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Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 102
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Book Description
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 102
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Book Description
Author: Dale Fisher
Publisher:
ISBN: 9780961562373
Category :
Languages : en
Pages :
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Book Description
288 page, hardcover pictorial book of the cities, towns and villages of Washtenaw County.
Author: Julia R. Myers
Publisher: Eastern Michigan University Gallery of Art
ISBN: 9780912042015
Category : Art
Languages : en
Pages : 176
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Book Description
Over the last twenty years, numerous scholarly publications have treated the work of African American artists of the 1950s, 1960s and 1970s. At that time, Detroit was the fifth largest city in the country with a large African American population and a vibrant Black arts scene. Nevertheless, the aforementioned publications fail to discuss Detroit African American artists. This book, which accompanies an exhibition of the same title, focuses on the life and work of Memphis born, Detroiter Harold Neal, who created some of the most forceful artistic statements of the Civil Rights and Black Power Movements. It also discusses other Detroit African American artists, including his predecessors Hughie Lee Smith and Oliver LaGrone, who greatly influenced his career; his contemporaries Glanton Dowdell, Charles McGee, Jon Onye Lockard, Henri Umbaji King, LeRoy Foster and Shirley Woodson, and his successors Aaron Ibn Pori Pitts and Allie McGhee, who were greatly impacted by his work. Additionally the book addresses the rift in the Detroit African American art community in the wake of the Black Power/Black Arts Movements. Neal, like other artists of the Black Arts Movement, felt that art should speak directly to the experience of African Americans using African American figurative subjects, while others artists, like Charles McGee, sought to compete in the white art world, working in the abstract, non-objective styles then dominant in New York galleries. The result of some ten years of research, this book presents a view of post-World War II African American art history essentially unknown to other scholars. It expands our understanding of Detroit African American art first set forth in the author's 2009 publication Energy: Charles McGee at Eighty Five. For this later project, Dr. Myers conducted extensive interviews with artists, scholars, friends and family members of the above mentioned artists. Most of their works remains in private collections, and Dr. Myers surveyed many of these, some in states outside of Michigan, in order to select the highest quality works for the exhibition. The book is based on hundreds of contemporary articles, published in Michigan Chronicle, Detroit's African American newspaper and in other local newspapers, as well as on other hard-to-locate archival materials. Dr. Myers assesses these Detroit artists in relation to their peers in other major metropolises such as New York, Chicago, Los Angeles/San Francisco, thus establishing that Detroit artists were significant contributors to African American art in the 1950s, 1960s and 1970s.
Author: Charles C. Chapman
Publisher: Dalcassian Publishing Company
ISBN:
Category :
Languages : en
Pages : 1448
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Book Description
Author: Martha R. Keller
Publisher:
ISBN:
Category : Ann Arbor (Mich.)
Languages : en
Pages : 150
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Book Description
Author: Grace Shackman
Publisher: Arcadia Publishing
ISBN: 9780738519227
Category : History
Languages : en
Pages : 132
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Book Description
Ann Arbor has never been a typical college town, typical industrial town, or typical agricultural center. The city was founded in 1824 by John Allen and Elisha Rumsey. Settlers from the Eastern U.S. of British origin were soon followed by Germans, who brought with them many practical skills. With the opening of the University of Michigan campus in 1841, still more people came from across the country to teach and learn. Ann Arbor in the 19th Century: A Photographic History, details the growth of the city, when residents built houses and businesses, organized a government, and established churches, schools, a university, and newspapers, in over 190 photographs. Early residents would recognize the photograph of Okemos, nephew of Pontiac, Chief of the Ottawa, who made regular visits to Ann Arbor, before the Native Americans were banished to Kansas by the federal government. Another fascinating photo shows Henry Otto's Band, whose family was responsible for much of the music at official events. However, much of 19th century Ann Arbor would still be recognizable to today's residents.
Author: Michigan. Freedmen's Progress Commission
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 384
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Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 764
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Book Description
Author:
Publisher: Trillium
ISBN: 9780814213056
Category : Photography
Languages : en
Pages : 152
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Book Description
The Lustron Corporation manufactured porcelain-baked, enamel-coated all-steel houses between 1948 and 1950 in Columbus, OH. Virtually everything--exterior siding, roof, interior walls, cabinets, and ceilings--was made out of this material. The components were shipped to site on specially designed trailers and assembled by local contractors using only wrenches. About 2,500 Lustrons were sold, mostly in the eastern United States, but as far afield as Miami and Los Alamos. Roughly two-thirds are still being used today. A remarkable cross section of individuals and families live in these modest ( 1100 sq. ft.) homes. While certainly diverse in age and place in life, the homeowners are still firmly working class. Everyone who lives in a Lustron home has an opinion about it. The material is miserable to cut or drill into. Repairs are more about metalworking and enamel finishing than carpentry or house painting. And magnets tend to be a popular solution for hanging objects inside and outside the steel walls. Four years ago, Charles Mintz set out to photograph the people living in these homes. The residents, owners, or both were photographed outside and occasionally inside. Mintz used a large format wooden camera and available light. This book features 65 of the resulting photographs and essays from Shannon Thomas Perich, Curator of the Photographic History Collection at Smithsonian's National Museum of American History, and Jeffrey Head, author and architecture critic.
Author: Edward Keyes
Publisher: Open Road Media
ISBN: 1504025598
Category : True Crime
Languages : en
Pages : 302
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Book Description
Edgar Award Finalist: The true story of a serial killer who terrorized a midwestern town in the era of free love—by the coauthor of The French Connection. In 1967, during the time of peace, free love, and hitchhiking, nineteen-year-old Mary Terese Fleszar was last seen alive walking home to her apartment in Ypsilanti, Michigan. One month later, her naked body—stabbed over thirty times and missing both feet and a forearm—was discovered, partially buried, on an abandoned farm. A year later, the body of twenty-year-old Joan Schell was found, similarly violated. Southeastern Michigan was terrorized by something it had never experienced before: a serial killer. Over the next two years, five more bodies were uncovered around Ann Arbor and Ypsilanti, Michigan. All the victims were tortured and mutilated. All were female students. After multiple failed investigations, a chance sighting finally led to a suspect. On the surface, John Norman Collins was an all-American boy—a fraternity member studying elementary education at Eastern Michigan University. But Collins wasn’t all that he seemed. His female friends described him as aggressive and short tempered. And in August 1970, Collins, the “Ypsilanti Ripper,” was arrested, found guilty, and sentenced to life in prison without chance of parole. Written by the coauthor of The French Connection, The Michigan Murders delivers a harrowing depiction of the savage murders that tormented a small midwestern town.
