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Author: Gauvin A. Bailey
Publisher: Worchester Art Museum
ISBN: 9780936042053
Category : Art
Languages : en
Pages : 264
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Book Description
The bubonic plague ravaged early modern Europe from the mid-fourteenth to the early eighteenth centuries, striking so often and in so many localities that people constantly were on guard against the scourge. Hope and Healing explores the response of the visual arts to this omnipresent aura of death, decay, and tragedy in the early modern European experience, focusing on Italy between the sixteenth and eighteenth centuries. An esteemed group of contributors draws on a wide range of materials, including diaries, medical and devotional treatises, poetry, sermons, letters, and chapbooks to illuminate the various aesthetic, social, and religious concerns that preoccupied artists, patrons, and the general populace. This vibrant and fascinating volume ultimately offers a fresh and intriguing perspective on the forces and concerns that shaped early modern Italian art.
Author: Gauvin A. Bailey
Publisher: Worchester Art Museum
ISBN: 9780936042053
Category : Art
Languages : en
Pages : 264
Get Book Here
Book Description
The bubonic plague ravaged early modern Europe from the mid-fourteenth to the early eighteenth centuries, striking so often and in so many localities that people constantly were on guard against the scourge. Hope and Healing explores the response of the visual arts to this omnipresent aura of death, decay, and tragedy in the early modern European experience, focusing on Italy between the sixteenth and eighteenth centuries. An esteemed group of contributors draws on a wide range of materials, including diaries, medical and devotional treatises, poetry, sermons, letters, and chapbooks to illuminate the various aesthetic, social, and religious concerns that preoccupied artists, patrons, and the general populace. This vibrant and fascinating volume ultimately offers a fresh and intriguing perspective on the forces and concerns that shaped early modern Italian art.
Author: Eve Straussman-Pflanzer
Publisher: Detroit Institute of Arts
ISBN: 9780300256369
Category :
Languages : en
Pages : 192
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Book Description
A brand new look at the extraordinary accomplishments of early modern Italian women artists This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured here--ranging from historical subjects to portraits and still lifes--offer new insight into the ways these women worked and their accomplishments. Essays and catalogue entries by an international team of distinguished art historians examine the works of Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Fede Galizia, Elisabetta Sirani, Giovanna Garzoni, Rosalba Carriera, and other less known Italian women artists. Through these works of art in diverse media--from paintings to prints--the fascinating stories of early modern Italian women artists are revealed.
Author: Sydney Joseph Freedberg
Publisher: Puffin Books
ISBN:
Category : Mannerism (Art)
Languages : en
Pages : 786
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Book Description
Author: Gauvin A. Bailey
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 8
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Book Description
Author: Robert Klein
Publisher: Northwestern University Press
ISBN: 9780810108523
Category : Art
Languages : en
Pages : 220
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Book Description
Art and the cultured public - Documents on art and artists - Mid-century Venetian art criticism - Vasari - Art theory in the second half of the century - The Counter-Reformation - Artists, amateurs and collectors - On beauty.
Author: Auckland City Art Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 56
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Book Description
Author: Anton Willem Adriaan Boschloo
Publisher:
ISBN: 9789059970588
Category : Art criticism
Languages : en
Pages : 384
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Book Description
Author: Philip Lindsay Sohm
Publisher: Yale University Press
ISBN: 9780300121230
Category : Art
Languages : en
Pages : 244
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Book Description
How does the artist’s self-conception change in old age? How does old age affect artistic practice? In this intriguing study, art historian Philip Sohm considers some of the greatest artists of Renaissance and Baroque Italy and their experiences of aging. Sohm investigates how art critics, collectors, biographers, and fellow artists dealt with old painters, what mental landscapes preconditioned responses to art by the elderly, and how biology and psychology were co-opted to explain the imprint that artists left on their art. He also looks carefully at the impact of prejudices, stereotypes, and other imaginary truths about old age. For some artists, the problems of old age were related to physical decline—Poussin’s hands became shaky, Titian’s eyesight dimmed. For others, psychological symptoms emerged. The book’s cast of characters includes Michelangelo, the hypochondriac young fogy; Titian, the shrewd marketer of old age; the multiphobic Pontormo; and others. With sensitivity and insight, Sohm uncovers what it meant to be an old artist and how successive generations have looked at the art of an old master.
Author: Auckland City Art Gallery (Auckland)
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author: Rembrandt Duits
Publisher: Pindar Press
ISBN: 1915837006
Category : Art
Languages : en
Pages : 507
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Book Description
Rembrandt Duits completed his PhD at the University of Utrecht , and works at the Photographic Collection of the Warburg Institute, where he also teaches Renaissance material culture. His thesis, Gold Brocade and Renaissance Painting, won the Karel van Mander Prijs for the best publication on art between 1500 and 1800. Gold Brocade and Renaissance Painting discusses the representation of Italian Renaissance patterned silks in paintings from Italy and the Southern Netherlands , from the 14th to the 16th century. It is the first study to approach this subject from the perspective of material culture, attempting to answer such questions as why the subject of luxury textiles gained so great a popularity in Renaissance painting, how artists catered for an audience that desired to have gold brocades depicted but did not always possess the financial means to own the actual fabrics, and what the skills artists developed in this field contributed to the rising social status of the medium of painting. The material culture of the grand courts at which real gold brocade played an essential role in the display of wealth and status is compared to that of the socially ambitious but less affluent middle class for whom paintings were often the only affordable substitute for courtly splendour. Thus, the book also addresses the problem of the distinction between fact and fiction, imagination and reality in the account of contemporary social history presented in paintings.
