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Author: Ezra Ivanov
Publisher: DTTV PUBLICATIONS
ISBN:
Category : History
Languages : en
Pages : 154
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Book Description
Ancient Egyptian art and architecture are fascinating, beautiful, and complex. I've always been fascinated by the pyramids of Egypt and how they were built. They are incredible feats of engineering—but also religious centers where worshipers would go to pray and make offerings to their gods. In addition to temples, there were also tombs for royalty (known as mastabas) and commoners (known as shaft tombs), which were all made with an eye toward eternal life. Ancient Egyptian gods and goddesses were important in Egyptian culture. They were often represented in art or architecture and played an integral role in daily life. Though the god Osiris was known to be king of the dead, he did not hold the same power as other gods such as Ra or Hathor (a cow-headed goddess). The priesthoods of these deities generally ruled over specific cities or professions; for example, priests at a temple dedicated to Amun would preside over all matters related to agriculture. Such temples were built throughout Egypt's history; one example is Deir el-Bahari (meaning "monastery of the northern valley"), which served as both a royal mortuary temple and monastery for Nefertari during her lifetime. Many structures built during this period reflect traditional architectural practices: thick columns made from stone support large roof beams made from wood; outer walls are covered with painted plaster decorated with scenes depicting daily life—for example, artists working on wall paintings inside temples such as this one often described themselves taking part in those very activities! You may have heard that pyramids were built as tombs for pharaohs, but there's more to it. The pharaohs were buried in the Valley of the Kings, part of the Great Pyramids complex. The pyramids are made up of stone blocks of limestone, built with ramps rather than cranes or scaffolding so that workers could move them into place. In terms of shape, they're somewhere between a cube and a cone; this helps keep them stable during construction and makes them look good from afar! Temples were the most important buildings in ancient Egypt. They were places of worship and learning, government, and justice. The temple was the most important place for any Egyptian because it was where people could connect with their gods and get guidance on how to lead a good life.
Author: Ezra Ivanov
Publisher: DTTV PUBLICATIONS
ISBN:
Category : History
Languages : en
Pages : 154
Get Book
Book Description
Ancient Egyptian art and architecture are fascinating, beautiful, and complex. I've always been fascinated by the pyramids of Egypt and how they were built. They are incredible feats of engineering—but also religious centers where worshipers would go to pray and make offerings to their gods. In addition to temples, there were also tombs for royalty (known as mastabas) and commoners (known as shaft tombs), which were all made with an eye toward eternal life. Ancient Egyptian gods and goddesses were important in Egyptian culture. They were often represented in art or architecture and played an integral role in daily life. Though the god Osiris was known to be king of the dead, he did not hold the same power as other gods such as Ra or Hathor (a cow-headed goddess). The priesthoods of these deities generally ruled over specific cities or professions; for example, priests at a temple dedicated to Amun would preside over all matters related to agriculture. Such temples were built throughout Egypt's history; one example is Deir el-Bahari (meaning "monastery of the northern valley"), which served as both a royal mortuary temple and monastery for Nefertari during her lifetime. Many structures built during this period reflect traditional architectural practices: thick columns made from stone support large roof beams made from wood; outer walls are covered with painted plaster decorated with scenes depicting daily life—for example, artists working on wall paintings inside temples such as this one often described themselves taking part in those very activities! You may have heard that pyramids were built as tombs for pharaohs, but there's more to it. The pharaohs were buried in the Valley of the Kings, part of the Great Pyramids complex. The pyramids are made up of stone blocks of limestone, built with ramps rather than cranes or scaffolding so that workers could move them into place. In terms of shape, they're somewhere between a cube and a cone; this helps keep them stable during construction and makes them look good from afar! Temples were the most important buildings in ancient Egypt. They were places of worship and learning, government, and justice. The temple was the most important place for any Egyptian because it was where people could connect with their gods and get guidance on how to lead a good life.
Author: William Stevenson Smith
Publisher: Yale University Press
ISBN: 9780300077476
Category : Art
Languages : en
Pages : 326
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Book Description
A survey of Egyptian art and architecture is enhanced by revised text, an updated bibliography, and over four hundred illustrations.
