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Author: Melisa Moore
Publisher: Bucknell University Press
ISBN: 1611484634
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
The years 1909–1930, the eleven-year presidency of the businessman-turned-politician Augusto B. Leguía, mark a formative period of Peruvian modernity, witnessing the continuity of a process of reconstruction and the founding of an intellectual and cultural tradition after a humbling defeat during the War of the Pacific (1879–1883). But these years were also fraught with conflict generated by long-standing divisions and new rivalries. A postwar generation of intellectuals and artists, led by José Carlos Mariátegui and galvanized by left-wing thinking and an avant-garde aesthetic, sought representation in the fields of politics and the arts, and participation in the process of reconstruction initiated by a Positivist oligarchy. New political and artistic conceptions raised their awareness of the fractured sense of nationhood in Peru and the need for a new project of nation-formation centered on a common political and cultural consciousness. They also gave rise to divergent political and artistic practices and projects. Amongst these, Mariátegui’s Indigenist-Marxist politics and Modernist-inspired poetics were pivotal in revitalizing, conciliating and channeling those of his cohorts and challengers. Comprising six full-length chapters, a comprehensive Introduction and Conclusion, this monograph is extensive in scale and scope. It provides fresh readings of key writings of Mariátegui, one of Latin America’s most important and revolutionary political, cultural and aesthetic theorists, through the lens of his poetics, emphasizing the value of this approach for a fuller understanding of his work’s political meaning and impact. It does so through detailed analysis of the poetic, expressive language employed in seminal political essays, aimed at forging a new Marxist position in 1920s Peru. Furthermore, it offers powerful and original critiques of understudied intellectuals of this time, especially aprista-Futurist, Socialist and Indigenist female writers and artists, such as Magda Portal and Ángela Ramos, whose work he championed. These readings are fully contextualized in terms of detailed critical study of complex sociopolitical conditions and positions, and bio-bibliographical, intellectual backgrounds of Mariátegui and his contemporaries. The monograph examines and underscores the fundamental importance of Mariátegui’s, and their, politico-poetic practices and projects for forging a national-cum-cosmopolitan, shared, yet also heterogeneous, political culture and cultural tradition in 1920s Peru.
Author: Melisa Moore
Publisher: Bucknell University Press
ISBN: 1611484634
Category : Literary Criticism
Languages : en
Pages : 273
Get Book Here
Book Description
The years 1909–1930, the eleven-year presidency of the businessman-turned-politician Augusto B. Leguía, mark a formative period of Peruvian modernity, witnessing the continuity of a process of reconstruction and the founding of an intellectual and cultural tradition after a humbling defeat during the War of the Pacific (1879–1883). But these years were also fraught with conflict generated by long-standing divisions and new rivalries. A postwar generation of intellectuals and artists, led by José Carlos Mariátegui and galvanized by left-wing thinking and an avant-garde aesthetic, sought representation in the fields of politics and the arts, and participation in the process of reconstruction initiated by a Positivist oligarchy. New political and artistic conceptions raised their awareness of the fractured sense of nationhood in Peru and the need for a new project of nation-formation centered on a common political and cultural consciousness. They also gave rise to divergent political and artistic practices and projects. Amongst these, Mariátegui’s Indigenist-Marxist politics and Modernist-inspired poetics were pivotal in revitalizing, conciliating and channeling those of his cohorts and challengers. Comprising six full-length chapters, a comprehensive Introduction and Conclusion, this monograph is extensive in scale and scope. It provides fresh readings of key writings of Mariátegui, one of Latin America’s most important and revolutionary political, cultural and aesthetic theorists, through the lens of his poetics, emphasizing the value of this approach for a fuller understanding of his work’s political meaning and impact. It does so through detailed analysis of the poetic, expressive language employed in seminal political essays, aimed at forging a new Marxist position in 1920s Peru. Furthermore, it offers powerful and original critiques of understudied intellectuals of this time, especially aprista-Futurist, Socialist and Indigenist female writers and artists, such as Magda Portal and Ángela Ramos, whose work he championed. These readings are fully contextualized in terms of detailed critical study of complex sociopolitical conditions and positions, and bio-bibliographical, intellectual backgrounds of Mariátegui and his contemporaries. The monograph examines and underscores the fundamental importance of Mariátegui’s, and their, politico-poetic practices and projects for forging a national-cum-cosmopolitan, shared, yet also heterogeneous, political culture and cultural tradition in 1920s Peru.
