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Author: Laura Slater (Lecturer in history of art)
Publisher: Boydell & Brewer
ISBN: 178327333X
Category : Art
Languages : en
Pages : 320
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Book Description
An exploration of how power and political society were imagined, represented and reflected on in medieval English art Images and imagery played a major role in medieval political thought and culture, but their influence has rarely been explored. This book provides a full assessment of the subject. Starting with an examination of the writings of late twelfth-century courtier-clerics, and their new vision of English political life as a heightened religious drama, it argues that visual images were key to the development and expression of medieval English political ideas andarguments. It discusses the vivid pictorial metaphors used in contemporary political treatises, and highlights their interaction with public decorative schemas in English great churches, private devotional imagery, seal iconography, illustrations of English history and a range of other visual sources. Meanwhile, through an exploration of events such as the Thomas Becket conflict, the making of Magna Carta, the Barons' War and the deposition of Edward II, it provides new perspectives on the political role of art, especially in reshaping basic assumptions and expectations about government and political society in medieval England. LAURA SLATER is a Fulford Junior ResearchFellow at Somerville College, University of Oxford.
Author: Laura Slater (Lecturer in history of art)
Publisher: Boydell & Brewer
ISBN: 178327333X
Category : Art
Languages : en
Pages : 320
Get Book Here
Book Description
An exploration of how power and political society were imagined, represented and reflected on in medieval English art Images and imagery played a major role in medieval political thought and culture, but their influence has rarely been explored. This book provides a full assessment of the subject. Starting with an examination of the writings of late twelfth-century courtier-clerics, and their new vision of English political life as a heightened religious drama, it argues that visual images were key to the development and expression of medieval English political ideas andarguments. It discusses the vivid pictorial metaphors used in contemporary political treatises, and highlights their interaction with public decorative schemas in English great churches, private devotional imagery, seal iconography, illustrations of English history and a range of other visual sources. Meanwhile, through an exploration of events such as the Thomas Becket conflict, the making of Magna Carta, the Barons' War and the deposition of Edward II, it provides new perspectives on the political role of art, especially in reshaping basic assumptions and expectations about government and political society in medieval England. LAURA SLATER is a Fulford Junior ResearchFellow at Somerville College, University of Oxford.
Author: Donal Cooper
Publisher: Boydell & Brewer
ISBN: 178327090X
Category :
Languages : en
Pages : 413
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Book Description
Joanna Cannon's scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art; this essay collection by her former students is a tribute to her work.
Author: Amy Jeffs
Publisher: Andrews McMeel Publishing
ISBN: 1524891525
Category : Social Science
Languages : en
Pages : 294
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Book Description
Immersed in mist and old magic, Storyland is an exquisitely illustrated new mythology of Britain, set in its wildest landscapes. Historian and printmaker Amy Jeffs reimagines ancient legends in wondrous detail in this this gift-worthy collection for all lovers of myth, folklore, and mysticism. Storyland begins between the Creation and Noah's Flood, follows the footsteps of the earliest generation of giants, covers the founding of Britain, England, Wales, and Scotland, the birth of Christ, the wars between Britons, Saxons and Vikings, and closes with the arrival of the Normans. These are retellings of medieval tales of legend, landscape, and the yearning to belong, inhabited by characters now half-remembered: Arthur, Brutus, Albina, and more. Told with narrative flair, embellished in stunning, original linocuts and glossed with a rich and erudite commentary, Storyland illuminates a collective memory that still informs the identity and culture of Britain and its descendants. Readers will visit beautiful, sacred places that include prehistoric monuments like Stonehenge and Wayland's Smithy; mountains and lakes such as Snowdon and Loch Etive; and rivers including the Ness, the Soar, and the storied Thames in this vivid, beautiful tale of a land steeped in myth.
