, the Cristo Aparecido is among the oldest New World crucifixes and is the beloved patron saint of the Indians of Totolapan. In Biography of a Mexican Crucifix, Jennifer Scheper Hughes traces popular devotion to the Cristo Aparecido over five centuries of Mexican history. Each chapter investigates a single incident in the encounter between believers and the image. Through these historical vignettes, Hughes explores and reinterprets the conquest of and mission to the Indians; the birth of an indigenous, syncretic Christianity; the violent processes of independence and nationalization; and the utopian vision of liberation theology. Hughes reads all of these through the popular devotion to a crucifix that over the centuries becomes a key protagonist in shaping local history and social identity. This book will be welcomed by scholars and students of religion, Latin American history, anthropology, and theology.
Author: Editors of Phaidon Press
Publisher: Phaidon Press
ISBN:
Category : Art
Languages : en
Pages : 266
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Book Description
The tragic climax to the Gospel stories, the Crucifixion of Christ is the pivotal event of Christianity. In theological terms, it is God's sacrifice of Himself to redeem mankind; in human terms, it is the ultimate tragedy and a strikingly evocative symbol of suffering and human sacrifice. As Christianity's supreme image, the Crucifixion has been endlessly represented by artists throughout the centuries. This volume presents a chronological sequence of over 100 of the finest Crucifixion images produced by a selection of the greatest artists in the Christian tradition, ranging from the earliest catacomb art to the late twentieth century. The subject is always the same, the means of representing it always different in mood and medium, style and scale. Perusing this powerful volume, the reader is taken on a prolonged meditation, focusing on the universal themes of suffering, sacrifice and redemption, and reflecting on the breathtaking power of art to transcend its grim subject matter and to create out of it works of compelling beauty. Sparing in words, stark and simple in presentation, this book is all the more eloquent: a dynamically moving and inspiring commentary on divine and human loss and gain, and on the mysterious power of art to capture and express religious feeling through the extremes of human emotion. Like its companion volumes Annunciation, Descentand Last Supper,Crucifixionpresents a focused meditation on a single theme that is infinitely rich, allowing the viewer to appreciate the nuances of character and the endless skill with which artists have created new masterpieces out of old materials. Whether one focuses on the religious mystery, the human drama or the marvellous skill of the artist, these uncluttered and simply presented works of art provide endless food for thought and contemplation.
Author: Lee M. Jefferson
Publisher: Fortress Press
ISBN: 1506402844
Category : Religion
Languages : en
Pages : 368
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Book Description
In recent years, art historians such as Johannes Deckers (Picturing the Bible, 2009) have argued for a significant transition in fourth- and fifth-century images of Jesus following the conversion of Constantine. Broadly speaking, they perceive the image of a peaceful, benevolent shepherd transformed into a powerful, enthroned Jesus, mimicking and mirroring the dominance and authority of the emperor. The powers of church and state are thus conveniently synthesized in such a potent image. This deeply rooted position assumes that ante-pacem images of Jesus were uniformly humble while post-Constantinian images exuded the grandeur of power and glory. The Art of Empire contends that the art and imagery of Late Antiquity merits a more nuanced understanding of the context of the imperial period before and after Constantine. The chapters in this collection each treat an aspect of the relationship between early Christian art and the rituals, practices, or imagery of the Empire, and offer a new and fresh perspective on the development of Christian art in its imperial background.