Author: Deborah Poole
Publisher: Princeton University Press
ISBN: 0691234647
Category : Social Science
Languages : en
Pages : 279
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Book Description
Through an intensive examination of photographs and engravings from European, Peruvian, and U.S. archives, Deborah Poole explores the role visual images and technologies have played in shaping modern understandings of race. Vision, Race, and Modernity traces the subtle shifts that occurred in European and South American depictions of Andean Indians from the late eighteenth to the early twentieth centuries, and explains how these shifts led to the modern concept of "racial difference." While Andean peoples were always thought of as different by their European describers, it was not until the early nineteenth century that European artists and scientists became interested in developing a unique visual and typological language for describing their physical features. Poole suggests that this "scientific" or "biological" discourse of race cannot be understood outside a modern visual economy. Although the book specifically documents the depictions of Andean peoples, Poole's findings apply to the entire colonized world of the nineteenth century. Poole presents a wide range of images from operas, scientific expeditions, nationalist projects, and picturesque artists that both effectively elucidate her argument and contribute to an impressive history of photography. Vision, Race, and Modernity is a fascinating attempt to study the changing terrain of racial theory as part of a broader reorganization of vision in European society and culture.
Author: Hans Bak
Publisher: Cambridge Scholars Publishing
ISBN: 1527543390
Category : Social Science
Languages : en
Pages : 379
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Book Description
The twelve essays in this book – by scholars from the U.S., France, Germany, the Netherlands and the Czech Republic – offer new transnational perspectives in transatlantic historical, literary, and cultural studies. They explore the special role of American and European intellectuals as agents of transatlantic cultural transfer, and examine the mechanisms and instruments through which artists, writers and intellectuals communicated across oceans and national borders, in the half century between 1914 and 1964. Their focus is on transatlantic networks and the instruments of culture through which such networks become operative as sites of cross-cultural exchange, circulation and interaction: magazines, cafés, publishing houses, book fairs, agents, translators, and mediators – and last but not least, transatlantic personal friendships. Contending that the dynamics of transatlantic cultural transfer need to be understood as reciprocal and multi-directional, they also exemplify the shift within transatlantic intellectual history from a traditional concern with European-U.S. relations to a multidirectional, triangular exploration of cultural, political and intellectual relations between Europe, the United States, and Latin America.
Author: Sara Castro-Klaren
Publisher: John Wiley & Sons
ISBN: 1118661354
Category : Literary Criticism
Languages : en
Pages : 723
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Book Description
A COMPANION TO LATIN AMERICAN LITERATURE AND CULTURE “The work contains a wealth of information that must surely provide the basic material for a number of study modules. It should find a place on the library shelves of all institutions where Latin American studies form part of the curriculum.” Reference Review “In short, this is a fascinating panoply that goes from a reevaluation of pre-Columbian America to an intriguing consideration of recent developments in the debate on the modem and postmodern. Summing Up: Recommended.” CHOICE A Companion to Latin American Literature and Culture reflects the changes that have taken place in cultural theory and literary criticism since the latter part of the twentieth century. Written by more than thirty experts in cultural theory, literary history, and literary criticism, this authoritative and up-to-date reference places major authors in the complex cultural and historical contexts that have compelled their distinctive fiction, essays, and poetry. This allows the reader to more accurately interpret the esteemed but demanding literature of authors such as Jorge Luis Borges, Mario Vargas Llosa, Octavio Paz, and Diamela Eltit. Key authors whose work has defined a period, or defied borders, as in the cases of Sor Juana Inés de la Cruz, César Vallejo, and Gabriel García Márquez, are also discussed in historical and theoretical context. Additional essays engage the reader with in-depth discussions of forms and genres, and discussions of architecture, music, and film This text provides the historical background to help the reader understand the people and culture that have defined Latin American literature and its reception. Each chapter also includes short selected bibliographic guides and recommendations for further reading.
Author: Robin W. Fiddian
Publisher: Liverpool University Press
ISBN: 9780853235668
Category : History
Languages : en
Pages : 242
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Book Description
Aimed at a readership in postcolonial, Luso-Brazilian and Latin American Studies, this surveys the range of texts, authors and topics from the literary and non-literary cultures of Latin America and Lusophone Africa, adopting perspectives that are grounded in the discipline of postcolonial studies.
