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Author: Robert Maniura
Publisher: Cambridge University Press
ISBN: 1108426840
Category : Art
Languages : en
Pages : 281
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Book Description
Miraculous images are the focus for an exploration of art and devotion in Renaissance Italy.
Author: Robert Maniura
Publisher: Cambridge University Press
ISBN: 1108426840
Category : Art
Languages : en
Pages : 281
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Book Description
Miraculous images are the focus for an exploration of art and devotion in Renaissance Italy.
Author: Diana Bullen Presciutti
Publisher: Cambridge University Press
ISBN: 1009300849
Category : Art
Languages : en
Pages : 730
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Book Description
In this book, Diana Bullen Presciutti explores how images of miracles performed by mendicant saints-reviving dead children, redeeming the unjustly convicted, mending broken marriages, quelling factional violence, exorcising the demonically possessed-actively shaped Renaissance Italians' perceptions of pressing social problems related to gender, sexuality, and honor. She argues that depictions of these miracles by artists-both famous (Donatello, Titian) and anonymous-played a critical role in defining and conceptualizing threats to family honor and social stability. Drawing from art history, history, religious studies, gender studies, and sociology, Presciutti's interdisciplinary study reveals how miracle scenes-whether painted, sculpted, or printed-operated as active agents of 'lived religion' and social negotiation in the spaces of the Renaissance Italian city.
Author:
Publisher: Bloomsbury Publishing
ISBN: 1786726173
Category : Art
Languages : en
Pages : 311
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Book Description
The history of art in the late Middle Ages and the Renaissance has generally been written as a story of elites: bankers, noblemen, kings, cardinals, and popes and their artistic interests and commissions. Recent decades have seen attempts to recast the story in terms of material culture, but the focus seems to remain on the upper strata of society. In his inclusive analysis of art from 1300 to 1600, Rembrandt Duits rectifies this. Bringing together thought-provoking ideas from art historians, historians, anthropologists and museum curators, The Art of the Poor examines the role of art in the lower social classes of Europe and explores how this influences our understanding of medieval and early modern society. Introducing new themes and raising innovative research questions through a series of thematically grouped short case studies, this book gives impetus to a new field on the cusp of art history, social history, urban archaeology, and historical anthropology. In doing so, this important study helps us re-assess the very concept of 'art' and its function in society.
Author: Megan Holmes
Publisher:
ISBN: 9780300176605
Category : Christian art and symbolism
Languages : en
Pages : 0
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Book Description
In Renaissance Florence, certain paintings and sculptures of the Virgin Mary and Christ were believed to have extraordinary efficacy in activating potent sacred intercession. Cults sprung up around these "miraculous images" in the city and surrounding countryside beginning in the late 13th century. In The Miraculous Image in Renaissance Florence, Megan Holmes questions what distinguished these paintings and sculptures from other similar sacred images, looking closely at their material and formal properties, the process of enshrinement, and the foundation legends and miracles associated with specific images. Whereas some of the images presented in this fascinating book are well known, such as Bernardo Daddi's Madonna of Orsanmichele, many others have been little studied until now. Holmes's efforts center on the recovery and contextualization of these revered images, reintegrating them and their related cults into an art-historical account of the period. By challenging prevailing views and offering a reassessment of the Renaissance, this generously illustrated and comprehensive survey makes a significant contribution to the field.
Author: Jérémie Koering
Publisher: Princeton University Press
ISBN: 1890951366
Category : Art
Languages : en
Pages : 328
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Book Description
An unprecedented art-historical account of practices of image ingestion from ancient Egypt to the twentieth century Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be ingested, these figured artifacts have been not only gazed upon but also incorporated—taken into the body—as solids or liquids. How can we explain such behavior? Why take an image into one’s own body, devouring it at the risk of destroying it, consuming rather than contemplating it wisely from a distance? What structures of the imagination underlie and justify these desires for incorporation? What are the visual configurations offered up to the mouth, and what are their effects? What therapeutic, religious, symbolic, and social functions can we attribute to these forms of relations with icons? These are a few of the questions raised in this investigation into iconophagy. Iconophages aims to retrace, for the first time, the history of iconophagy. Jérémie Koering examines this unexplored facet of the history of images through an interdisciplinary approach that ranges across art history, cultural and material history, anthropology, philosophy, and the history of the body and the senses. He analyzes the human investment, in terms of culture and imagination, at stake in this seemingly paradoxical way of experiencing images. Beyond the hidden knowledge unearthed here, these pages bring to light a new way of understanding images, just as they illuminate the occasionally outlandish relations we maintain with them.