Author: Philippa Turner
Publisher: Boydell & Brewer
ISBN: 1783275529
Category : Architecture
Languages : en
Pages : 249
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Book Description
New readings demonstrate the centrality of the rood to the visual, material and devotional cultures of the Middle Ages, its richness and complexity.The rood was central to medieval Christianity and its visual culture: Christ''s death on the cross was understood as the means by which humankind was able to gain salvation, and depictions of the cross, and Christ''s death upon it,were ubiquitous. This volume brings together contributions offering a new perspective on the medieval rood - understood in its widest sense, as any kind of cross - within the context of Britain and Ireland, over a wide periodof time which saw significant political and cultural change. In doing so, it crosses geographical, chronological, material, and functional boundaries which have traditionally characterised many previous discussions of the medieval rood. Acknowledging and exploring the capacity of the rood to be both universal and specific to particular locations and audiences, these contributions also tease out the ways in which roods related to one another, as well as how they related to their physical and cultural surroundings, often functioning in dialogue with other images and the wider devotional topography - both material and mental - in which they were set. The chapters consider roods in a variety of media and contexts: the monumental stone crosses of early medieval England, twelfth-century Ireland, and, spreading further afield, late medieval Galicia; the three-dimensional monumental wooden roods in English monasteries, Irish friaries, and East Anglian parish churches; roods that fit in the palm of a hand, encased in precious metals, those that were painted on walls, drawn on the pages of manuscripts, and those that appeared in visions, dreams, and gesture.related to one another, as well as how they related to their physical and cultural surroundings, often functioning in dialogue with other images and the wider devotional topography - both material and mental - in which they were set. The chapters consider roods in a variety of media and contexts: the monumental stone crosses of early medieval England, twelfth-century Ireland, and, spreading further afield, late medieval Galicia; the three-dimensional monumental wooden roods in English monasteries, Irish friaries, and East Anglian parish churches; roods that fit in the palm of a hand, encased in precious metals, those that were painted on walls, drawn on the pages of manuscripts, and those that appeared in visions, dreams, and gesture.related to one another, as well as how they related to their physical and cultural surroundings, often functioning in dialogue with other images and the wider devotional topography - both material and mental - in which they were set. The chapters consider roods in a variety of media and contexts: the monumental stone crosses of early medieval England, twelfth-century Ireland, and, spreading further afield, late medieval Galicia; the three-dimensional monumental wooden roods in English monasteries, Irish friaries, and East Anglian parish churches; roods that fit in the palm of a hand, encased in precious metals, those that were painted on walls, drawn on the pages of manuscripts, and those that appeared in visions, dreams, and gesture.related to one another, as well as how they related to their physical and cultural surroundings, often functioning in dialogue with other images and the wider devotional topography - both material and mental - in which they were set. The chapters consider roods in a variety of media and contexts: the monumental stone crosses of early medieval England, twelfth-century Ireland, and, spreading further afield, late medieval Galicia; the three-dimensional monumental wooden roods in English monasteries, Irish friaries, and East Anglian parish churches; roods that fit in the palm of a hand, encased in precious metals, those that were painted on walls, drawn on the pages of manuscripts, and those that appeared in visions, dreams, and gesture.dia and contexts: the monumental stone crosses of early medieval England, twelfth-century Ireland, and, spreading further afield, late medieval Galicia; the three-dimensional monumental wooden roods in English monasteries, Irish friaries, and East Anglian parish churches; roods that fit in the palm of a hand, encased in precious metals, those that were painted on walls, drawn on the pages of manuscripts, and those that appeared in visions, dreams, and gesture.
Author: Peter R. Coss
Publisher:
ISBN: 0198846967
Category : History
Languages : en
Pages : 514
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Book Description
This volume examines the aristocracy in Tuscany and in England in the years 1000-1250, offering a new way of studying English aristocracy in this period by tracing Italian aristocratic history, and then employing the same historiographic tools within English history.
Author: Kenneth L. Campbell
Publisher: Bloomsbury Publishing
ISBN: 1350260762
Category : History
Languages : en
Pages : 505
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Book Description
The History of Britain and Ireland: Prehistory to Today is a balanced and integrated political, social, cultural, and religious history of the British Isles. Kenneth Campbell explores the constantly evolving dialogue and relationship between the past and the present. Written in the aftermath of the Black Lives Matter and Rhodes Must Fall demonstrations, The History of Britain and Ireland examines the history of Britain and Ireland at a time when it asks difficult questions of its past and looks to the future. Campbell places Black history at the forefront of his analysis and offers a voice to marginalised communities, to craft a complete and comprehensive history of Britain and Ireland from Prehistory to Today. This book is unique in that it integrates the histories of England, Ireland, Scotland and Wales, to provide a balanced view of British history. Building on the successful foundations laid by the first edition, the book has been updated to include: · COVID-19 and earlier diseases in history · LGBT History · A fresh appraisal of Winston Churchill · Brexit and the subsequent negotiations · 45 illustrations Richly illustrated and focusing on the major turning points in British history, this book helps students engage with British history and think critically about the topic.