Author: Priscilla Archibald
Publisher: Bucknell University Press
ISBN: 1611480132
Category : Social Science
Languages : en
Pages : 207
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Book Description
Imagining Modernity in the Andes is an interdisciplinary work that deals with the intersection of projects of modernity with constructions of race and ethnicity in the Andes. This book focuses initially on Indigenismo, attempting to recuperate the intellectual energy of writers and artists from the twenties who rewrote political and cultural discourse in an irreversible manner, and concludes with a consideration of the new configurations of indigeneity that are emerging today not only in the Andes but across the globe. The multidisciplinary work of José Marìa Arguedas occupies a privileged place in this study and his anthropological work is analyzed in the context of an ideological climate. In addition to considering sociological and anthropological accounts, Archibald examines representations of urbanization and social informality by four Peruvian novelists, pointing to the prevalence of the troupe of the grotesque as a metaphor for the unmanageability associated with cities of the South. Finally, Imagining Modernity in the Andes analyzes the implications of the emergence of new visual media in a culture context long defined by the oral-textual divide, and considers the continued relevance of the concept of transculturation in a transnational and post-literary context.
Author: Antonio Cornejo Polar
Publisher: Duke University Press
ISBN: 0822354322
Category : History
Languages : en
Pages : 223
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Book Description
Originally published in 1994, Writing in the Air is one of the most significant books of modern Latin American literary and cultural criticism. In this seminal work, the influential Latin American literary critic Antonio Cornejo Polar offers the most extended articulation of his efforts to displace notions of hybridity or "mestizaje" dominant in Latin American cultural studies with the concept of heterogeneity: the persistent interaction of cultural difference that cannot be resolved in synthesis. He reexamines encounters between Spanish and indigenous Andean cultural systems in the New World from the Conquest into the 1980s. Through innovative readings of narratives of conquest and liberation, homogenizing nineteenth- and twentieth-century discourses, and contemporary Andean literature, he rejects the dominance of the written word over oral literature. Cornejo Polar decenters literature as the primary marker of Latin American cultural identity, emphasizing instead the interlacing of multiple narratives that generates the heterogeneity of contemporary Latin American culture.
Author: Deni Alfaro Rubbo
Publisher: Taylor & Francis
ISBN: 1040147933
Category : Social Science
Languages : en
Pages : 249
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Book Description
This volume explores the life, work, and impact of the Peruvian thinker José Carlos Mariátegui (1894–1930), particularly his political biography, his intellectual production, and his critique of Eurocentrism. This posthumous fame is based on the idea that, in the whole of his political-theoretical project, the relationship between Latin America and Marxism was not built using a mechanical linking of effects and causes, of the blatant copy of the theory produced in Europe, of the immediate application of positivist formulas. In this complex relationship, enigmatic and insinuating, a dissonant historical temporality emerged in Latin America. The apparently unbalanced temporalities marked the matrix of capitalist exploitation, but also present, in Mariátegui’s view, glimmers of future possibilities. This book is essential reading for scholars of social sciences and history interested in understanding the historical roots and political dilemmas of Latin American and European societies from the unique perspective of one of the greatest thinkers of the twentieth century.
Author: Jorge Coronado
Publisher: University of Pittsburgh Pre
ISBN: 0822973561
Category : History
Languages : en
Pages : 225
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Book Description
In The Andes Imagined, Jorge Coronado not only examines but also recasts the indigenismo movement of the early 1900s. Coronado departs from the common critical conception of indigenismo as rooted in novels and short stories, and instead analyzes an expansive range of work in poetry, essays, letters, newspaper writing, and photography. He uses this evidence to show how the movement's artists and intellectuals mobilize the figure of the Indian to address larger questions about becoming modern, and he focuses on the contradictions at the heart of indigenismo as a cultural, social, and political movement. By breaking down these different perspectives, Coronado reveals an underlying current in which intellectuals and artists frequently deployed their indigenous subject in order to imagine new forms of political inclusion. He suggests that these deployments rendered particular variants of modernity and make indigenismo's representational practices a privileged site for the examination of the region's cultural negotiation of modernization. His analysis reveals a paradox whereby the un-modern indio becomes the symbol for the modern itself.The Andes Imagined offers an original and broadly based engagement with indigenismo and its intellectual contributions, both in relation to early twentieth-century Andean thought and to larger questions of theorizing modernity.
Author: Harper Montgomery
Publisher: University of Texas Press
ISBN: 1477312544
Category : Art
Languages : en
Pages : 342
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Book Description
Presenting a paradigm-shifting view of early Latin American modernism, this book looks at how a transnational intellectual community of writers and critics forged an anticolonial aesthetic based in abstract artistic forms.
