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Author: José Luis Bermeo
Publisher:
ISBN:
Category : Jesuit art
Languages : en
Pages : 168
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Book Description
Author: José Luis Bermeo
Publisher:
ISBN:
Category : Jesuit art
Languages : en
Pages : 168
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Book Description
Author: Alfonso Alfaro
Publisher:
ISBN:
Category : Jesuit art
Languages : la
Pages : 1060
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Book Description
Author: Mia M. Mochizuki
Publisher: BRILL
ISBN: 9004498222
Category : History
Languages : en
Pages : 225
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Book Description
In Jesuit Art, Mia Mochizuki considers the artistic production of the pre-suppression Society of Jesus (1540–1773) from a global perspective. Geographic and medial expansion of the standard corpus changes not only the objects under analysis, it also affects the kinds of queries that arise. Mochizuki draws upon masterpieces and material culture from around the world to assess the signature structural innovations pioneered by Jesuits in the history of the image. When the question of a ‘Jesuit style’ is rehabilitated as an inquiry into sources for a spectrum of works, the Society’s investment in the functional potential of illustrated books reveals the traits that would come to define the modern image as internally networked, technologically defined, and innately subjective.
Author: Nancy Farriss
Publisher: Oxford University Press
ISBN: 0190884118
Category : Religion
Languages : en
Pages : 433
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Book Description
In Tongues of Fire, Nancy Farriss investigates the role of language and translation in the creation of Mexican Christianity during the first centuries of colonial rule. Spanish missionaries collaborated with indigenous intellectuals to communicate the gospel in dozens of unfamiliar local languages that had previously lacked grammars, dictionaries, or alphabetic script. The major challenge to translators, more serious than the absence of written aids or the great diversity of languages and their phonetic and syntactical complexity, was the vast cultural difference between the two worlds. The lexical gaps that frustrated the search for equivalence in conveying fundamental Christian doctrines derived from cultural gaps that separated European experiences and concepts from those of the Indians. Farriss shows that the dialogue arising from these efforts produced a new, culturally hybrid form of Christianity that had become firmly established by the end of the 17th century. The study focuses on the Otomangue languages of Oaxaca in southern Mexico, especially Zapotec, and relates their role within the Dominican program of evangelization to the larger context of cultural contact in post-conquest Mesoamerica. Fine-grained analysis of translated texts reveals the rhetorical strategies of missionary discourse. Spotlighting the importance of the native elites in shaping what emerged as a new form of Christianity, Farriss shows how their participation as translators and parish administrators helped to make evangelization an indigenous enterprise, and the new Mexican church an indigenous one.
Author: Lois Parkinson Zamora
Publisher: Duke University Press
ISBN: 0822392526
Category : Literary Criticism
Languages : en
Pages : 690
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Book Description
Baroque New Worlds traces the changing nature of Baroque representation in Europe and the Americas across four centuries, from its seventeenth-century origins as a Catholic and monarchical aesthetic and ideology to its contemporary function as a postcolonial ideology aimed at disrupting entrenched power structures and perceptual categories. Baroque forms are exuberant, ample, dynamic, and porous, and in the regions colonized by Catholic Europe, the Baroque was itself eventually colonized. In the New World, its transplants immediately began to reflect the cultural perspectives and iconographies of the indigenous and African artisans who built and decorated Catholic structures, and Europe’s own cultural products were radically altered in turn. Today, under the rubric of the Neobaroque, this transculturated Baroque continues to impel artistic expression in literature, the visual arts, architecture, and popular entertainment worldwide. Since Neobaroque reconstitutions necessarily reference the European Baroque, this volume begins with the reevaluation of the Baroque that evolved in Europe during the late nineteenth century and the early twentieth. Foundational essays by Friedrich Nietzsche, Heinrich Wölfflin, Walter Benjamin, Eugenio d’Ors, René Wellek, and Mario Praz recuperate and redefine the historical Baroque. Their essays lay the groundwork for the revisionist Latin American essays, many of which have not been translated into English until now. Authors including Alejo Carpentier, José Lezama Lima, Severo Sarduy, Édouard Glissant, Haroldo de Campos, and Carlos Fuentes understand the New World Baroque and Neobaroque as decolonizing strategies in Latin America and other postcolonial contexts. This collection moves between art history and literary criticism to provide a rich interdisciplinary discussion of the transcultural forms and functions of the Baroque. Contributors. Dorothy Z. Baker, Walter Benjamin, Christine Buci-Glucksmann, José Pascual Buxó, Leo Cabranes-Grant, Haroldo de Campos, Alejo Carpentier, Irlemar Chiampi, William Childers, Gonzalo Celorio, Eugenio d’Ors, Jorge Ruedas de la Serna, Carlos Fuentes, Édouard Glissant, Roberto González Echevarría, Ángel Guido, Monika Kaup, José Lezama Lima, Friedrich Nietzsche, Mario Praz, Timothy J. Reiss, Alfonso Reyes, Severo Sarduy, Pedro Henríquez Ureña, Maarten van Delden, René Wellek, Christopher Winks, Heinrich Wölfflin, Lois Parkinson Zamora
Author: José Luis Bermeo
Publisher:
ISBN:
Category : Jesuit scientists
Languages : es
Pages : 136
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Author: Ivonne del Valle
Publisher: Vanderbilt University Press
ISBN: 0826522548
Category : History
Languages : en
Pages : 369
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Book Description
Through interdisciplinary essays covering the wide geography of the Spanish and Portuguese empires, Iberian Empires and the Roots of Globalization investigates the diverse networks and multiple centers of early modern globalization that emerged in conjunction with Iberian imperialism. Iberian Empires and the Roots of Globalization argues that Iberian empires cannot be viewed apart from early modern globalization. From research sites throughout the early modern Spanish and Portuguese territories and from distinct disciplinary approaches, the essays collected in this volume investigate the economic mechanisms, administrative hierarchies, and art forms that linked the early modern Americas, Africa, Asia, and Europe. Iberian Empires and the Roots of Globalization demonstrates that early globalization was structured through diverse networks and their mutual and conflictive interactions within overarching imperial projects. To this end, the essays explore how specific products, texts, and people bridged ideas and institutions to produce multiple centers within Iberian imperial geographies. Taken as a whole, the authors also argue that despite attempts to reproduce European models, early Iberian globalization depended on indigenous agency and the agency of people of African descent, which often undermined or changed these models. The volume thus relays a nuanced theory of early modern globalization: the essays outline the Iberian imperial models that provided templates for future global designs and simultaneously detail the negotiated and conflictive forms of local interactions that characterized that early globalization. The essays here offer essential insights into historical continuities in regions colonized by Spanish and Portuguese monarchies.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : es
Pages : 328
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Author: Artes de Mexico
Publisher:
ISBN: 9789706830968
Category : Art
Languages : en
Pages : 107
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Book Description
Author: Raphaële Garrod
Publisher: BRILL
ISBN: 9004385193
Category : Religion
Languages : en
Pages : 348
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Book Description
This volume of essays contributes to our understanding of the ways in which the Jesuits employed emotions to “change hearts”—that is, convert or reform—both in Europe and in the overseas missions. The early modern Society of Jesus excited and channeled emotion through sacred oratory, Latin poetry, plays, operas, art, and architecture; it inflamed young men with holy desire to die for their faith in foreign lands; its missionaries initiated dialogue with and ‘accommodated’ to non-European cultural and emotional regimes. The early modern Jesuits conducted, in all senses of the word, much of the emotional energy of their times. As such, they provide a compelling focus for research into the links between rhetoric and emotion, performance and devotion, from the sixteenth through eighteenth centuries.