Author: Grażyna Jurkowlaniec
Publisher: Routledge
ISBN: 1351681494
Category : Art
Languages : en
Pages : 428
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Book Description
This volume explores the late medieval and early modern periods from the perspective of objects. While the agency of things has been studied in anthropology and archaeology, it is an innovative approach for art historical investigations. Each contributor takes as a point of departure active things: objects that were collected, exchanged, held in hand, carried on a body, assembled, cared for or pawned. Through a series of case studies set in various geographic locations, this volume examines a rich variety of systems throughout Europe and beyond. The Open Access version of this book, available at http://www.taylorfrancis.com/doi/view/10.4324/9781315401867, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license
Author: Ashley Elston
Publisher: Routledge
ISBN: 1000429873
Category : Art
Languages : en
Pages : 297
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Book Description
This collection of essays explores hybridity in early modern art through two primary lenses: hybrid media and hybrid time. The varied approaches in the volume to theories of hybridity reflect the increased presence in art historical scholarship of interdisciplinary frameworks that extend art historical inquiry beyond the single time or material. The essays engage with what happens when an object is considered beyond the point of origin or as a legend of information, the implications of the juxtaposition of disparate media, how the meaning of an object alters over time, and what the conspicuous use of out-of-date styles means for the patron, artist, and/or viewer. Essays examine both canonical and lesser-known works produced by European artists in Italy, northern Europe, and colonial Peru, ca. 1400–1600. The book will be of interest to art historians, visual culture historians, and early modern historians.
Author: Mary Morse
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501514008
Category : Literary Criticism
Languages : en
Pages : 556
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Book Description
In medieval England, women in labor wrapped birth girdles around their abdomens to protect themselves and their unborn children. These parchment or paper rolls replicated the "girdle relics" of the Virgin Mary and other saints loaned to queens and noblewomen, extending childbirth protection to women of all classes. This book examines the texts and images of nine English birth girdles produced between the reigns of Richard II and Henry VIII. Cultural artifacts of lay devotion within the birthing chamber, the birth girdles offered the solace and promise of faith to the parturient woman and her attendants amid religious dissent, political upheaval, recurring epidemics, and the onset of print.
Author: Barbara Martin
Publisher: Bloomsbury Publishing
ISBN: 135010681X
Category : History
Languages : en
Pages : 313
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Book Description
How was it possible to write history in the Soviet Union, under strict state control and without access to archives? What methods of research did these 'historians' - be they academic, that is based at formal institutions, or independent - rely on? And how was their work influenced by their complex and shifting relationships with the state? To answer these questions, Barbara Martin here tracks the careers of four bold and important dissidents: Aleksandr Solzhenitsyn, Roy Medvedev, Aleksandr Nekrich and Anton Antonov-Ovseenko. Based on extensive archival research and interviews (with some of the authors themselves, as well as those close to them), the result is a nuanced and very necessary history of Soviet dissident history writing, from the relative liberalisation of de-Stalinisation through increasing repression and persecution in the Brezhnev era to liberalisation once more during perestroika. In the process Martin sheds light onto late Soviet society and its relationship with the state, as well as the ways in which this dissidence participated in weakening the Soviet regime during Perestroika. This is important reading for all scholars working on late Soviet history and society.
Author: Amy R. Bloch
Publisher: Cambridge University Press
ISBN: 131640465X
Category : History
Languages : en
Pages : 874
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Book Description
This book examines the heretofore unsuspected complexity of Lorenzo Ghiberti's sculpted representations of Old Testament narratives in his Gates of Paradise (1425–52), the second set of doors he made for the Florence Baptistery and a masterpiece of Italian Renaissance sculpture. One of the most intellectually engaged and well-read artists of his age, Ghiberti found inspiration in ancient and medieval texts, many of which he and his contacts in Florence's humanist community shared, read, and discussed. He was fascinated by the science of vision, by the functioning of nature, and, above all, by the origins and history of art. These unusually well-defined intellectual interests, reflected in his famous Commentaries, shaped his approach in the Gates. Through the selection, imaginative interpretation, and arrangement of biblical episodes, Ghiberti fashioned multi-textured narratives that explore the human condition and express his ideas on a range of social, political, artistic, and philosophical issues.
