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Author: Ashley Rawlings
Publisher: Chin Music
ISBN: 9780974199559
Category : Art
Languages : en
Pages : 0
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Book Description
This beautiful guide to Tokyo's most exciting art galleries is a must-read for art lovers planning trips to Tokyo or looking to understand the art scene in contemporary Japan. In-depth interviews with curators and essays by leading art critics bring these exciting art spaces to life for an English-speaking audience.
Author: Ashley Rawlings
Publisher: Chin Music
ISBN: 9780974199559
Category : Art
Languages : en
Pages : 0
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Book Description
This beautiful guide to Tokyo's most exciting art galleries is a must-read for art lovers planning trips to Tokyo or looking to understand the art scene in contemporary Japan. In-depth interviews with curators and essays by leading art critics bring these exciting art spaces to life for an English-speaking audience.
Author: Doryun Chong
Publisher: The Museum of Modern Art
ISBN: 0870708341
Category : Art
Languages : en
Pages : 238
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Book Description
Catalog of an exhibition held at the Museum of Modern Art, New York, Nov. 18, 2012-Feb. 25, 2013.
Author: Yayoi Kusama
Publisher: David Zwirner Books
ISBN: 1941701213
Category : Art
Languages : en
Pages : 121
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Book Description
Yayoi Kusama: Give Me Love documents the artist's most recent exhibition at David Zwirner, New York, which marked the US debut of The Obliteration Room, an all-white, domestic interior that viewers are invited to cover with dot stickers of various sizes and colors. Widely recognized as one of the most popular artists in the world, Yayoi Kusama has shaped her own narrative of postwar and contemporary art. Minimalism and Pop art, abstraction and conceptualism coincide in her practice, which spans painting, sculpture, performance, room-sized and outdoor installation, the written word, films, fashion, design, and architectural interventions. Born in 1929 in Matsumoto, Japan, Yayoi Kusama briefly studied painting in Kyoto before moving to New York City in the late 1950s. In the mid-1960s, she established herself in New York as an important avant-garde artist by staging groundbreaking happenings, events, and exhibitions. Now in her late 80s, Kusama is entering one of the richest creative periods of her life. Immersed in her studio six days a week, Kusama has spoken of her renewed dedication to creating art over the past years: “[N]ew ideas come welling up every day….Now I am more keenly aware of the time that remains and more in awe of the vast scope of art.” Taking The Obliteration Room as its centerpiece, this catalogue reveals, in vivid large-scale plates, the transformation of the space from a clean white interior to a stunningly saturated room, with ceilings, walls, and furniture covered in myriad multicolored stickers put there by viewers over the course of the exhibition. The catalogue also includes beautiful reproductions of Kusama's new large-format paintings from My Eternal Soul series. Ranging from bright and densely pixelated forms, to umber figures with darker blues and muted oranges, these paintings demonstrate the artist's striking command of color, and her exceptional control over balance and contrast. Bold brushstrokes hover between figuration and abstraction; vibrant, animated, and intense, these paintings introduce their own powerful pictorial logic, at once contemporary and universal. The catalogue continues with a selection of new, large Pumpkin sculptures, a form that Kusama has been exploring since her studies in Japan in the 1950s, and which gained prominence in the 1980s, continuing to remain an essential part of her practice. Made of shiny stainless steel and featuring painted dots or dot-shaped perforations that recall The Obliteration Room, these immersive works seem created on human scale, with the tallest measuring 70 inches (178 cm). Vibrant plates capture how color, shape, size, and surface merge in these sculptures and mesmerize the viewer. Texts include a "Hymn to Yayoi Kusama" by art critic and poet Akira Tatehata and a poem by the artist herself.
