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Author: David A. Scott
Publisher: Cotsen Institute of Archaeology Press
ISBN: 1938770412
Category : Art
Languages : en
Pages : 518
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Book Description
This book presents a detailed account of authenticity in the visual arts from the Paleolithic to the postmodern. The restoration of works of art can alter the perception of authenticity and may result in the creation of fakes and forgeries. These interactions set the stage for the subject of this book, which initially examines the conservation perspective, then continues with a detailed discussion of notions of authenticity and philosophical background. There is a disputed territory between those who view the present-day cult of authenticity as fundamentally flawed and those who have analyzed its impact upon different cultural milieus, operating across performative, contested, and fragmented ground. The book discusses several case studies where the ideas of conceptual authenticity, aesthetic authenticity, and material authenticity can be incorporated into an informative discourse about art from the ancient to the contemporary, illuminating concerns relating to restoration and art forgery.
Author: David A. Scott
Publisher: Cotsen Institute of Archaeology Press
ISBN: 1938770412
Category : Art
Languages : en
Pages : 518
Get Book Here
Book Description
This book presents a detailed account of authenticity in the visual arts from the Paleolithic to the postmodern. The restoration of works of art can alter the perception of authenticity and may result in the creation of fakes and forgeries. These interactions set the stage for the subject of this book, which initially examines the conservation perspective, then continues with a detailed discussion of notions of authenticity and philosophical background. There is a disputed territory between those who view the present-day cult of authenticity as fundamentally flawed and those who have analyzed its impact upon different cultural milieus, operating across performative, contested, and fragmented ground. The book discusses several case studies where the ideas of conceptual authenticity, aesthetic authenticity, and material authenticity can be incorporated into an informative discourse about art from the ancient to the contemporary, illuminating concerns relating to restoration and art forgery.
Author: E. Hermens (ed.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 284
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Book Description
"The papers presented in this volume focus on a series of conservation 'flashpoints'-- painted works, drawings, sculpture, installations, new media, performance, interiors and historic houses, cultural objects-- and revolve around three key areas considered vital in establishing or vouchsafing an artwork's 'authenticity': material, concept and context. A wide range of approaches, some object-based, some more conceptual and philosophical, demonstrate that although the term authenticity is generally employed in the singular, the values associated with it are multiple, multilayered and often competing. The papers, each in their own way, evaluate the critical potential of the pluralised form, 'authenticities', creating a platform for a continuous discussion on this important and fascinating theme"--P. [4] of cover.
Author: Erma Hermens
Publisher:
ISBN:
Category :
Languages : en
Pages : 266
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Book Description
Author: David Scott
Publisher:
ISBN: 9781909492257
Category :
Languages : en
Pages :
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Book Description
This book is concerned with how we perceive the authenticity of art objects and asks: What does authenticity mean? Who defines what an authentic or inauthentic artwork is? How has the concept of what constitutes the authentic changed over the past few thousand years and how might this interact with conservation and restoration? Do different cultures have different views on what authenticity is, and if so, how does this affect the notion of forgery or restoration? Are there degrees of authenticity or inauthenticity? How can we apply the notion of authenticity to ethnographic art or to intangible cultural heritage? Do alterations of substance (during restoration) affect the material authenticity, conceptual authenticity or meaning of art objects? The author examines the recent renewed interest in the problems of the inauthentic, namely the world of fakes and forgeries, restoration, replication, emulation, appropriation and falsification of works of art. Contents: Chapter One: Authenticity: Contexts and Meanings Chapter Two: Some Philosophical Notions of Authenticity Chapter Three: Authenticity, Monuments and the International Charters Chapter Four: Cleaning, Restoration and Authenticity. Chapter Five: The Ancient Old World Chapter Six: Mediaeval Authenticity Chapter Seven: Authenticity and the Ethnographic. Chapter Eight: The Renaissance: Restoration, Copies and Authenticity Chapter Nine: The 19th Century and the Victorian Period Chapter Ten: The Modern and Post-Modern Chapter Eleven: Some Final Thoughts and Reflections Acknowledgements Appendix: Glossary of Terms Bibliography
Author: Bethany R. Corradi
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Book Description
Author: Chris Miele
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300107302
Category : Art
Languages : en
Pages : 343
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Book Description
This book takes a fresh and wide-ranging look at the origins of the architectural conservation movement in the United Kingdom. Distinguished contributors consider how the modern concept of heritage emerged in the nineteenth century, how politics as well as art and design played a role in the creation of a historic buildings culture, and how the writings and activities of designer William Morris and architect Philip Webb shaped thinking about conservation. Chapters of the book address such diverse topics as the place of historic buildings in Morris’s thinking, the relation of the Arts and Crafts Movement to Victorian ideas of heritage, the distortion of Morrisian ideals in early twentieth-century New England, and the emergence of an urban vs. rural conservation culture. Drawing on extensive historical research, the book casts new light not only on the history of the Conservation Movement but also on its role today.
Author: Katharina Weiler
Publisher: Springer
ISBN: 3319305239
Category : Social Science
Languages : en
Pages : 362
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Book Description
The book contributes to a recontextualization of authenticity by investigating how this value is created, reenacted, and assigned. Over the course of the last century, authenticity figured as the major parameter for the evaluation of cultural heritage. It was adopted in local and international charters and guidelines on architectural conservation in Europe, South and East Asia. Throughout this period, the concept of authenticity was constantly redefined and transformed to suit new cultural contexts and local concerns. This volume presents colonial and postcolonial discourses, opinions, and experiences in the field of architectural heritage conservation and the use of site-specific practices based on representative case studies presented by art historians, architects, anthropologists, and conservationists from Germany, Nepal, India, China, and Japan. With more than 180 illustrations and a collection of terminologies in German, English, Sanskrit, Hindi, Nevari and Nepali, classical Chinese and standard Mandarin, and Japanese, these cross-cultural investigations document the processual re-configuration of the notion of authenticity. They also show that approaches to authenticity can be specified with key analytical categories from transcultural studies: appropriation, transformation, and, in some cases, refusal.
