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Author: Geoff King
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
Arthouse Crime Scenes is the first book to address the relationship between art cinema and crime, contributing to the study of both categories. Case studies are provided of works by celebrated filmmakers including Lucretia Martell, Kleber Mendonça Filho, Bong Joon Ho, Nuri Bilge Ceylan, Hirokazu Koreeda, Jia Zhangke, Andrey Zvyagintsez and Lee Chang-dong. How is crime represented in art cinema? And how can this be understood in the context of global sociopolitical and film-industrial trends? Arthouse crime scenes draw on variable combinations of elements associated with art cinema and crime genres. Crime might be shown or lurk only at the edges. It might be left unresolved or unexplained. Crime can be petty and small scale or raise big questions associated with the arthouse sector: political issues, the nature of humanity, truth and knowability. In this book, close textual analysis is combined with focus on social and industrial contexts. A recurring theme is the situation of arthouse crime films within differing manifestations of broader processes of late-modern neoliberal globalization and cultural hybridity. Approaches examined range from the oblique to social realism and other mixtures of crime and arthouse tendencies.
Author: Geoff King
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 230
Get Book Here
Book Description
Arthouse Crime Scenes is the first book to address the relationship between art cinema and crime, contributing to the study of both categories. Case studies are provided of works by celebrated filmmakers including Lucretia Martell, Kleber Mendonça Filho, Bong Joon Ho, Nuri Bilge Ceylan, Hirokazu Koreeda, Jia Zhangke, Andrey Zvyagintsez and Lee Chang-dong. How is crime represented in art cinema? And how can this be understood in the context of global sociopolitical and film-industrial trends? Arthouse crime scenes draw on variable combinations of elements associated with art cinema and crime genres. Crime might be shown or lurk only at the edges. It might be left unresolved or unexplained. Crime can be petty and small scale or raise big questions associated with the arthouse sector: political issues, the nature of humanity, truth and knowability. In this book, close textual analysis is combined with focus on social and industrial contexts. A recurring theme is the situation of arthouse crime films within differing manifestations of broader processes of late-modern neoliberal globalization and cultural hybridity. Approaches examined range from the oblique to social realism and other mixtures of crime and arthouse tendencies.
Author: Geoff King
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
Arthouse Crime Scenes is the first book to address the relationship between art cinema and crime, contributing to the study of both categories. Case studies are provided of works by celebrated filmmakers including Lucretia Martell, Kleber Mendonça Filho, Bong Joon Ho, Nuri Bilge Ceylan, Hirokazu Koreeda, Jia Zhangke, Andrey Zvyagintsez and Lee Chang-dong. How is crime represented in art cinema? And how can this be understood in the context of global sociopolitical and film-industrial trends? Arthouse crime scenes draw on variable combinations of elements associated with art cinema and crime genres. Crime might be shown or lurk only at the edges. It might be left unresolved or unexplained. Crime can be petty and small scale or raise big questions associated with the arthouse sector: political issues, the nature of humanity, truth and knowability. In this book, close textual analysis is combined with focus on social and industrial contexts. A recurring theme is the situation of arthouse crime films within differing manifestations of broader processes of late-modern neoliberal globalization and cultural hybridity. Approaches examined range from the oblique to social realism and other mixtures of crime and arthouse tendencies.
Author: Mike Flaherty
Publisher: Simon and Schuster
ISBN: 0743467418
Category : Fiction
Languages : en
Pages : 308
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Book Description
Fans can go behind the yellow police tape in the official companion to TVUs most-watched drama, featuring fifty of the most explosive episodes.
