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Author: Pauline van der Zee
Publisher: Kit Pub
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Questions about the meanings of non-western art keep intriguing western art-observers. Working towards understanding these meanings, Pauline van der Zee here compares the art, symbolism and mythology of two Papua people ”the Kamoro and Asmat. There are no ready-made and unambiguous answers to be given ”every interpretation is a partial one. For the artist himself interpretation is not always an issue, he follows the traditions of his ancestors. In some cases meanings belong to culturally concealed knowledge, not to be shared with outsiders. Yet sometimes a bit of this knowledge is disclosed. Adriaan Gerbrands (1967), drawing on both the work of Ref. Gerard Zegwaard ”a profound scholar of Asmat culture ”and his own extensive fieldwork, discovered that many Asmat designs can be interpreted as symbols of headhunting ideology. Gerbrands focuses on what he calls the Sheadhunting-nexus : a nexus of related forms which can all be connected to headhunting practices and their meaning in the given cultural context. But in fact there are many more interpretations possible. Art as a medium of contact with ancestors is a recent comparative research focusing on the related, yet different, artistic expressions of Asmat and neighboring Kamoro. The analysis is based on an investigation of the Asmat and Kamoro collections at the Tropenmuseum Amsterdam. The approach taken here emphasizes relationships between art, rituals and mythology. Artifacts perform in rituals and rituals, according to native beliefs, were introduced by mythical heroes. Combining cultural information embedded in myths and rituals with an investigation of various design elements and comparing Asmat and Kamoro data, results in innovative interpretations resonating the intrinsic ambiguity of art.
Author: Pauline van der Zee
Publisher: Kit Pub
ISBN:
Category : Art
Languages : en
Pages : 104
Get Book Here
Book Description
Questions about the meanings of non-western art keep intriguing western art-observers. Working towards understanding these meanings, Pauline van der Zee here compares the art, symbolism and mythology of two Papua people ”the Kamoro and Asmat. There are no ready-made and unambiguous answers to be given ”every interpretation is a partial one. For the artist himself interpretation is not always an issue, he follows the traditions of his ancestors. In some cases meanings belong to culturally concealed knowledge, not to be shared with outsiders. Yet sometimes a bit of this knowledge is disclosed. Adriaan Gerbrands (1967), drawing on both the work of Ref. Gerard Zegwaard ”a profound scholar of Asmat culture ”and his own extensive fieldwork, discovered that many Asmat designs can be interpreted as symbols of headhunting ideology. Gerbrands focuses on what he calls the Sheadhunting-nexus : a nexus of related forms which can all be connected to headhunting practices and their meaning in the given cultural context. But in fact there are many more interpretations possible. Art as a medium of contact with ancestors is a recent comparative research focusing on the related, yet different, artistic expressions of Asmat and neighboring Kamoro. The analysis is based on an investigation of the Asmat and Kamoro collections at the Tropenmuseum Amsterdam. The approach taken here emphasizes relationships between art, rituals and mythology. Artifacts perform in rituals and rituals, according to native beliefs, were introduced by mythical heroes. Combining cultural information embedded in myths and rituals with an investigation of various design elements and comparing Asmat and Kamoro data, results in innovative interpretations resonating the intrinsic ambiguity of art.
Author: Lara Medina
Publisher: University of Arizona Press
ISBN: 0816539561
Category : Social Science
Languages : en
Pages : 457
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Book Description
Voices from the Ancestors brings together the reflective writings and spiritual practices of Xicanx, Latinx, and Afro-Latinx womxn and male allies in the United States who seek to heal from the historical traumas of colonization by returning to ancestral traditions and knowledge. This wisdom is based on the authors’ oral traditions, research, intuitions, and lived experiences—wisdom inspired by, and created from, personal trajectories on the path to spiritual conocimiento, or inner spiritual inquiry. This conocimiento has reemerged over the last fifty years as efforts to decolonize lives, minds, spirits, and bodies have advanced. Yet this knowledge goes back many generations to the time when the ancestors understood their interconnectedness with each other, with nature, and with the sacred cosmic forces—a time when the human body was a microcosm of the universe. Reclaiming and reconstructing spirituality based on non-Western epistemologies is central to the process of decolonization, particularly in these fraught times. The wisdom offered here appears in a variety of forms—in reflective essays, poetry, prayers, specific guidelines for healing practices, communal rituals, and visual art, all meant to address life transitions and how to live holistically and with a spiritual consciousness for the challenges of the twenty-first century.