Author: Erma Hermens
Publisher:
ISBN: 9781909492363
Category : Art
Languages : en
Pages : 0
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Book Description
- This volume contains papers from the NeCCAR 2014 conference "Authenticity in Transition". The papers debate the various ways that changing artistic practices affect our interpretation, conservation, and curation of contemporary art, with a special reference to the shifting concepts of authenticity and artistic intent. The papers examine the topic through many mediums including artists' viewpoints, the ephemeral nature of materials, historical perspective. The volume especially focuses on the problems caused by a shifting concept of authenticity to the conservation of artworks and conservation ethics. Contents: 'In the Wings' - Jill Sterret; Conservation of contemporary art: from concepts to practice, Cloaca by Wim Delvoye - Dr Muriel Verbeeck and Nico Broers; When the critical reception won't let go of the inaugural exhibition: The case of the fragmentation of Mike Kelley's Day Is Done - Dr Ariane Noël de Tilly; In search of the real Suzanne: Conservation of Julian Opie's Suzanne Walking in Leather Skirt (2007) - Joanna Shepard; Shaping a collection of current art. Between curator and the artist - a problem of authority - Agnieszka Wielocha; The legalities of authenticity and contemporary art - Jean Brown; Stills and Touches. Paper conservator in a private gallery - Magdalena Grenda; Authorship and intentionality in the Contemporary Art Museum - Dr Glenn Wharton; The conservation of the Cybernetic Tower of Nicolas Schöffer: between the continuity and historicity of the production - Manon D haenens; Good Vibrations: Conserving Soto's Grande muro panoramico vibrante - Dr Paolo Martore; Shifting authenticities in re-performance - Christine Baviere; The aesthetics of change: On the Relative Duration of the Impermanent and critical thinking in conservation - Dr Hanna Hölling; ...Designed to exist in passing time: Robert Rauschenberg's Black Paintings - Jennifer Hickey; Through the conservator s lens: from analogue photowork to digital printout - Sanneke Stigter; Mind the gap: Recognising the material legacy of transitional art practice - Dr Dawn V. Rogala; Street Art: Its evolving materials and a consideration of how necessity is the mother of invention - Will Shank; Tracing authenticity in the computational age by looking at alliances in net art practices - Dr Annet Dekker; Artist's experiments with new materials in works of art: How to preserve intent and matter - Dr Monika Jadzinska; Motors matter: Electro-Mechanical devices in contemporary art preservation. Two case studies - Laura Calvi, Iolanda Ratti, Roberto Dipasquale; Connecting practices of preservation: exploring authenticities in contemporary music and performance art - Andreia Nogueira and Hélia Marçal; Authenticity and authorship in socially engaged art - Dr Rebecca Gordon; Identifying aesthetic and technological thresholds in the restoration of contemporary art - Tiarna Doherty and L. H. (Hugh) ShockeyWashington DC; Conserving authenticity in transition - Stephanie de Roemer; Blind spots in contemporary art conservation. Results of an interdisciplinary workshop - Julia Giebeler, Nora Krause, Prof. Dr Gunnar Heydenreich; Authenticities and ontologies: an approach from practice theory - Prof. Renée van de Vall.
Author: Rebecca Gordon
Publisher:
ISBN: 9781904982999
Category : Art
Languages : en
Pages : 0
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Book Description
The concept of authenticity is one of the core factors driving decision making. Papers in this volume examine five key areas of discussion.
Author: Bart Fransen
Publisher: Brepols Publishers
ISBN: 9782930054384
Category : Art
Languages : en
Pages : 430
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Book Description
The outer panels of the Ghent Altarpiece had been overpainted to a considerable extent. The virtuosity of the Eyckian technique and aesthetics remained hardly visible. And yet, this had never been observed before the start of the conservation treatment. By removing the overpaint, the tonal richness and the coherent rendering of light and space once again came to the fore. Especially the suggestion of volumes and the spaciousness of the ensemble gained strength because of the virtuoso play of deep shadows and bright light accents, and not in the least because of the surprising trompe-l'oeil effect of the frames conceived as a stone framework. Or to put it in the words of the comments of one of the experts, dr. Maryan Ainsworth: The paintings live and breathe again in the time of the Van Eyck brothers. The sharp observation skills, the quick, accurate execution, the knowledge, curiosity and ingenuity about all the things that are depicted, are now unveiled after centuries. The profit for the knowledge of and further research into the essence of Eyckian aesthetics is considerable. And finally there is the discovery that the much-discussed quatrain was applied simultaneously with the polychromy of the frames: a real 'coup de foudre' in the discourse of the current art-historical research! The subtleties of the Eyckian technique could also be mapped out in more detail. How the Van Eycks managed to keep the final result and the desired effect in mind during every phase of the execution, from imprimatura to finishing touch. The artists made a statement about the art of painting, giving 'technique' as such a new prominence. The Ghent Altarpiece may be understood at some point as a major showpiece for a highly sophisticated pictorial technique.
