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Author: Kate Nichols
Publisher: Studies in Design and Material Culture
ISBN: 9781526127082
Category : Art and industry
Languages : en
Pages : 280
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Book Description
"This book is about encounters between art and industry in nineteenth-century Britain. It looks beyond the oppositions established by later interpretations of the work of John Ruskin, William Morris and the Arts and Crafts movement to reveal surprising examples of collaboration - between artists, craftspeople, designers, inventors, curators, engineers and educators - at a crucial period in the formation of the cultural and commercial identity of Britain and its colonies. 'Art versus industry?' explores such diverse subjects as the production of lace, the mechanical translation of sculpture, the display of stained glass, the use of the kaleidoscope in painting and pattern design, the emergence of domestic electric lighting, the politics of ornament and the development of art and design education and international exhibitions in India. Its approach is as varied as its contents, often drawing on little-used primary sources and offering new perspectives on existing literature. This lively and richly illustrated volume operates across disciplines to form an essential source for those studying the histories of art and design, museum studies, the history and philosophy of science and postcolonial studies. It also has much to offer for the general reader interested in the industrial and visual cultures of the Victorian period."
Author: Kate Nichols
Publisher: Studies in Design and Material Culture
ISBN: 9781526127082
Category : Art and industry
Languages : en
Pages : 280
Get Book
Book Description
"This book is about encounters between art and industry in nineteenth-century Britain. It looks beyond the oppositions established by later interpretations of the work of John Ruskin, William Morris and the Arts and Crafts movement to reveal surprising examples of collaboration - between artists, craftspeople, designers, inventors, curators, engineers and educators - at a crucial period in the formation of the cultural and commercial identity of Britain and its colonies. 'Art versus industry?' explores such diverse subjects as the production of lace, the mechanical translation of sculpture, the display of stained glass, the use of the kaleidoscope in painting and pattern design, the emergence of domestic electric lighting, the politics of ornament and the development of art and design education and international exhibitions in India. Its approach is as varied as its contents, often drawing on little-used primary sources and offering new perspectives on existing literature. This lively and richly illustrated volume operates across disciplines to form an essential source for those studying the histories of art and design, museum studies, the history and philosophy of science and postcolonial studies. It also has much to offer for the general reader interested in the industrial and visual cultures of the Victorian period."
Author: Richard E. Caves
Publisher: Harvard University Press
ISBN: 0674253388
Category : Business & Economics
Languages : en
Pages : 442
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Book Description
This book explores the organization of creative industries, including the visual and performing arts, movies, theater, sound recordings, and book publishing. In each, artistic inputs are combined with other, "humdrum" inputs. But the deals that bring these inputs together are inherently problematic: artists have strong views; the muse whispers erratically; and consumer approval remains highly uncertain until all costs have been incurred. To assemble, distribute, and store creative products, business firms are organized, some employing creative personnel on long-term contracts, others dealing with them as outside contractors; agents emerge as intermediaries, negotiating contracts and matching creative talents with employers. Firms in creative industries are either small-scale pickers that concentrate on the selection and development of new creative talents or large-scale promoters that undertake the packaging and widespread distribution of established creative goods. In some activities, such as the performing arts, creative ventures facing high fixed costs turn to nonprofit firms. To explain the logic of these arrangements, the author draws on the analytical resources of industrial economics and the theory of contracts. He addresses the winner-take-all character of many creative activities that brings wealth and renown to some artists while dooming others to frustration; why the "option" form of contract is so prevalent; and why even savvy producers get sucked into making "ten-ton turkeys," such as Heaven's Gate. However different their superficial organization and aesthetic properties, whether high or low in cultural ranking, creative industries share the same underlying organizational logic.
Author: John Timbs
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
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Book Description
Author: John Timbs
Publisher:
ISBN:
Category : London International Exhibition
Languages : en
Pages : 410
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Book Description
Author: United States. Office of Education
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 1500
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Author:
Publisher:
ISBN:
Category : Business education
Languages : en
Pages : 594
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 898
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Book Description
Author: Pedro Joseph Lemos
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 666
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Book Description
Author:
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 556
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Book Description
Author:
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 550
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Book Description