Author: Elizabeth Skidmore Sasser
Publisher: Texas Tech University Press
ISBN: 9780896723467
Category : Art
Languages : en
Pages : 222
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Book Description
The World of Spirits and Ancestors in the Art of Western Sub-Saharan Africa illustrates for the first time a collection of African Sculpture at the Museum of Texas Tech University in Lubbock, Texas. The masks and figurative carvings from the late nineteenth century to the mid-twentieth century are from two sources: Ambassador and Mrs. Julius Walker's gift to ICASALS (International Center for Arid and Semiarid Land Studies), now on permanent loan to the Museum, and the Elliot Howard Collection. Howard, an artist and authority on antiques, chose examples of sculpture for their "variety and aesthetic appeal". His hope was that the pieces he assembled would provide new discoveries for those unacquainted with the art of Africa and an art experience that would "enhance mutual respect among people". Fittingly, then, a context for understanding is the focus of Elizabeth Skidmore Sasser's book. As the title suggests, The World of Spirits and Ancestors introduces carefully chosen examples of masks and figures as social and spiritual communications imbued with the living history and culture of the various peoples of western sub-Saharan Africa. Sasser emphasizes that geography and climate - ranging from semiarid deserts to tropical rain forests - influence not only the art but also the habitations and ceremonial life of the region. More than 180 drawings and illustrations reflect the creative genius that continues to meet environmental challenges and to express the distinctive contributions of the cultures and the people of western sub-Saharan Africa.
Author: Inés Domingo Sanz
Publisher: Left Coast Press
ISBN: 1598742655
Category : Art
Languages : en
Pages : 281
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Book Description
Draws together key research that examines visual arts of the past and contemporary indigenous societies. Reflects the diversity of approaches used by archaeologists to incorporate visual arts into their analysis of past cultures. Sanz and May from Flinders University South Australia.
Author: Jan Stuart
Publisher: Stanford University Press
ISBN: 9780804742627
Category : Art
Languages : en
Pages : 216
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Book Description
Despite their powerful presence and exquisite quality, Chinese ancestor portraits have never been studied as a genre. This illustrated text explores the artistic, historical, and religious significance of these paintings and places them in context with other types of commemorative portraiture. During the late Ming (1368-1644) and Quing (1644-1911) dynasties, full-length portraits of individual men and women came into vogue. These ancestor portraits were important objects of veneration, and the practice continued into the 20th century, when paintings were gradually replaced by photographs. The authors explore the works in depth, presenting a fascinating glimpse of Chinese life and culture and providing biographies of the sitters. Worshiping the Ancestors should appeal to connoisseurs of Chinese art and to all those interested in social history, portraiture, and devotional art.
Author: Robert G. Gunn
Publisher: Archaeopress Publishing Ltd
ISBN: 1789690714
Category : Social Science
Languages : en
Pages : 918
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Book Description
This volume, focusing on the ceiling art at Nawarla Gabarnmang, one of the richest rock art sites in Arnhem Land (in Australia’s Northern Territory), presents a new systematic approach to the archaeological recording and documentation of rock art developed to analyse the spatial and temporal structure of complex rock art panels.
Author: Jaune Quick-to-See Smith
Publisher: Princeton University Press
ISBN: 0691245452
Category : Art
Languages : en
Pages : 177
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Book Description
A groundbreaking survey of contemporary Indigenous art and its enduring connections to the land The Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today’s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices—including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video—that share the common thread of the land. This beautifully illustrated book features both well-known and emerging artists, from G. Peter Jemison (Seneca Nation of Indians, Heron Clan) and Kay WalkingStick (Cherokee Nation of Oklahoma/European descent) to Eric-Paul Riege (Diné) and Rose B. Simpson (Pueblo of Santa Clara, New Mexico). Smith brings her personal perspective to the Native American experience and Indigenous connections to the land. In her essay, heather ahtone examines the history and practices of landscape art, shedding light on how it is both a tool for self-expression and a means to understanding the natural world. Celebrated poet and memoirist Joy Harjo pays homage to the land in her poem “Once the World Was Perfect.” Shana Bushyhead Condill discusses the themes and practices that distinguish these artworks. The Land Carries Our Ancestors: Contemporary Art by Native Americans shares new perspectives on these visionary and provocative artists while offering a timely celebration of contemporary Indigenous art. Published in association with the National Gallery of Art, Washington, DC Exhibition Schedule National Gallery of Art, Washington, DC September 22, 2023–January 15, 2024 New Britain Museum of American Art, New Britain, Connecticut April 18–September 15, 2024
Author: M. Jane Young
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
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Book Description
Printbegrænsninger: Der kan printes 1 side ad gangen.
Author: Jana Pesoutová
Publisher:
ISBN: 9789088907647
Category :
Languages : en
Pages : 390
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Book Description
This study focuses on current healing practices from a cultural memory perspective.
Author: Cuttington University College. Africana Museum
Publisher:
ISBN: 9780686105381
Category : Art museums
Languages : en
Pages : 102
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Book Description
