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Author: Kate Ezra
Publisher: Metropolitan Museum of Art
ISBN: 0810918749
Category : Art
Languages : en
Pages : 118
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Book Description
Author: Kate Ezra
Publisher: Metropolitan Museum of Art
ISBN: 0810918749
Category : Art
Languages : en
Pages : 118
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Book Description
Author: Laird Scranton
Publisher: Simon and Schuster
ISBN: 1594777780
Category : History
Languages : en
Pages : 252
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Book Description
A look at the close resemblance between the creation and structure of matter in both Dogon mythology and modern science • Reveals striking similarities between Dogon symbols and those used in both the Egyptian and Hebrew religions • Demonstrates the parallels between Dogon mythical narratives and scientific concepts from atomic theory to quantum theory and string theory The Dogon people of Mali, West Africa, are famous for their unique art and advanced cosmology. The Dogon’s creation story describes how the one true god, Amma, created all the matter of the universe. Interestingly, the myths that depict his creative efforts bear a striking resemblance to the modern scientific definitions of matter, beginning with the atom and continuing all the way to the vibrating threads of string theory. Furthermore, many of the Dogon words, symbols, and rituals used to describe the structure of matter are quite similar to those found in the myths of ancient Egypt and in the daily rituals of Judaism. For example, the modern scientific depiction of the informed universe as a black hole is identical to Amma’s Egg of the Dogon and the Egyptian Benben Stone. The Science of the Dogon offers a case-by-case comparison of Dogon descriptions and drawings to corresponding scientific definitions and diagrams from authors like Stephen Hawking and Brian Greene, then extends this analysis to the counterparts of these symbols in both the ancient Egyptian and Hebrew religions. What is ultimately revealed is the scientific basis for the language of the Egyptian hieroglyphs, which was deliberately encoded to prevent the knowledge of these concepts from falling into the hands of all but the highest members of the Egyptian priesthood. The Science of the Dogon also offers compelling new interpretations for many of the most familiar Egyptian symbols, such as the pyramid and the scarab, and presents new explanations for the origins of religiously charged words such as Jehovah and Satan.
Author: Pascal James Imperato
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 120
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Book Description
Author: Huib Blom
Publisher: huib blom
ISBN: 2839907259
Category : Art, Dogon
Languages : fr
Pages : 402
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Book Description
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN: 1588396878
Category : Art
Languages : en
Pages : 307
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Book Description
This groundbreaking volume examines the extraordinary artistic and cultural traditions of the African region known as the western Sahel, a vast area on the southern edge of the Sahara desert that includes present-day Senegal, Mauritania, Mali, and Niger. This is the first book to present a comprehensive overview of the diverse cultural achievements and traditions of the region, spanning more than 1,300 years from the pre Islamic period through the nineteenth century. It features some of the earliest extant art from sub Saharan Africa as well as such iconic works as sculptures by the Dogon and Bamana peoples of Mali. Essays by leading international scholars discuss the art, architecture, archaeology, literature, philosophy, religion, and history of the Sahel, exploring the unique cultural landscape in which these ancient communities flourished. Richly illustrated and brilliantly argued, Sahel brings to life the enduring forms of expression created by the peoples who lived in this diverse crossroads of the world.
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN: 1588390748
Category : Art
Languages : en
Pages : 138
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Book Description
The seventy-five masterpieces presented here, drawn from public and private American collections, are among the most celebrated icons of African art, works that are superb artistic creations as well as expressions of a society's most profound conceptions about its beginnings. All are reproduced in color and are accompanied by entries that illuminate the distinctive cultural contexts that inspired their creation and informed their appreciation."--BOOK JACKET.
