Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum

Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum PDF Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 880

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Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum

Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum PDF Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 880

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Book Description


Guide to Microforms in Print

Guide to Microforms in Print PDF Author:
Publisher:
ISBN:
Category : Microcards
Languages : en
Pages : 1072

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Les Livres de L'année

Les Livres de L'année PDF Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 348

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Bibliographie D'histoire de L'art

Bibliographie D'histoire de L'art PDF Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 1312

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Art and Auctions

Art and Auctions PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312

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Hyde's Weekly Art News

Hyde's Weekly Art News PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 786

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RILA, International repertory of the literature of art

RILA, International repertory of the literature of art PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 378

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Intentions

Intentions PDF Author: Oscar Wilde
Publisher:
ISBN:
Category : Art critics
Languages : en
Pages : 284

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Divagations

Divagations PDF Author: StŽphane MallarmŽ
Publisher: Harvard University Press
ISBN: 0674032403
Category : Literary Criticism
Languages : en
Pages : 313

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Book Description
"This is a book just the way I don't like them," the father of French Symbolism, StŽphane MallarmŽ, informs the reader in his preface to Divagations: "scattered and with no architecture." On the heels of this caveat, MallarmŽ's diverting, discursive, and gorgeously disordered 1897 masterpiece tumbles forth--and proves itself to be just the sort of book his readers like most. The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. If MallarmŽ captured the tone and very feel of fin-de-sicle Paris, he went on to captivate the minds of the greatest writers of the twentieth century--from ValŽry and Eliot to Paul de Man and Jacques Derrida. This was the only book of prose he published in his lifetime and, in a new translation by Barbara Johnson, is now available for the first time in English as MallarmŽ arranged it. The result is an entrancing work through which a notoriously difficult-to-translate voice shines in all of its languor and musicality. Whether contemplating the poetry of Tennyson, the possibilities of language, a masturbating priest, or the transporting power of dance, MallarmŽ remains a fascinating companion--charming, opinionated, and pedantic by turns. As an expression of the Symbolist movement and as a contribution to literary studies, Divagations is vitally important. But it is also, in Johnson's masterful translation, endlessly mesmerizing.

Collecting and Displaying China's “Summer Palace” in the West

Collecting and Displaying China's “Summer Palace” in the West PDF Author: Louise Tythacott
Publisher: Routledge
ISBN: 135162489X
Category : Art
Languages : en
Pages : 345

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Book Description
In October 1860, at the culmination of the Second Opium War, British and French troops looted and destroyed one of the most important palace complexes in imperial China—the Yuanmingyuan. Known in the West as the "Summer Palace," this site consisted of thousands of buildings housing a vast art collection. It is estimated that over a million objects may have been taken from the palaces in the Yuanmingyuan—and many of these are now scattered around the world, in private collections and public museums. With contributions from leading specialists, this is the first book to focus on the collecting and display of "Summer Palace" material over the past 150 years in museums in Britain and France. It examines the way museums placed their own cultural, political and aesthetic concerns upon Yuanmingyuan material, and how displays—especially those at the Royal Engineers Museum in Kent, the National Museum of Scotland and the Musée Chinois at the Château of Fontainebleau—tell us more about European representations and images of China, than they do about the Yuanmingyuan itself.