Author: Phillip Lopate
Publisher: Columbia University Press
ISBN: 0231561261
Category : Performing Arts
Languages : en
Pages : 395
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Book Description
Phillip Lopate fell hard for the movies as an adolescent. As he matured into an acclaimed critic and essayist, his infatuation deepened into a lifelong passion. My Affair with Art House Cinema presents Lopate’s selected essays and reviews from the last quarter century, inviting readers to experience films he found exhilarating, tantalizing, and beguiling—and sometimes disappointing or frustrating—through his keen eyes. In an essayist’s sinuous prose style, Lopate captures the formal mastery, artistic imagination, and emotional intensity of art house essentials like Yasujirō Ozu’s Late Spring, David Lynch’s Mulholland Drive, and Andrei Tarkovsky’s Solaris, as well as works by contemporary filmmakers such as Maren Ade, Hong Sang-soo, Hou Hsiao-hsien, Christian Petzold, Paolo Sorrentino, and Jafar Panahi. Essays explore Chantal Akerman’s rigorous honesty, Ingmar Bergman’s intimacy, Abbas Kiarostami’s playfulness, Kenji Mizoguchi’s visual style, and Frederick Wiseman’s vision of the human condition. Lopate also reflects on the work of fellow critics, including Roger Ebert, Pauline Kael, and Jonathan Rosenbaum. His considered, at times contrarian critiques and celebrations will inspire readers to watch or rewatch these films. Above all, this book showcases Lopate’s passionate advocacy for not only particular films and directors but also the joys and value of a filmgoing culture.
Author: Geoff King
Publisher: I. B. Tauris
ISBN: 9781848853164
Category : Independent films
Languages : en
Pages : 301
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Book Description
What is the state of American indie cinema in the second decade of the 21st century? Using the term 'indie 2.0' to denote the particular form of independent feature production that achieved cultural prominence in this contemporary period, this book demonstrates many of the distinctive indie productions which have achieved success, in even the face of difficult economic circumstances.
Author: Catriona Kelly
Publisher: Oxford University Press
ISBN: 0197548369
Category : History
Languages : en
Pages : 541
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Book Description
Its unique ability to sway the masses has led many observers to consider cinema the artform with the greatest political force. The images it produces can bolster leaders or contribute to their undoing. Soviet filmmakers often had to face great obstacles as they struggled to make art in an authoritarian society that put them not only under ideological pressure but also imposed rigid economic constraints on the industry. But while the Brezhnev era of Soviet filmmaking is often depicted as a period of great repression, Soviet Art House reveals that the films made at the prestigious Lenfilm studio in this period were far more imaginative than is usually suspected. In this pioneering study of a Soviet film studio, author Catriona Kelly delves into previously unpublished archival documents and interviews, memoirs, and the films themselves to illuminate the ideological, economic, and aesthetic dimensions of filmmaking in the Brezhnev era. She argues that especially the young filmmakers who joined the studio after its restructuring in 1961 revitalized its output and helped establish Leningrad as a leading center of oppositional art. This unique insight into Soviet film production shows not only the inner workings of Soviet institutions before the system collapsed but also traces how filmmakers tirelessly dodged and negotiated contradictory demands to create sophisticated and highly original movies.
Author: Matthew Sorrento
Publisher: Rowman & Littlefield
ISBN: 1683933273
Category : Performing Arts
Languages : en
Pages : 275
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Book Description
David Fincher’s Zodiac (2007), written by producer James Vanderbilt and adapted from the true crime works of Robert Graysmith, remains one of the most respected films of the early twenty-first century. As the second film featuring a serial killer (and the first based on fact) by Fincher, Zodiac remains a standout in a varied but stylistically unified career. While connected to this genre, the film also hybridizes the policier genre and the investigative reporter film. And yet, scholarship has largely ignored the film. This collection is the first book-length work of criticism dedicated to the film. Section One focuses on early influences, while the second section analyzes the film’s unique treatment of narrative. The book closes with a section focusing on game theory, data and hegemony, the Zodiac’s treatment in music, and the use of sound in cinema. By offering new avenues and continuing a few established ones, this book will interest scholars of cinema and true crime along with fans and enthusiasts in these areas.
