Author: Constantijn Petridis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Revealing the powers immanent in works that the West long regarded only as exotic or abstract, Constantine Petridis looks beneath the surface of the arts of the Luba, Songye, Chokwe and Luluwa peoples to find, literally embedded in sculpture, the forces that enable the spirit world to intervene in daily life. Ritual use of these objects is expected to ensure a healthy birth, successful hunt, or triumph over an enemy. Analysis of the scholarly record illuminates the changing visions of leadership and prestige that fostered the development of the majestic, elaborate figure styles long prized in the West. These sculptures nevertheless retain the mysterious potency of more humble objects trusted for centuries to protect, heal and harm. Art and Power in the Central African Savanna examines an artistic culture in which the sacred and the secular are indivisible, and aesthetic and moral value inseparable.
Art and Power in the Central African Savanna
Author: Constantijn Petridis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Revealing the powers immanent in works that the West long regarded only as exotic or abstract, Constantine Petridis looks beneath the surface of the arts of the Luba, Songye, Chokwe and Luluwa peoples to find, literally embedded in sculpture, the forces that enable the spirit world to intervene in daily life. Ritual use of these objects is expected to ensure a healthy birth, successful hunt, or triumph over an enemy. Analysis of the scholarly record illuminates the changing visions of leadership and prestige that fostered the development of the majestic, elaborate figure styles long prized in the West. These sculptures nevertheless retain the mysterious potency of more humble objects trusted for centuries to protect, heal and harm. Art and Power in the Central African Savanna examines an artistic culture in which the sacred and the secular are indivisible, and aesthetic and moral value inseparable.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Revealing the powers immanent in works that the West long regarded only as exotic or abstract, Constantine Petridis looks beneath the surface of the arts of the Luba, Songye, Chokwe and Luluwa peoples to find, literally embedded in sculpture, the forces that enable the spirit world to intervene in daily life. Ritual use of these objects is expected to ensure a healthy birth, successful hunt, or triumph over an enemy. Analysis of the scholarly record illuminates the changing visions of leadership and prestige that fostered the development of the majestic, elaborate figure styles long prized in the West. These sculptures nevertheless retain the mysterious potency of more humble objects trusted for centuries to protect, heal and harm. Art and Power in the Central African Savanna examines an artistic culture in which the sacred and the secular are indivisible, and aesthetic and moral value inseparable.
Heroic Africans
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN: 1588394328
Category : Art
Languages : en
Pages : 314
Book Description
Issued in connection with an exhibition held Sept. 20, 2011-Jan. 29, 2012, Metropolitan Museum of Art, New York, and at the Rietberg Museum, Zeurich, at later dates.
Publisher: Metropolitan Museum of Art
ISBN: 1588394328
Category : Art
Languages : en
Pages : 314
Book Description
Issued in connection with an exhibition held Sept. 20, 2011-Jan. 29, 2012, Metropolitan Museum of Art, New York, and at the Rietberg Museum, Zeurich, at later dates.
Art and Power in the Central African Savanna
Author:
Publisher:
ISBN:
Category : Africa
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Africa
Languages : en
Pages :
Book Description
Speaking of Objects
Author: Constantine Petridis
Publisher: Yale University Press
ISBN: 0300254326
Category : Art
Languages : en
Pages : 224
Book Description
A lavishly illustrated selection of highlights from the Art Institute of Chicago’s extraordinary collection of the arts of Africa Featuring a selection of more than 75 works of traditional African art in the Art Institute of Chicago’s collection, this stunning volume includes objects in a wide variety of media from regions across the continent. Essays and catalogue entries by leading art historians and anthropologists attend closely to the meanings and materials of the works themselves in addition to fleshing out original contexts. These experts also underscore the ways in which provenance and collection history are important to understanding how we view such objects today. Celebrating the Art Institute’s collection of traditional African art as one of the oldest and most diverse in the United States, this is a fresh and engaging look at current research into the arts of Africa as well as the potential of future scholarship.
