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Author: Rosemary O'Neill
Publisher: Routledge
ISBN: 1351575627
Category : Art
Languages : en
Pages : 283
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Book Description
The Riviera in the 1950s and 1960s was culturally rich with modernist icons such as Matisse and Picasso in residence, but also a burgeoning tourist culture, that established the C?d'Azur as a center of indigenous artists associated with Nouveau R?isme, Fluxus, and Supports/Surfaces, emerged under the mantle of the "Ecole de Nice." Drawing on the primary sources and little known publications generated during the period from museum archives, collections in the region, and privately owned archives, this study integrates material published in monographic studies of individuals and art movements, to offer the first in-depth study of this important movement in twentieth-century art. The author situates the work of the Ecole de Nice within the broader social currents that are so important in contextualizing this phenomenon within this internal region of France, and underscores why this work was so significant at this historical moment within the context of the broader European art scene, and contemporary American art, with which it shared affinities. Despite their stylistic differences, and associations with groups that are generally considered distinct, O'Neill discloses that these artists shared conceptual affinities?theatrical modes of presentation based on appropriation, use of the ready-made, and a determination to counter style-driven painting associated with the postwar Ecole de Paris. Art and Visual Culture on the Riviera, 1956-1971 suggests that the emergence of an Ecole de Nice internally eroded the dominance of Paris as the national standard at this moment of French decentralization efforts, and that these artists fostered a model of aesthetic pluralism that remained locally distinct yet fully engaged with international vanguard trends of the 1960s.
Author: Rosemary O'Neill
Publisher: Routledge
ISBN: 1351575627
Category : Art
Languages : en
Pages : 283
Get Book Here
Book Description
The Riviera in the 1950s and 1960s was culturally rich with modernist icons such as Matisse and Picasso in residence, but also a burgeoning tourist culture, that established the C?d'Azur as a center of indigenous artists associated with Nouveau R?isme, Fluxus, and Supports/Surfaces, emerged under the mantle of the "Ecole de Nice." Drawing on the primary sources and little known publications generated during the period from museum archives, collections in the region, and privately owned archives, this study integrates material published in monographic studies of individuals and art movements, to offer the first in-depth study of this important movement in twentieth-century art. The author situates the work of the Ecole de Nice within the broader social currents that are so important in contextualizing this phenomenon within this internal region of France, and underscores why this work was so significant at this historical moment within the context of the broader European art scene, and contemporary American art, with which it shared affinities. Despite their stylistic differences, and associations with groups that are generally considered distinct, O'Neill discloses that these artists shared conceptual affinities?theatrical modes of presentation based on appropriation, use of the ready-made, and a determination to counter style-driven painting associated with the postwar Ecole de Paris. Art and Visual Culture on the Riviera, 1956-1971 suggests that the emergence of an Ecole de Nice internally eroded the dominance of Paris as the national standard at this moment of French decentralization efforts, and that these artists fostered a model of aesthetic pluralism that remained locally distinct yet fully engaged with international vanguard trends of the 1960s.
Author: Rosemary O'Neill
Publisher:
ISBN: 9781315096940
Category : Art, French
Languages : en
Pages : 258
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Book Description
"The Riviera in the 1950s and 1960s was culturally rich with modernist icons such as Matisse and Picasso in residence, but also a burgeoning tourist culture, that established the C'd'Azur as a center of indigenous artists associated with Nouveau R'isme, Fluxus, and Supports/Surfaces, emerged under the mantle of the "Ecole de Nice." Drawing on the primary sources and little known publications generated during the period from museum archives, collections in the region, and privately owned archives, this study integrates material published in monographic studies of individuals and art movements, to offer the first in-depth study of this important movement in twentieth-century art. The author situates the work of the Ecole de Nice within the broader social currents that are so important in contextualizing this phenomenon within this internal region of France, and underscores why this work was so significant at this historical moment within the context of the broader European art scene, and contemporary American art, with which it shared affinities. Despite their stylistic differences, and associations with groups that are generally considered distinct, O'Neill discloses that these artists shared conceptual affinities'theatrical modes of presentation based on appropriation, use of the ready-made, and a determination to counter style-driven painting associated with the postwar Ecole de Paris. Art and Visual Culture on the Riviera, 1956-1971 suggests that the emergence of an Ecole de Nice internally eroded the dominance of Paris as the national standard at this moment of French decentralization efforts, and that these artists fostered a model of aesthetic pluralism that remained locally distinct yet fully engaged with international vanguard trends of the 1960s."--Provided by publisher.