Author: Zerlina Maxwell
Publisher: Legacy Lit
ISBN: 0306873591
Category : Political Science
Languages : en
Pages : 168
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Book Description
An MSNBC political analyst and former Hillary Clinton staffer examines the past and present problems of the Left—and makes a compelling case for how to take back our government and secure a better future for America. In the entire history of the United States of America, we've never elected a woman as our president. And we've only had one president who was not a white man. After working on two presidential campaigns (for Barack Obama and Hillary Clinton), MSNBC political analyst and SiriusXM host Zerlina Maxwell gained first-hand knowledge of everything liberals have been doing right over the past few elections-and everything they are still doing wrong. Ultimately, these errors worked in President Donald Trump's favor in 2016; he effectively ran a campaign on white identity politics, successfully tapping into white male angst and resistance. In 2020, after the Democratic Party's most historically diverse pool of presidential candidates finally dwindled down to Joe Biden, once again an older white man, Maxwell has posed the ultimate question: what now, liberals? Fueled by Maxwell's trademark wit and candor, The End of White Politics dismantles the past and present problems of the Left, challenging everyone from scrappy, young "Bernie Bros" to seasoned power players in the "Billionaire Boys' Club." No topic is taboo; whether tackling the white privilege that enabled Mayor Pete Buttigieg's presidential run, the controversial #HashtagActivism of the Millennial generation, the massive individual donations that sway politicians toward maintaining the status quo of income inequality, or the lingering racism that debilitated some Democratic presidential contenders and cut their promising campaigns short, Maxwell pulls no punches in her fierce critique. However, underlying all of these individual issues, Maxwell argues that it's the "liberal-minded" party's struggle to engage women and communities of color-and its preoccupation with catering to the white, male working class—that threatens to be its most lethal shortfall. The times—and the demographics—are changing, and in order for progressive politics to prevail, we must acknowledge our shortcomings, take ownership of our flaws, and do everything in our power to level the playing field for all Americans. The End of White Politics shows exactly how and why progressives can lean into identity politics, empowering marginalized groups, and uniting under a common vision that will benefit us all. ***TIME, 100 Must-Read Books of 2020!*** "Witty and piercing." —TIME
Author: Thomas Leitch
Publisher: Bloomsbury Publishing USA
ISBN: 1628923717
Category : Performing Arts
Languages : en
Pages : 465
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Book Description
From William Dickson's Rip Van Winkle films (1896) to Baz Luhrmann's big-budget production of The Great Gatsby (2013) and beyond, cinematic adaptations of American literature participate in a rich and fascinating history. Unlike previous studies of American literature and film, which emphasize particular authors like Edith Wharton and Nathaniel Hawthorne, particular texts like Moby-Dick, particular literary periods like the American Renaissance, or particular genres like the novel, this volume considers the multiple functions of filmed American literature as a cinematic genre in its own right-one that reflects the specific political and aesthetic priorities of different national and historical cinemas even as it plays a decisive role in defining American literature for a global audience.
Author: Ngaire E. Genge
Publisher: Ballantine Books
ISBN: 0345452038
Category : Medical
Languages : en
Pages : 336
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Book Description
THE ULTIMATE READERS’ GUIDE TO THE ART OF FORENSICS! An intrepid investigator crawls through miles of air conditioning ducts to capture the implicating fibers of a suspect’s wool jacket . . . A forensic entomologist discovers insects in the grill of a car and nails down a drug dealer’s precise geographical path . . . A gluttonous criminal’s fingerprints are lifted from a chocolate truffle. . . . Filled with these and many other intriguing true stories, and packed with black and white illustrations and photographs, The Forensic Casebook draws on interviews with police personnel and forensic scientists—including animal examiners, botanists, zoologists, firearms specialists, and autoposists—to uncover the vast and detailed underworkings of criminal investigation. Encyclopedic in scope, this riveting, authoritative book leaves no aspect of forensic science untouched, covering such fascinating topics as: • Securing a crime scene • Identifying blood splatter patterns • Collecting fingerprints—and feet, lip, and ear prints • Interpreting the stages of a body’s decay • Examining hair and fiber evidence • Trace evidence from firearms and explosives • “Lifting” DNA prints • Computer crime and forensic photography • Career paths in criminal science Lucidly written and spiked with real crime stories, The Forensic Casebook exposes the nitty gritty that other books only touch upon. Here is a reference book as addictive as a page-turning novel of suspense.