Publisher: Yale University Press
ISBN: 0300254326
Category : Art
Languages : en
Pages : 224
Book Description
A lavishly illustrated selection of highlights from the Art Institute of Chicago’s extraordinary collection of the arts of Africa Featuring a selection of more than 75 works of traditional African art in the Art Institute of Chicago’s collection, this stunning volume includes objects in a wide variety of media from regions across the continent. Essays and catalogue entries by leading art historians and anthropologists attend closely to the meanings and materials of the works themselves in addition to fleshing out original contexts. These experts also underscore the ways in which provenance and collection history are important to understanding how we view such objects today. Celebrating the Art Institute’s collection of traditional African art as one of the oldest and most diverse in the United States, this is a fresh and engaging look at current research into the arts of Africa as well as the potential of future scholarship.
Tribal Art
Author:
Publisher:
ISBN:
Category : Art, Primitive
Languages : en
Pages : 314
Book Description
Quarterly journal of the art, culture and history of traditional peoples and Old World civilizations.
Publisher:
ISBN:
Category : Art, Primitive
Languages : en
Pages : 314
Book Description
Quarterly journal of the art, culture and history of traditional peoples and Old World civilizations.
Earth Matters
Author: Karen E. Milbourne
Publisher: The Monacelli Press, LLC
ISBN: 158093370X
Category : Art
Languages : en
Pages : 321
Book Description
Featuring more than 100 extraordinary works of art from 1800 to the present, Earth Matters reveals how African individuals and communities have visually mediated their most poignant relationships with the land—whether it be to earth as a sacred or medicinal material, as something uncovered by mining or claimed by burial, as a surface to be interpreted and turned to for inspiration, or as an environment to be protected. Both internationally recognized and emerging contemporary artists are represented, from the continent and diaspora, including El Anatsui, Ghada Amer, Sammy Baloji, Ingrid Mwangi and William Kentridge. Highlights include a pair of rare Yoruba onile figures, a one-of-a-kind Punu reliquary from Gabon, and 3 bocio figures from the personal collection of legendary French dealer Jacques Kerchache. The text includes statements by contemporary African artists including Wangechi Mutu, Clive van den Berg, Allan de Souza, and George Osodi. National Museum of African Art curator Karen E. Milbourne explores how diverse African concepts of healing, the sacred, identity, memory, history, and environmental sustainability have all been formed in relation to the land in this pioneering scholarly study.
Publisher: The Monacelli Press, LLC
ISBN: 158093370X
Category : Art
Languages : en
Pages : 321
Book Description
Featuring more than 100 extraordinary works of art from 1800 to the present, Earth Matters reveals how African individuals and communities have visually mediated their most poignant relationships with the land—whether it be to earth as a sacred or medicinal material, as something uncovered by mining or claimed by burial, as a surface to be interpreted and turned to for inspiration, or as an environment to be protected. Both internationally recognized and emerging contemporary artists are represented, from the continent and diaspora, including El Anatsui, Ghada Amer, Sammy Baloji, Ingrid Mwangi and William Kentridge. Highlights include a pair of rare Yoruba onile figures, a one-of-a-kind Punu reliquary from Gabon, and 3 bocio figures from the personal collection of legendary French dealer Jacques Kerchache. The text includes statements by contemporary African artists including Wangechi Mutu, Clive van den Berg, Allan de Souza, and George Osodi. National Museum of African Art curator Karen E. Milbourne explores how diverse African concepts of healing, the sacred, identity, memory, history, and environmental sustainability have all been formed in relation to the land in this pioneering scholarly study.