Author: University of Pennsylvania. Museum of Archaeology and Anthropology
Publisher: Cornell University Press
ISBN: 0801434823
Category : Architecture
Languages : en
Pages : 356
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Book Description
Lavishly illustrated in color, this book presents a spectacular collection of archaeological and artistic treasures covering the extent of Egyptian art from the Predynastic Period of the fourth millennium B.C. to the Greco-Roman period of the fourth century A.D. The volume features more than 130 objects ranging from architectural elements of a royal palace and funerary chapel to delicate jewelry and textile fragments, and contains many objects never previously shown in print. In an introductory essay David P. Silverman documents major expeditions to sites in Egypt and Nubia and summarizes the new information gleaned about ancient Egyptian civilization. Donald B. Redford provides a general treatment of ancient Egypt history. The objects themselves are introduced with concise essays by recognized Egyptologists: Edward Brovarski, Rita E. Freed, Arielle P. Kozloff, David O'Connor, Edna R. Russmann, William K. Simpson, and Josef W. Wegner. Contributors-- Edward Brovarski, Museum of Fine Arts, Boston Rita Freed, Museum of Fine Arts, Boston Arielle Kozloff, Cleveland Museum of Art David O'Connor, Institute of Fine Arts, New York University Donald Redford, University of Toronto Edna. R. Russman, Brooklyn Museum of Art David Silverman, University of Pennsylvania William Kelly Simpson, Yale University Josef W. Wegner, University of Pennsylvania
Author: Moustafa Gadalla
Publisher: Moustafa Gadalla
ISBN: 1931446636
Category : History
Languages : en
Pages : 257
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Book Description
This book reveals the Ancient Egyptian knowledge of harmonic proportion, sacred geometry, and number mysticism, as manifested in their texts, temples, tombs, art, hieroglyphs, ...etc., throughout their known history. It shows how the Egyptians designed their buildings to generate cosmic energy, and the mystical application of numbers in Egyptian works. The book explains in detail the harmonic proportion of about 20 Ancient Egyptian buildings throughout their recorded history. Everything that the Ancient Egyptians built/molded/sculptured was for the purpose of generating energies and/or to embody energies. And just like our electrical system that needs activation by turning a switch on, all Egyptian works also require/required activation by the right actions [sounds, gestures, etc.]. And while these 'stone' marvels appears static because they appears stationary, they are no different than [stationary] energy generating units—like our solar panels that absorb solar energy from the sun and convert it to energy supply for our earthly human needs. This book reveals the Ancient Egyptian knowledge of harmonic proportion, sacred geometry, and number mysticism, as manifested in their texts, temples, tombs, art, ...etc., throughout their known history. It shows how the Egyptians designed their buildings to generate cosmic energy, and the mystical application of numbers in Egyptian works. The book explains in detail the harmonic proportion of about 20 Ancient Egyptian buildings throughout their recorded history. It is the aim of this book to provide such an exposition, one which, while based on sound scholarship, will present the issues in language comprehensible to non specialist readers. Technical terms have been kept to a minimum. These are explained, as non technically as possible, in the glossary. This Expanded Edition of the book is divided into three parts containing a total of 13 chapters, as well as 10 appendices being A through I. Part I: Architectural Concepts—Function and From consists of five chapters—1 through 5: Chapter 1: The Architectural Canon will cover the deep rooted Egyptian beliefs of 'As above So below' and its application to Egyptian art and architecture, the existence and adherence to a divine building code, as well as utilizing design and construction plans prior to [as well as] during the construction stages, which extended over several centuries for large projects. Chapter 2: The Metaphysical Structure of The Universe will cover the realms of creation and its correspondence in Man, as the image of all creation. Chapter 3: Visitation Sites of The Lower Heavenly Court will cover the interactions between earthly livings and the lower realms of the metaphysical cosmic structure, the significance of landscape architecture in such interactions, and the major types of visitation buildings—both burial and non burial sites—to facilitate such interactions. Chapter 4: The Sealed Pharaohs' Tombs will cover the concept and role of the pharaohs which require their tombs to be sealed and inaccessible for further communications after their earthly existence, as well as samples of some pharaoniac tombs. Chapter 5: Egyptian Temples of The Divine Forces will cover the main function of Egyptian temples, being divine generation, the overall conceptual temple layout, the metaphysical funnel conduit design, the generative significance of jointing patterns, outer walls physical/metaphysical protection, and the organic foundation roots of the Egyptian temple. Part II: The Physical Manifestation of Metaphysical Concepts consists of five chapters—6 through 11: Chapter 6: Architectural Constituent Forms of Metaphysical Functions will cover the various architectural forms as manifestation of their corresponding functions [both physically and metaphysically] for "false doors", recessed wall panels, columns and pillars, capitals of columns, porticoes, peristyles, colonnade formations at four different locations, obelisks, statuary images of various roof forms (flat, gable, corbelled, arch & vaulted), stylistic architectural details (architrave, cornice, and torus) and stylistic ornamentation and decoration such as starry ceilings, floral, geometric, figurative, a combination of two or all three, guilloche (misnamed as the Tuscan border), chevron, and scroll pattern. Chapter 7: The Primary Geometrical Shapes/Forms will cover the principles and application of sacred geometry of Divine Architecture, the Egyptian sacred cord [tool], general layout of sample geometric shapes, the sacred circle as the archetype of Creation, squaring the circle, the primary triangles, and the combined square-triangles 3-D pyramids. Chapter 8: The Generative Square Root Rectangles—"Irrational numbers" will