Author: Abolala Soudavar
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 436
Book Description
Overview of Iranian and Persian manuscript painting, manuscript illumination, calligraphy and drawing, from the sixteenth to the nineteenth century
Art of the Persian Courts
Author: Abolala Soudavar
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 436
Book Description
Overview of Iranian and Persian manuscript painting, manuscript illumination, calligraphy and drawing, from the sixteenth to the nineteenth century
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 436
Book Description
Overview of Iranian and Persian manuscript painting, manuscript illumination, calligraphy and drawing, from the sixteenth to the nineteenth century
At the court of the great king
Author: Sara Otto-Diniz
Publisher:
ISBN:
Category : Art, Iranian
Languages : en
Pages : 30
Book Description
Publisher:
ISBN:
Category : Art, Iranian
Languages : en
Pages : 30
Book Description
At the Court of the Great King
Author: Sara Otto-Diniz
Publisher:
ISBN:
Category : Art, Ancient
Languages : en
Pages : 30
Book Description
Publisher:
ISBN:
Category : Art, Ancient
Languages : en
Pages : 30
Book Description
The Arts of Persia
Author: Ronald W. Ferrier
Publisher: Yale University Press
ISBN: 0300039875
Category : Art
Languages : en
Pages : 356
Book Description
Shows and describes examples of Persian calligraphy, glass, tile, pottery, lacquer, books, paintings, jewelry, textiles, sculpture, and architecture
Publisher: Yale University Press
ISBN: 0300039875
Category : Art
Languages : en
Pages : 356
Book Description
Shows and describes examples of Persian calligraphy, glass, tile, pottery, lacquer, books, paintings, jewelry, textiles, sculpture, and architecture
Fifteenth-Century Persian Painting
Author: B. W. Robinson
Publisher: NYU Press
ISBN: 9780814774465
Category : Art
Languages : en
Pages : 124
Book Description
In this book, B.W. Robinson traces the development of the different styles of Persian painting during the fifteenth century, and considers a number of the problems and issues involved in establishing a methodology and system of classification for Persian painting of that period. Robinson begins, by way of background, with a review of the schools of Herat and Shiraz up to the middle of the century, and then proceeds to tackle in order the three main fields of controversy: painting under the Turkmans, Timurid paintings in Transoxiana and Timurid painting in India. The uneasy fusion of contrasting characteristics of Herat and Shiraz that resulted in the emergence of Turkman court painting is traced through the origins, development, and branching of the Turkman style into a definitive form. Then the author reviews a branch of the art almost entirely neglected up to now, which he identifies as originating in Transoxiana. Finally he provides a new approach to the study of pre-Mughal Indian painting in Persian style by dividing the material into five stylistic groups.
Publisher: NYU Press
ISBN: 9780814774465
Category : Art
Languages : en
Pages : 124
Book Description
In this book, B.W. Robinson traces the development of the different styles of Persian painting during the fifteenth century, and considers a number of the problems and issues involved in establishing a methodology and system of classification for Persian painting of that period. Robinson begins, by way of background, with a review of the schools of Herat and Shiraz up to the middle of the century, and then proceeds to tackle in order the three main fields of controversy: painting under the Turkmans, Timurid paintings in Transoxiana and Timurid painting in India. The uneasy fusion of contrasting characteristics of Herat and Shiraz that resulted in the emergence of Turkman court painting is traced through the origins, development, and branching of the Turkman style into a definitive form. Then the author reviews a branch of the art almost entirely neglected up to now, which he identifies as originating in Transoxiana. Finally he provides a new approach to the study of pre-Mughal Indian painting in Persian style by dividing the material into five stylistic groups.
History of Art in Persia
Author: Georges Perrot
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 560
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 560
Book Description
The Artist and the Shah
Author: Dust-Ali Khan Mo`ayyer al-Mamalek
Publisher:
ISBN: 9781949445381
Category : Biography & Autobiography
Languages : en
Pages : 704
Book Description
To the task of chronicling the waning years of Persia's Qajar court, Dust-Ali Khan "Mo`ayyer al-Mamalek" (1876-1966) brought matchless gifts. On his mother's side, he was the grandson of Naser al-Din Shah, ruler of Qajar Iran from 1848 to 1896; on his father's side, he was the descendant of a family of assayers and masters of the royal mint with roots in the Safavid era (1501-1736). He was also a painter and writer with a keen eye for atmosphere and detail. Throughout his long life, he kept journals of the rarefied and sometimes turbulent world in which he moved. Some of those records were incorporated by him into autobiography or descriptions of his grandfather's court-its modes of governance, festivals, royal hunts, palaces and gardens, life in the harem, and much more. The Artist and the Shah is the product of a seven-year labor of love by Manoutchehr Eskandari-Qajar, a dedicated historian of the Qajar era, to not only translate two of Dust-Ali Khan's memoirs but also to gather together 280 photographs from public archives and private collections. Most of the photographs are presented here for the first time in their proper context. Illuminated with the words of Dust-Ali Khan, they provide a uniquely intimate view of an era now long vanished.