Art of Central Africa
Author: Hans-Joachim Koloss
Publisher: Metropolitan Museum of Art
ISBN: 0870995901
Category : Art
Languages : en
Pages : 89
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870995901
Category : Art
Languages : en
Pages : 89
Book Description
Unpacking My Library
Author: Marcel Proust
Publisher: Yale University Press
ISBN: 030021698X
Category : Antiques & Collectibles
Languages : en
Pages : 185
Book Description
A captivating tour of the bookshelves of ten leading artists, exploring the intricate connections between reading, artistic practice, and identity Taking its inspiration from Walter Benjamin's seminal 1931 essay, the Unpacking My Library series charts a spirited exploration of the reading and book collecting practices of today's leading thinkers. Artists and Their Books showcases the personal libraries of ten important contemporary artists based in the United States (Mark Dion, Theaster Gates, Wangechi Mutu, Ed Ruscha, and Carrie Mae Weems), Canada (Janet Cardiff and George Bures Miller), and the United Kingdom (Billy Childish, Tracey Emin, and Martin Parr). Through engaging interviews, the artists discuss the necessity of reading and the meaning of books in their lives and careers. This is a book about books, but it even more importantly highlights the role of literature in shaping an artist's self-presentation and persona. Photographs of each artist's bookshelves present an evocative glimpse of personal taste, of well-loved and rare volumes, and of the individual touches that make a bookshelf one's own. The interviews are accompanied by "top ten" reading lists assembled by each artist, an introduction by Jo Steffens, and Marcel Proust's seminal essay "On Reading."
Publisher: Yale University Press
ISBN: 030021698X
Category : Antiques & Collectibles
Languages : en
Pages : 185
Book Description
A captivating tour of the bookshelves of ten leading artists, exploring the intricate connections between reading, artistic practice, and identity Taking its inspiration from Walter Benjamin's seminal 1931 essay, the Unpacking My Library series charts a spirited exploration of the reading and book collecting practices of today's leading thinkers. Artists and Their Books showcases the personal libraries of ten important contemporary artists based in the United States (Mark Dion, Theaster Gates, Wangechi Mutu, Ed Ruscha, and Carrie Mae Weems), Canada (Janet Cardiff and George Bures Miller), and the United Kingdom (Billy Childish, Tracey Emin, and Martin Parr). Through engaging interviews, the artists discuss the necessity of reading and the meaning of books in their lives and careers. This is a book about books, but it even more importantly highlights the role of literature in shaping an artist's self-presentation and persona. Photographs of each artist's bookshelves present an evocative glimpse of personal taste, of well-loved and rare volumes, and of the individual touches that make a bookshelf one's own. The interviews are accompanied by "top ten" reading lists assembled by each artist, an introduction by Jo Steffens, and Marcel Proust's seminal essay "On Reading."
Religious Entanglements
Author: David Maxwell
Publisher: University of Wisconsin Pres
ISBN: 0299337502
Category : History
Languages : en
Pages : 351
Book Description
Under the leadership of William F. P. Burton and James Salter, the Congo Evangelistic Mission (CEM) grew from a simple faith movement founded in 1915 into one of the most successful classical Pentecostal missions in Africa, today boasting more than one million members in the Democratic Republic of the Congo. Drawing on artifacts, images, documents, and interviews, David Maxwell examines the roles of missionaries and their African collaborators—the Luba-speaking peoples of southeast Katanga—in producing knowledge about Africa. Through the careful reconstruction of knowledge pathways, Maxwell brings into focus the role of Africans in shaping texts, collections, and images as well as in challenging and adapting Western-imported presuppositions and prejudices. Ultimately, Maxwell illustrates the mutually constitutive nature of discourses of identity in colonial Africa and reveals not only how the Luba shaped missionary research but also how these coproducers of knowledge constructed and critiqued custom and convened new ethnic communities. Making a significant intervention in the study of both the history of African Christianity and the cultural transformations effected by missionary encounters across the globe, Religious Entanglements excavates the subculture of African Pentecostalism, revealing its potentiality for radical sociocultural change.
