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Author: Olivier Debroise
Publisher: UNAM
ISBN: 9789703238293
Category : Art
Languages : en
Pages : 482
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Book Description
"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.
Author: Olivier Debroise
Publisher: UNAM
ISBN: 9789703238293
Category : Art
Languages : en
Pages : 482
Get Book Here
Book Description
"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.
Author: Virginia Santamarina-Campos
Publisher: Springer Nature
ISBN: 3030531066
Category : Social Science
Languages : en
Pages : 211
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Book Description
This book puts into context the evolution of mural art in recent years, particularly the case of the contemporary muralism in Uruguay. While the focus of this volume, revolves around Uruguay, the editors demonstrate that circumstances found in Uruguay are also reflected widely in a large number of cases worldwide. Mural art has evolved from an elite audience to a more popular objective. At the same time, it does not lose the necessity of high value artists that, not only technically but also conceptually, will be able to connect to the audience and provide a sense of identity and necessity of preservation of this art. This leads to a down-top approach, where different actors take part in the process, from the conceptualization to the conservation. Moreover, mural art has been studied as a driver of local economic development, attracting visitors and tourists can access these open-air museums easily. This book is of interest to students and researchers working in fine art, heritage and museum studies.
Author: Oscar Olea
Publisher:
ISBN:
Category : Art and society
Languages : es
Pages : 184
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Book Description
Author: Russi, Pedro
Publisher: Editorial UOC
ISBN: 8491160787
Category : Art
Languages : en
Pages : 150
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Book Description
El grafiti, como intervención, es una propuesta de comunicación, es decir, de relaciones sociales semióticas, al establecerse en la interacción con los signos. Constituye una cultura, significaciones de ser y estar en algún espacio que nos presenta y representa. Si comprendemos este quehacer urbano de este modo, ¿por qué no pensar los grafitis como una forma de educación sobre cómo tomar y reconfigurar los espacios de ese entorno denominado ciudad? Ahora bien, este libro no se propone ser moralista, no se basa en juicios de valor. Se trata de todo lo contrario. El objetivo de Grafiti: trazos de imaginación y espacios de encuentros es formular cuestiones que den pie a otras formas de conocer. No está enfocado a diagnosticar enfermedades juveniles, ni tampoco sociales.
Author: Lisa Bogerts
Publisher: Berghahn Books
ISBN: 1805399195
Category : Art
Languages : en
Pages : 312
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Book Description
Effective visual communication has become an essential strategy for grassroots political activists, who use images to publicly express resistance and make their claims visible in the struggle for political power. However, this “aesthetics of resistance” is also employed by political and economic elites for their own purposes, making it increasingly difficult to distinguish from the “aesthetics of rule.” Through illuminating case studies of street art in Buenos Aires, Bogotá, Caracas, and Mexico City, The Aesthetics of Rule and Resistance explores the visual strategies of persuasion and meaning-making employed by both rulers and resisters to foster self-legitimization, identification, and mobilization.
Author: Gustavo Agrest
Publisher: Stockcero
ISBN: 9781949938029
Category : Art
Languages : en
Pages : 132
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Book Description
I have tried to preserve these walls photographically, defying the finiteness of works registered once, but most of them no longer existing today due to the natural deterioration of time, or vandalism or, as the ancient painters did with their canvases, overlapped by the work of some other artist.
Author: Daniel Neufeld
Publisher:
ISBN:
Category : Graffiti
Languages : en
Pages : 160
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Book Description
Author: Agnese Tonelli
Publisher: Gruppo Albatros Il Filo
ISBN: 8830667668
Category : Fiction
Languages : it
Pages : 48
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Book Description
Se in precedenza l’arte di strada veniva vista come un’espressione di vandalismo e di inciviltà giovanile, oggi la Street Art viene considerata una vera e propria forma d’arte. Molteplici sono le motivazioni che spingono molti giovani a condividere questa forma artistica: per alcuni è una sorta di protesta contro le Istituzioni imperanti, contro il capitalismo e la proprietà privata, per altri è una forma di condivisione pubblica, aperta a ogni strato sociale senza limiti d’età, quindi contro la mercificazione, l’esclusivismo e immortalità dell’arte. Street Art Invasion, di Agnese Tonelli, nasce per divulgare l’idea di autonomia e di spontaneità dell’arte. La sua applicazione in spazi aperti crea un connubio tra l’artista e l’urbanizzazione, al fine di trasformare i luoghi, donando loro unicità e bellezza e divenendo fenomeno culturale di grande rilevanza sociale. Agnese Tonelli, con un linguaggio semplice ma perfettamente esplicativo, rende l’argomento notevolmente interessante, in grado di suscitare curiosità. L’apporto di numerose immagini e la condivisione del pensiero artistico di alcuni esponenti del movimento completano e impreziosiscono il testo. Agnese Tonelli classe 1986, appassionata di semiotica dell’arte e all’universo che ruota attorno all’arte pubblica e urbana contemporanea, ha studiato all’università di Bologna laureandosi al Dams Corso Arte e conseguendo un Master in Museologia, Conservazione e valorizzazione dei beni culturali. Dopo la quinquennale esperienza presso una galleria espositiva di Venezia, inizia a lavorare presso un importante Museo del bolognese.
Author: Bill Kelley Jr.
Publisher: Duke University Press
ISBN: 0822372495
Category : Art
Languages : en
Pages : 425
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Book Description
In Collective Situations scholars, artists, and art collectives present a range of socially engaged art practices that emerged in Latin America during the Pink Tide period, between 1995 and 2010. This volume's essays, interviews, and artist's statements—many of which are appearing in English for the first time—demonstrate the complex relationship between moments of political transformation and artistic production. Whether addressing human rights in Colombia, the politics of urban spaces in Brazil, the violent legacy of military dictatorships in the region, or art’s intersection with public policy, health, and the environment, the contributors outline the region’s long-standing tradition of challenging ideas about art and the social sphere through experimentation. Introducing English-language readers to some of the most dynamic and innovative contemporary art in Latin America, Collective Situations documents new possibilities for artistic practice, collaboration, and creativity in ways that have the capacity to foster vibrant forms of democratic citizenship. Contributors Gavin Adams, Mariola V. Alvarez, Gustavo Buntinx, María Fernanda Cartagena, David Gutiérrez Castañeda, Fabian Cereijido, Paloma Checa-Gismero, Kency Cornejo, Raquel de Anda, Bill Kelley Jr., Grant H. Kester, Suzanne Lacy, Ana Longoni, Rodrigo Martí, Elize Mazadiego, Annie Mendoza, Alberto Muenala, Prerana Reddy, Maria Reyes Franco, Pilar Riaño-Alcalá, Juan Carlos Rodríguez
Author: Margarida Rendeiro
Publisher: Routledge
ISBN: 100054687X
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Taking an original approach, Challenging Memories and Rebuilding Identities: Literary and Artistic Voices that undo the Lusophone Atlantic explores a selected body of cultural works from Portugal, Brazil and Lusophone Africa. Contributors from various fields of expertise examine the ways contemporary writers, artists, directors, and musicians explore canonical forms in visual arts, cinema, music and literature, and introduce innovation in their narratives, at the same time they discuss the social and historical context they belong to.