Author: Mondiant Dogon
Publisher: Penguin
ISBN: 1984881302
Category : Biography & Autobiography
Languages : en
Pages : 337
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Book Description
A New York Times Book Review Editors' Choice • Named a Best Nonfiction Book of 2021 by Kirkus • A New York Times Book Review Paperback Row Selection • Shortlisted for the Moore Prize for Human Rights Writing A stunning and heartbreaking lens on the global refugee crisis, from a man who faced the very worst of humanity and survived to advocate for displaced people around the world One day when Mondiant Dogon, a Bagogwe Tutsi born in the Democratic Republic of Congo, was only three years old, his father’s lifelong friend, a Hutu man, came to their home with a machete in his hand and warned the family they were to be killed within hours. Dogon’s family fled into the forest, initiating a long and dangerous journey into Rwanda. They made their way to the first of several UN tent cities in which they would spend decades. But their search for a safe haven had just begun. Hideous violence stalked them in the camps. Even though Rwanda famously has a former refugee for a president in Paul Kagame, refugees in that country face enormous prejudice and acute want. For much of his life, Dogon and his family ate barely enough to keep themselves from starving. He fled back to Congo in search of the better life that had been lost, but there he was imprisoned and left without any option but to become a child soldier. For most refugees, the camp starts as an oasis but soon becomes quicksand, impossible to leave. Yet Dogon managed to be one of the few refugees he knew to go to college. Though he hid his status from his fellow students out of shame, eventually he would emerge as an advocate for his people. Rarely do refugees get to tell their own stories. We see them only for a moment, if at all, in flight: Syrians winding through the desert; children searching a Greek shore for their parents; families gathered at the southern border of the United States. But through his writing, Dogon took control of his own narrative and spoke up for forever refugees everywhere. As Dogon once wrote in a poem, “Those we throw away are diamonds.”
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN: 1588391086
Category : Couples in art
Languages : en
Pages : 54
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Book Description
Idealized pairings have been an enduring concern of sculptors across the African continent. This universal theme of duality is now examined in a handsome book that presents African sculptural masterpieces created in wood, bronze, terracotta, and beadwork from the twelfth to the twentieth centuries. Drawn from thirty sub-Saharan African cultures, including those of the Dogon, Lobi, Baule, Senufo, Yoruba, Chamba, Jukun, Songye, and Sakalava, the sculptures tell much about each culture's beliefs and social ideals. These artistic creations are astonishingly rich and diverse forms of expression. An essay written by Alisa LaGamma discusses thirty works, all of which are illustrated in color.
Author: Edith Whitney Watts
Publisher: Metropolitan Museum of Art
ISBN: 1588390659
Category : Art
Languages : en
Pages : 36
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Book Description
Author: George A. Corbin
Publisher: Routledge
ISBN: 0429973055
Category : Art
Languages : en
Pages : 648
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Book Description
This introduction to the art of tribal peoples of North America, Africa, and the South Pacific does not briefly cover the hundreds of artistic traditions in these three vast areas but rather studies in depth thirty-six art styles within all three areas using the methods of art history, including stylistic analysis and iconographic interpretation. Emphasis is on the art in cultural context and as a system of visual communication within each tribal area. Where appropriate for a more complete understanding of the art, data from archaeology, ethnology, linguistics, religion, and other humanistic disciplines are included.Among the peoples and cultures whose art is studied are the Haida, Kwakiutl, and Tlingit; the Hohokam and Mongollon, the Anasazi and Hopi; the Dogon and Bamana of Mali; the Asante of Ghana; the Benin, Yoruba, and Ibo of Nigeria; the Fan, the Bamum, and the Kuba of Central Africa; Australian aboriginal and Island New Guinea art; Island Melanesia art; central and eastern Polynesia; Hawaii and the Maori in Marginal Polynesia.The format of the text and selected illustrations is based on seventeen years of teaching African, North American Indian, and South Pacific art to undergraduate and graduate students at Herbert H. Lehman College (CUNY), New York University, and Columbia University. The book is intended for art history and anthropology students and the interested lay reader or collector. The detailed notes at the end of the book are for further study, research, and understanding of the tribal art style under discussion.