cover the generative root rectangles as the hypotenuse of right angle triangles, beginning with a square, and generating square roots of 2, 3 and 5; formation of cosmic solids; generation of the Golden Proportion from the root five rectangle; the construction of whirling square spirals; and example application of this form of dynamic design to four locations in Ancient Egyptian monuments. Chapter 9: The Arithmetic Generative Progression will cover the role of numbers as generators of orderly growth and progression, the Summation Series and the Golden Proportion, and the Cosmic Proportion of the Human Figure. Chapter 10: Combined—Arithmetic and Graphic Harmonic Design of Egyptian Buildings will cover combining both the arithmetic and graphic elements into a harmonic design of the parts and the whole of an Egyptian temple, that includes: active axes, significant points, the telescopic triangles, and the rectangular perimeters in both the horizontal and vertical planes. Chapter 11: Harmonic Analysis of Ancient Egyptian Works will cover several examples in Ancient Egypt from all eras and throughout Egypt that show the Egyptian applications of the design elements discussed in this book. Examples include temples, tombs, pyramids, shrines, capitals of columns, stelae, pylons and doorways. Part III: The Spirited Communications has two chapters—12 and 13: Chapter 12: The Animated Metaphysical Images on Walls will cover the metaphysical significance of walls' decoration as well as explanations of various depictions. Chapter 13: Human Activities will cover the roles of humans in activating, maintaining, participating in various rituals and festivities as well as deactivating the powers of the temple when temples and the whole Egypt is under siege. Appendices has ten appendices—A through J: Appendix A: General Plans of Sample Egyptian Temples covers layout plans of several Egyptian temples with a short description of each. Appendix B: Practical Mathematics in Ancient Egypt covers reference to the four most recognized Ancient Egyptian "mathematical" Papyri and the practical mathematical contents within such papyri. Appendix C: Fraction Mysticism covers the reasons that in Egypt, a fraction—any fraction—could only be a fraction of unity and Egyptian tables to deal with "complex' fractions which will be similar to modern Logarithmic Tables. Appendix D: Intentional "Irregularities" In Egyptian Works covers the religious reasons for what seems to be "irregularities" in the highly executed Egyptian works. Appendix E: Monument Appropriations Reconsidered covers clarification of what appears to be monument appropriation by one pharaoh of another. Appendix F: Sample Egyptian Sculpture Works covers a very short list of recognizable Egyptian sculptures. Appendix G: Concrete Blocks Various Types covers the advanced Egyptian knowledge of concrete mixes and application examples of such knowledge throughout Ancient Egypt. Appendix H: The Masonic Egyptian Roots covers the Egyptian roots of the widespread secret fraternal society called ‘Free and Accepted Masons’ (popularly known as Freemasonry). Appendix I: Egyptian Influence on Modern Architecture covers several examples worldwide of such influence. Appendix J: Types and Forms of Mortals' buildings will cover types and forms of residential, private, communal and public buildings as associated with its earthly existence' function, as well as highlighting that mortals of all classes—including pharaohs and priestly staff—resided in mud-brick houses.
Author: Matthias Seidel
Publisher: H.F.Ullmann Publishing
ISBN: 9783848003945
Category : Architecture
Languages : en
Pages : 0
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Book Description
This compact volume is meant for travelers eager to know more about the civilization, culture and history of Ancient Egypt.
Author: Edward Bell
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 298
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Book Description
Author: Christina Riggs
Publisher: OUP Oxford
ISBN: 0191505269
Category : Art
Languages : en
Pages : 144
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Book Description
From Berlin to Boston, and St Petersburg to Sydney, ancient Egyptian art fills the galleries of some of the world's greatest museums, while the architecture of Egyptian temples and pyramids has attracted tourists to Egypt for centuries. But what did Egyptian art and architecture mean to the people who first made and used it - and why has it had such an enduring appeal? In this Very Short Introduction, Christina Riggs explores the visual arts produced in Egypt over a span of some 4,000 years. The stories behind these objects and buildings have much to tell us about how people in ancient Egypt lived their lives in relation to each other, the natural environment, and the world of the gods. Demonstrating how ancient Egypt has fascinated Western audiences over the centuries with its impressive pyramids, eerie mummies, and distinctive visual style, Riggs considers the relationship between ancient Egypt and the modern world. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Georges Perrot
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 480
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Book Description
Author: Christina Riggs
Publisher: Oxford University Press, USA
ISBN: 019968278X
Category : Architecture
Languages : en
Pages : 153
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Book Description
Explores the variety of arts produced in Egypt over a span of 3,500 years. Examing the stories behind these objects and buildings, Riggs looks not only at what they can tell us about ancient Egyptian life, but also how their legacy continues to shape the contemporary world.
Author: William Stevenson Smith
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 506
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Book Description
The civilization of Ancient Egypt extended from the fourth millennium BC to the conquest of Alexander. The Egyptians in their tombs recreated life for the dead in a naturalistic way, often against the background of the landscape in which they lived. They also left revealing portraits ranging from the civil servants of the kings to the kings and queens themselves who built the pyramids at Giza and Saqqara; the tombs at Thebes, including the treasure-filled burial-place of Tut-ankh-amon; the temples of Luxor and Karnak and the palaces of Akhenaten at Tell el Amarna and of Amenhotep III at Thebes.