Author: Lena Fritsch
Publisher:
ISBN: 9781910807392
Category : Art
Languages : en
Pages : 288
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Book Description
This beautifully designed book is a celebration of one of the world's most creative, dynamic and fascinating cities: Tokyo. It spans 400 years, with highlights including Kano school paintings; the iconic woodblock prints of Hiroshige; Tokyo Pop Art posters; the photography of Moriyama Daido and Ninagawa Mika; manga; film; and contemporary art by Murakami Takashi and Aida Makoto. Visually bold and richly detailed, this publication looks at a city which has undergone constant destruction and renewal and it tells the stories of the people who have made Tokyo so famous with their insatiable appetite for the new and innovative - from the samurai to avantgarde artists today. Co-edited by Japanese art specialists and curators Lena Fritsch and Clare Pollard from Oxford University, this accessible volume features 28 texts by international experts of Japanese culture, as well as original statements by influential artists.
Author: Samuel Crowell Morse
Publisher: Amherst College
ISBN: 9780914337355
Category : Art
Languages : en
Pages : 0
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Book Description
A groundbreaking examination of artists portrayals of Tokyo from the mid-nineteenth century to the present."
Author: Jordan Sand
Publisher: Univ of California Press
ISBN: 0520280377
Category : Architecture
Languages : en
Pages : 224
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Book Description
Preserved buildings and historic districts, museums and reconstructions have become an important part of the landscape of cities around the world. Beginning in the 1970s, Tokyo participated in this trend. However, repeated destruction and rapid redevelopment left the city with little building stock of recognized historical value. Late twentieth-century Tokyo thus presents an illuminating case of the emergence of a new sense of history in the city’s physical environment, since it required both a shift in perceptions of value and a search for history in the margins and interstices of a rapidly modernizing cityscape. Scholarship to date has tended to view historicism in the postindustrial context as either a genuine response to loss, or as a cynical commodification of the past. The historical process of Tokyo’s historicization suggests other interpretations. Moving from the politics of the public square to the invention of neighborhood community, to oddities found and appropriated in the streets, to the consecration of everyday scenes and artifacts as heritage in museums, Tokyo Vernacular traces the rediscovery of the past—sometimes in unlikely forms—in a city with few traditional landmarks. Tokyo's rediscovered past was mobilized as part of a new politics of the everyday after the failure of mass politics in the 1960s. Rather than conceiving the city as national center and claiming public space as national citizens, the post-1960s generation came to value the local places and things that embodied the vernacular language of the city, and to seek what could be claimed as common property outside the spaces of corporate capitalism and the state.
Author:
Publisher: Chronicle Books
ISBN: 9780811824231
Category : Architecture
Languages : en
Pages : 452
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Book Description
Documents the myriad ways that urban dwellers respond to the space crunch. Four hundred color photos take you inside the habitations of artists, students, young professionals, and families. -- Back cover.
Author: Ashley Rawlings
Publisher:
ISBN: 9780984595808
Category : Art
Languages : en
Pages : 271
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Book Description
Author: Mika Yoshitake
Publisher: Blum & Poe Press
ISBN: 9780966350326
Category : Art, Japanese
Languages : en
Pages : 0
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Book Description
Requiem for the Sun: The Art of Mono-ha is the most comprehensive study in English to date on the postwar Japanese movement Mono-ha (School of Things), and examines the group's practice in Tokyo between 1968-1972 at the height of the nation's political upheaval against the US-Japan Security Treaty, anti-Vietnam War protests and its oil crisis. The Mono-ha artists--who included Noburu Sekine, Lee Ufan, Kishio Suga and Koji Enokura--all distinguished themselves through an aesthetic detachment that, instead of "creating" things, strove instead to "rearrange" them into artworks that interacted with the spaces around them. While sharing certain traits with the Land Art and Minimalism movements that were taking place in the United States, and the Arte Povera movement in Italy, Mono-ha was ultimately a rejection of the Euro-American avant-garde and is now synonymous with the beginnings of contemporary art in Japan.
Author: Adrian Favell
Publisher:
ISBN: 9789881506412
Category : Art and society
Languages : en
Pages : 0
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Book Description
This is a history of the Japanese art world from 1990 up to the tsunami of March 2011, and its struggle to find a voice amidst Japan's economic decline and China's economic ascent. It looks at how the pop-culture fantasies of Takashi Murakami, Yoshitomo Nara and the other artists of the Superflat movement came to dominate the art of Japan today. It also delves into what lies behind their imagery of a childish and decadent society unable to face reality.