Author: Kaira M. Cabañas
Publisher: University of Chicago Press
ISBN: 022617462X
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
One of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image into projects in poetry, painting, and especially cinema. Highly influential, the Lettrists served as a bridge of sorts between the earlier works of the Dadaists and Surrealists and the later Conceptual artists. Off-Screen Cinema is the first monograph in English of the Lettrists. Offering a full portrait of the avant-garde scene of 1950s Paris, it focuses on the film works of key Lettrist figures like Gil J Wolman, Maurice Lemaître, François Dufrêne, and especially the movement's founder, Isidore Isou, a Romanian immigrant whose “discrepant editing” deliberately uncoupled image and sound. Through Cabañas's history, we see not only the full scope of the Lettrist project, but also its clear influence on Situationism, the French New Wave, the New Realists, as well as American filmmakers such as Stan Brakhage.
Author: Jean-Paul Curtay
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 92
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Book Description
Author: Leonardo de Arrizabalaga y Prado
Publisher: Cambridge Scholars Publishing
ISBN: 1527505170
Category : Law
Languages : en
Pages : 440
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Book Description
Heliogabalus and Elagabalus are names given since late antiquity to the mythical or legendary avatar of Varius Avitus Bassianus. Varius was Roman emperor AD 218–222, ruling as Marcus Aurelius Antoninus. He was simultaneously High Priest of the Syrian sun god Elagabal. Heliogabalus and Elagabalus, names derived from Elagabal, are often used as misnomers for Varius himself, but more properly designate his avatar, who is far better known than Varius. The Varian avatar, under these and other names, survives and thrives in historiography, as well as in more avowedly creative literature, music, dance, the visual arts, and popular culture. This book, the third in Varian Studies, is partly based on the Varian Symposium, held in Cambridge in 2005. It contains studies of the historical Varius, of some of his courtiers, of his god Elagabal, and of his avatar, Heliogabalus or Elagabalus.
Author: Isidore Isou
Publisher: Jean-Paul Rocher
ISBN:
Category : Art
Languages : fr
Pages : 124
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Book Description
Relate, en exemples, les créations de bases manifestes du lettrisme restituées dans leur contexte historique et atteste de l'affranchissement de la lettre et du signe dans la peinture actuelle.
Author: Nicole G. Albert
Publisher: Columbia University Press
ISBN: 1939594219
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
In 1857 the French poet Charles Baudelaire, who was fascinated by lesbianism, created a scandal with Les Fleurs du Mal [The Flowers of Evil]. This collection was originally entitled "The Lesbians" and described women as "femmes damnées," with "disordered souls" suffering in a hypocritical world. Then twenty years later, lesbians in Paris dared to flaunt themselves in that extraordinarily creative period at the turn of the 19th and 20th centuries which became known as the Belle Époque. Lesbian Decadence, now available in English for the first time, provides a new analysis and synthesis of the depiction of lesbianism as a social phenomenon and a symptom of social malaise as well as a fantasy in that most vibrant place and period in history. In this newly translated work, praised by leading critics as "authoritative," "stunning," and "a marvel of elegance and erudition," Nicole G. Albert analyzes and synthesizes an engagingly rich sweep of historical representations of the lesbian mystique in art and literature. Albert contrasts these visions to moralists' abrupt condemnations of "the lesbian vice," as well as the newly emerging psychiatric establishment's medical fury and their obsession on cataloging and classifying symptoms of "inversion" or "perversion" in order to cure these "unbalanced creatures of love." Lesbian Decadence combines literary, artistic, and historical analysis of sources from the mainstream to the rare, from scholarly studies to popular culture. The English translation provides a core reference/text for those interested in the Decadent movement, in literary history, in French history and social history. It is well suited for courses in gender studies, women's studies, LGBT history, and lesbianism in literature, history, and art.