Publisher:
ISBN: 9781949445381
Category : Biography & Autobiography
Languages : en
Pages : 704
Book Description
To the task of chronicling the waning years of Persia's Qajar court, Dust-Ali Khan "Mo`ayyer al-Mamalek" (1876-1966) brought matchless gifts. On his mother's side, he was the grandson of Naser al-Din Shah, ruler of Qajar Iran from 1848 to 1896; on his father's side, he was the descendant of a family of assayers and masters of the royal mint with roots in the Safavid era (1501-1736). He was also a painter and writer with a keen eye for atmosphere and detail. Throughout his long life, he kept journals of the rarefied and sometimes turbulent world in which he moved. Some of those records were incorporated by him into autobiography or descriptions of his grandfather's court-its modes of governance, festivals, royal hunts, palaces and gardens, life in the harem, and much more. The Artist and the Shah is the product of a seven-year labor of love by Manoutchehr Eskandari-Qajar, a dedicated historian of the Qajar era, to not only translate two of Dust-Ali Khan's memoirs but also to gather together 280 photographs from public archives and private collections. Most of the photographs are presented here for the first time in their proper context. Illuminated with the words of Dust-Ali Khan, they provide a uniquely intimate view of an era now long vanished.
Book Arts of Isfahan
Author: Alice Taylor
Publisher: Getty Publications
ISBN: 089236338X
Category : Art
Languages : en
Pages : 102
Book Description
In the seventeenth century, the Persian city of Isfahan was a crossroads of international trade and diplomacy. Manuscript paintings produced within the city’s various cultural, religious, and ethnic groups reveal the vibrant artistic legacy of the Safavid Empire. Published to coincide with an exhibition at the Getty Museum, Book Arts of Isfahan offers a fascinating account of the ways in which the artists of Isfahan used their art to record the life around them and at the same time define their own identities within a complex society.
Publisher: Getty Publications
ISBN: 089236338X
Category : Art
Languages : en
Pages : 102
Book Description
In the seventeenth century, the Persian city of Isfahan was a crossroads of international trade and diplomacy. Manuscript paintings produced within the city’s various cultural, religious, and ethnic groups reveal the vibrant artistic legacy of the Safavid Empire. Published to coincide with an exhibition at the Getty Museum, Book Arts of Isfahan offers a fascinating account of the ways in which the artists of Isfahan used their art to record the life around them and at the same time define their own identities within a complex society.
Persian Art
Author: Robert Murdoch Smith
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 94
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 94
Book Description
The Persian Album, 1400-1600
Author: David J. Roxburgh
Publisher: Yale University Press
ISBN: 9780300103250
Category : Art
Languages : en
Pages : 404
Book Description
This groundbreaking book examines portable art collections assembled in the courts of Greater Iran in the fifteenth and sixteenth centuries. Made for members of the royal families or ruling elites, albums were created to preserve and display art, yet they were conceptualized in different ways. David Roxburgh, a leading expert on Persian albums and the art of the book, discusses this diversity and demonstrates convincingly that to look at the practice of album making is to open a vista to a culture of thought about the Persian art tradition. The book considers the album’s formal and physical properties, assembly, and content, as well as the viewer’s experience. Focusing on seven albums created during the Timurid and Safavid dynasties, Roxburgh reconstructs the history and development of this codex form and uses the works of art to explore notions of how art and aesthetics were conceived in Persian court culture. Generously illustrated with over 175 images, many rare and previously unpublished, the book offers a range of new insights into Persian visual culture as well as Islamic art history.
Publisher: Yale University Press
ISBN: 9780300103250
Category : Art
Languages : en
Pages : 404
Book Description
This groundbreaking book examines portable art collections assembled in the courts of Greater Iran in the fifteenth and sixteenth centuries. Made for members of the royal families or ruling elites, albums were created to preserve and display art, yet they were conceptualized in different ways. David Roxburgh, a leading expert on Persian albums and the art of the book, discusses this diversity and demonstrates convincingly that to look at the practice of album making is to open a vista to a culture of thought about the Persian art tradition. The book considers the album’s formal and physical properties, assembly, and content, as well as the viewer’s experience. Focusing on seven albums created during the Timurid and Safavid dynasties, Roxburgh reconstructs the history and development of this codex form and uses the works of art to explore notions of how art and aesthetics were conceived in Persian court culture. Generously illustrated with over 175 images, many rare and previously unpublished, the book offers a range of new insights into Persian visual culture as well as Islamic art history.