Publisher: University of Wisconsin Pres
ISBN: 0299337502
Category : History
Languages : en
Pages : 351
Book Description
Under the leadership of William F. P. Burton and James Salter, the Congo Evangelistic Mission (CEM) grew from a simple faith movement founded in 1915 into one of the most successful classical Pentecostal missions in Africa, today boasting more than one million members in the Democratic Republic of the Congo. Drawing on artifacts, images, documents, and interviews, David Maxwell examines the roles of missionaries and their African collaborators—the Luba-speaking peoples of southeast Katanga—in producing knowledge about Africa. Through the careful reconstruction of knowledge pathways, Maxwell brings into focus the role of Africans in shaping texts, collections, and images as well as in challenging and adapting Western-imported presuppositions and prejudices. Ultimately, Maxwell illustrates the mutually constitutive nature of discourses of identity in colonial Africa and reveals not only how the Luba shaped missionary research but also how these coproducers of knowledge constructed and critiqued custom and convened new ethnic communities. Making a significant intervention in the study of both the history of African Christianity and the cultural transformations effected by missionary encounters across the globe, Religious Entanglements excavates the subculture of African Pentecostalism, revealing its potentiality for radical sociocultural change.
Invisible Agents
Author: David M. Gordon
Publisher: Ohio University Press
ISBN: 0821444395
Category : History
Languages : en
Pages : 317
Book Description
Invisible Agents shows how personal and deeply felt spiritual beliefs can inspire social movements and influence historical change. Conventional historiography concentrates on the secular, materialist, or moral sources of political agency. Instead, David M. Gordon argues, when people perceive spirits as exerting power in the visible world, these beliefs form the basis for individual and collective actions. Focusing on the history of the south-central African country of Zambia during the nineteenth and twentieth centuries, his analysis invites reflection on political and religious realms of action in other parts of the world, and complicates the post-Enlightenment divide of sacred and profane. The book combines theoretical insights with attention to local detail and remarkable historical sweep, from oral narratives communicated across slave-trading routes during the nineteenth century, through the violent conflicts inspired by Christian and nationalist prophets during colonial times, and ending with the spirits of Pentecostal rebirth during the neoliberal order of the late twentieth century. To gain access to the details of historical change and personal spiritual beliefs across this long historical period, Gordon employs all the tools of the African historian. His own interviews and extensive fieldwork experience in Zambia provide texture and understanding to the narrative. He also critically interprets a diverse range of other sources, including oral traditions, fieldnotes of anthropologists, missionary writings and correspondence, unpublished state records, vernacular publications, and Zambian newspapers. Invisible Agents will challenge scholars and students alike to think in new ways about the political imagination and the invisible sources of human action and historical change.
Publisher: Ohio University Press
ISBN: 0821444395
Category : History
Languages : en
Pages : 317
Book Description
Invisible Agents shows how personal and deeply felt spiritual beliefs can inspire social movements and influence historical change. Conventional historiography concentrates on the secular, materialist, or moral sources of political agency. Instead, David M. Gordon argues, when people perceive spirits as exerting power in the visible world, these beliefs form the basis for individual and collective actions. Focusing on the history of the south-central African country of Zambia during the nineteenth and twentieth centuries, his analysis invites reflection on political and religious realms of action in other parts of the world, and complicates the post-Enlightenment divide of sacred and profane. The book combines theoretical insights with attention to local detail and remarkable historical sweep, from oral narratives communicated across slave-trading routes during the nineteenth century, through the violent conflicts inspired by Christian and nationalist prophets during colonial times, and ending with the spirits of Pentecostal rebirth during the neoliberal order of the late twentieth century. To gain access to the details of historical change and personal spiritual beliefs across this long historical period, Gordon employs all the tools of the African historian. His own interviews and extensive fieldwork experience in Zambia provide texture and understanding to the narrative. He also critically interprets a diverse range of other sources, including oral traditions, fieldnotes of anthropologists, missionary writings and correspondence, unpublished state records, vernacular publications, and Zambian newspapers. Invisible Agents will challenge scholars and students alike to think in new ways about the political imagination and the invisible sources of human action and historical change.