Author: Beth Williamson
Publisher: Boydell & Brewer
ISBN: 178327476X
Category : Art
Languages : en
Pages : 265
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Book Description
Ground-breaking study of the enigmatic and unique tabernacles from fourteenth-century Italy, which for the first time combined relics and images.Images and relics were central tools in the process of devotional practice in medieval Europe. The reliquary tabernacles that emerged in the 1340s, in the area of Central Italy surrounding the city of Siena, combined images and relics, presented visibly together, within painted and decorated wooden frames. In these tabernacles the various media and materials worked together to create a powerful and captivating ensemble, usable in several contexts, both in procession and static, as the centre of focussed, prayerful attention. This book looks at Siena and Central Italy as environments of artistic invention, and at Sienese painters in particular as experts in experimentation whose ingenuity encouraged the development of this new form of devotional technology. It is the first full-length study to focus in depth on the materiality of these tabernacles, investigating the connotations and effects of the materials from which they were made. It examines especially the effect of bringing relics and images together, and considers how the impressions of variety and abundance created by the multiplication of materials give birth to meaning and encourage certain kinds of action or thought.connotations and effects of the materials from which they were made. It examines especially the effect of bringing relics and images together, and considers how the impressions of variety and abundance created by the multiplication of materials give birth to meaning and encourage certain kinds of action or thought.connotations and effects of the materials from which they were made. It examines especially the effect of bringing relics and images together, and considers how the impressions of variety and abundance created by the multiplication of materials give birth to meaning and encourage certain kinds of action or thought.connotations and effects of the materials from which they were made. It examines especially the effect of bringing relics and images together, and considers how the impressions of variety and abundance created by the multiplication of materials give birth to meaning and encourage certain kinds of action or thought.
Author: Jessica Barker
Publisher: Boydell & Brewer
ISBN: 1783272716
Category : Art
Languages : en
Pages : 356
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Book Description
Medieval tombs often depict husband and wife lying side-by-side: demonstrating, as in the words of Philip Larkin's poem An Arundel Tomb, their "stone fidelity". This is the first book to address the phenomenon of the "double tomb", drawing the rich history of tomb sculpture into dialogue with discourses of power, marriage, gender and emotion, and placing them in the context of ecclesastical material culture of the time more broadly. It offers new interpretations of some of the most famous medieval monuments, such as those found in Westminster Abbey and Canterbury Cathedral, as well as drawing attention to a host of lesser-known memorials from throughout Europe. In turn, these monuments provide a vantage point from which to reconsider the culture of medieval marriage, from wedding rings and dresses, to the sacramental symbolism of matrimony, and embodied ritual practices. Whilst it is tempting to read these sculptures as straightforward expressions of romantic feeling, the author argues that a closer look reveals the artifice behind the emotion: the artistic, religious, political and legal agenda underlying the rhetoric of married love.
Author: Sarah Kerr
Publisher: Boydell & Brewer
ISBN: 1783277572
Category :
Languages : en
Pages : 279
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Book Description
This book draws on architectural and archaeological analysis to consider the form, function, use and meaning of late medieval lodging ranges. While we know a great deal about most elements of the late medieval great house, we understand very little about their lodging ranges, and even less on their contributions to the lived experience of the household and wider society. Why were lodging ranges built, for example, and how were they used? It is this gap in our knowledge which the present book aims to fill. It draws on archaeological and architectural analysis of lodging ranges to show that they were some of the finest living spaces within the great house, built as accommodation for high-ranking members of the household. Their low-, even single-, occupancy rooms, accessible via individual doors, were innovatory, showing how the idea of privacy developed. The explicit displays of uniformity upon the lodging ranges' symmetrical facades were juxtaposed with variations within. Surviving lodging ranges (including Wingfield Manor, Middleham Castle and Dartington Hall) are examined, alongside the lost example of Caister Castle, demonstrating how lodging ranges simultaneously reflected and shaped medieval life; the author argues that their very form and stones, and their manipulation of space, enabled them to have multi-faceted functions, including the representation of multiple and even conflicting identities.
Author: Meg Boulton
Publisher: Boydell & Brewer
ISBN: 1783274115
Category : Art
Languages : en
Pages : 280
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Book Description
Essays on aspects of iconography as manifested in the material culture of medieval England. Professor Jane Hawkes has devoted her career to the study of medieval stone, exploring its iconographies, symbolic significances and scholarly contexts, and shedding light on the obscure and understudied sculpted stone monuments of Anglo-Saxon England. This volume builds on her scholarly interests, offering new engagements with medieval culture and the current scholarly methodologies that shape the discipline. The contributors approach several significantobjects and texts from the early and later Middle Ages, working across several disciplinary backgrounds and periods, largely focusing on the Insular World as it intersects with wider global contexts of the period. The chapters cover a wide range of subjects, from the material culture of baptism, to the material, symbolic and iconographic consideration of the artistic outputs of the Insular world, with essays on sculpture, metalwork, glass and manuscripts, to ideas of stone and salvation in both material and textual contexts, to intellectual puzzles and patterns - both material and mathematic - to consideration of the ways in which the conversion to Christianity played out on the landscape. MEG BOULTON is Research Affiliate and Visiting Lecturer in the History of Art Department at the University of York; MICHAEL D.J. BINTLEY is Lecturer in Early Medieval Literature and Culture at Birkbeck, University of London. Contributors: Elizabeth Alexander, Michael Brennan, Melissa Herman, Mags Mannion, Thomas Pickles, Harry Stirrup, Heidi Stoner, Colleen Thomas, Philippa Turner, Carolyn Twomey,