Author: Leonardo de Arrizabalaga y Prado
Publisher: Cambridge Scholars Publishing
ISBN: 1443893854
Category : History
Languages : en
Pages : 575
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Book Description
Varius is the nomen of the Roman emperor misnamed Elagabalus or Heliogabalus. These are names of the Syrian sun god Elagabal, whose high priest Varius was while emperor. There is no evidence that he was ever so called when alive. Thus named, his posthumous legendary or mythical avatar thrives, in academic prose and popular imagination, as a Semitic monster of cruelty, depravity, fanaticism, mockery and extravagance. Recently, this monster has metamorphosed into an anarchist saint and martyr of gay liberation. This volume explores the historical individual behind Elagabalus and Heliogabalus. Varius was probably born AD 204 in Rome, to Syro-Roman parents linked to the Severan dynasty, and brought up at the imperial court, which spent 208–211 in Britain. After his father’s death in Numidia or Italy, sometime between 214 and 218 Varius went to Syria, where, like a maternal ancestor, he became a priest of Elagabal. In Syria in 217, Macrinus murdered and succeeded the Severan emperor Marcus Aurelius Antoninus, even then known by his nickname, Caracalla. In 218, in a coup against Macrinus, Varius, fourteen, was proclaimed emperor, on the basis of the lie, launched by his grandmother, Caracalla’s aunt, and abetted by his mother, Caracalla’s cousin, that he was Caracalla’s bastard. Varius’ grandmother intended to rule while he reigned. But Varius, now Marcus Aurelius Antoninus, had other ideas. Taking the god Elagabal, a meteorite, to Rome he sought to combine the incompatible personae of Roman emperor and High Priest of Elagabal. He was murdered in 222 before reaching eighteen by his praetorian guards, under the orders of his grandmother and aunt, to make way for his younger, more docile cousin, Alexianus, who reigned as Severus Alexander. Rhetorical invective against Varius was promptly launched to justify his murder. It grew into his mythical or legendary avatar: Elagabalus or Heliogabalus. That avatar came completely to overshadow the historical Varius. This book serves to rescue Varius for history from eighteen centuries spent in fantasy and fiction.
Author: David Hopkins
Publisher: John Wiley & Sons
ISBN: 1118476182
Category : Art
Languages : en
Pages : 496
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Book Description
This excellent overview of new research on Dada and Surrealism blends expert synthesis of the latest scholarship with completely new research, offering historical coverage as well as in-depth discussion of thematic areas ranging from criminality to gender. This book provides an excellent overview of new research on Dada and Surrealism from some of the finest established and up-and-coming scholars in the field Offers historical coverage as well as in–depth discussion of thematic areas ranging from criminality to gender One of the first studies to produce global coverage of the two movements, it also includes a section dealing with the critical and cultural aftermath of Dada and Surrealism in the later twentieth century Dada and Surrealism are arguably the most popular areas of modern art, both in the academic and public spheres
Author: Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main
Publisher: Prestel
ISBN: 9783791355733
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
Featuring a selection of 140 works, including paintings, sculptures, graphic art, photography, and film, this book traces the artistic investigations of ever-changing gender roles from the mid-19th century to the end of World War II. Traditional gender norms codifying males and females as active vs. passive and rational vs. emotional were heavily debated in modern art. While many artists adhered to stereotypes, others sought to subvert them. Drawing from the considerable holdings of the Städel Museum in Frankfurt, Germany, and including works from artists such as Édouard Manet, Auguste Rodin, Gustav Klimt, Man Ray, Otto Dix, Claude Cahun, Meret Oppenheim, and Frida Kahlo, this sweeping examination explores the artistic representations of sexuality and gender. Scholarly essays cover such topics as Adam and Eve, the Femme Fatale in 19th century art, or sexual murder in the works of the Weimar Republic, while others provide perceptive analyses of the battle of the sexes in the oeuvres of Franz von Stuck, Edvard Munch, Lee Miller, and Jeanne Mammen. Dazzling reproductions and brief texts on the works, an extensive bibliography and chronology offer contextual background. This comprehensive book offers insights into the complexity of gender issues and sheds light on the art-historical dimension of an eminently relevant subject.
