Author: Anne Roiphe
Publisher: Anchor
ISBN: 0307473961
Category : Biography & Autobiography
Languages : en
Pages : 242
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Book Description
Coming of age on Park Avenue in the 1950s, Anne Roiphe had an adolescence entrenched in privilege, petticoats, and social rules. Young women at the time were expected to give up personal freedom for devotion to home and children. Instead, Roiphe chose Beckett, Proust, Sartre, and Mann as her heroes, and became one of the girls draped across the sofa at parties with George Plimpton, Norman Mailer, and William Styron, sometimes with her young child in tow. For a time she was satisfied to play the muse, but at the age of twenty-seven, divorced and finally freed of the notion that any sacrifice was worth making for art, she began to write. Here, in her clear-sighted, perceptive, and unabashed memoir, Roiphe shares with astonishing honesty the tumultuous adventure of self-discovery that finally led to her redemption.
Author: Barry Panter
Publisher: A I M E D
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
Eighteen psychiatrists, psychologists, and other mental health professionals describe the work, lives, and personalities of sixteen famous artists, writers, and musicians, examining their art from an esthetic viewpoint and also as reflections of the artists' emotional lives.
Author: Walter Morgenthaler
Publisher: U of Nebraska Press
ISBN: 9780803231566
Category : Art
Languages : en
Pages : 194
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Book Description
Recently interest has surged in what Jean Dubuffet called Art Brut, “raw art” produced by persons operating outside cultural norms, reflecting inner need rather than any “official” artistic attitude. Of the known practitioners of Art Brut, one of the most gifted was the Swiss peasant Adolf Wölfli. From 1895, when he was thirty-one, until his death in 1930, Wölfli was incarcerated in Waldau hospital, severely afflicted with rage and depression. Supplied with colored pencils and paper by his primary physician, Walter Morgenthaler, he began to draw. Morgenthaler’s pathbreaking study of Wölfli and his art, published in 1921, aimed at the center of contemporary debates about the relationships between creativity, madness, and art. This first English-language edition includes twenty-four color reproductions of Wölfli’s art and Wölfli’s brief account of his own life.
Author: Anna Harpin
Publisher: Routledge
ISBN: 1351371045
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
How is madness experienced, treated, and represented? How might art think around – and beyond – psychiatric definitions of illness and wellbeing? Madness, Art, and Society engages with artistic practices from theatre and live art to graphic fiction, charting a multiplicity of ways of thinking critically with, rather than about, non-normative psychological experience. It is organised into two parts: ‘Structures: psychiatrists, institutions, treatments’, illuminates the environments, figures and primary models of psychiatric care, reconsidering their history and contemporary manifestations through case studies including David Edgar’s Mary Barnes and Milos Forman’s One Flew Over the Cuckoo’s Nest. ‘Experiences: realities, bodies, moods’, promblematises diagnostic categories and proposes more radically open models of thinking in relation to experiences of madness, touching upon works such as Richard Kelly’s Donnie Darko and Duncan Macmillan’s People, Places, and Things. Reading its case studies as a counter-discourse to orthodox psychiatry, Madness, Art, and Society seeks a more nuanced understanding of the plurality of madness in society, and in so doing, offers an outstanding resource for students and scholars alike.
Author: Louis Arnorsson Sass
Publisher: International Perspectives in
ISBN: 9780198779292
Category : Medical
Languages : en
Pages : 0
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Book Description
Madness and Modernism provides a phenomenological study of schizophrenic disorders, criticizing some standard conceptions of these disorders. Sass argues that many aspects of this group of disorders can actually involve more sophisticated (albeit dysfunctional) forms of mind and experience.
Author: American McGee
Publisher: Dark Horse Comics
ISBN: 1621154335
Category : Art
Languages : en
Pages : 187
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Book Description
Legendary game designer American McGee created one of the most visually arresting games of all time in Alice. Eleven years later, McGee returns with a sequel just as groundbreaking as his critically acclaimed classic—Alice: Madness Returns! Dark Horse and Spicy Horse studio invite Alice fans to take a journey through the wonderland of American McGee's imagination for an unprecedented look at the creation of this magnificent and disturbing world. With an introduction by McGee, The Art of Alice offers an intimate look into the stunning and terrifying artwork behind this blockbuster reinterpretation of Lewis Carroll's enduring masterpiece!
Author: Charlie English
Publisher: HarperCollins UK
ISBN: 0008299641
Category : Art
Languages : en
Pages : 396
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Book Description
‘A riveting tale, brilliantly told' Philippe Sands The little-known story of Hitler’s war on modern art and the mentally ill.
Author: Patrick Howe
Publisher: O-Books
ISBN: 1780996462
Category : Art
Languages : en
Pages : 294
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Book Description
The Awakening Artist: Madness and Spiritual Awakening in Art is an art theory book that explores the collision of human madness and spiritual awakening in art. It examines a condition of insanity that can be seen in most art movements throughout art history and contrasts that insanity with revelations of beauty, wonder and truth that can also be found in many works of art. The Awakening Artist references concepts of creativity put forward by Joseph Campbell, Carl Sagan, Albert Einstein, Carl Jung and others. Furthermore, The Awakening Artist discusses many of the world s most important artists who explored the theme of awakening in art including Michaelangelo, Paul Cezanne, Claude Monet, Marcel Duchamp, Morris Graves and many others. Additionally, using concepts of Eastern philosophy, the book presents the case that human creativity originates from the same creative source that animates all of life, and that the artist naturally aligns with that creative source when he or she is in the act of creating. ,
Author: Shlomo Giora Shoham
Publisher: Liverpool University Press
ISBN: 1836241496
Category : Philosophy
Languages : en
Pages : 225
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Book Description
Art, Crime and Madness explores the relationship between creative innovation, deviance and morbidity. To innovate, one has to be able to view the medium and the object of creativity in a different, hitherto unexplored manner. The essence of art is creative innovation, coupled with an ability, in varying degrees, to transcend the boundaries of consciousness. But this 'ability' is also the prerogative of the mentally deranged. Likewise, the criminal and the deviant are more likely to transcend normative barriers while creating, hence the wide range of criminal and deviant behaviour in society. Although the inverse hypothesis does not hold -- the mere existence of deviance or morbidity does not predispose the individual to creativity -- nevertheless criminal and mad behaviour are often very innovative. This thesis is illustrated by historical case histories of creative deviance and genius madness, and contemporary observations. The painter Michelangelo Merisi Caravaggio killed a man while still a teenager, and a second victim during a ball game. In his lifetime he was considered degenerate, but today he is considered the greatest painter of the Italian Settecento, and his portrait adorns the Hundred-Thousand Lira note. Jean Genet the homosexual thief was born out of wedlock and as a teenager he transgressed almost all the paragraphs of the French criminal code. But he became a famous French playwright, the mouthpiece for criminals and deviants. His plays built up a philosophical apology for the raison d'etre of the criminal group.
Author: Kaira M. Cabañas
Publisher: University of Chicago Press
ISBN: 022655631X
Category : Art
Languages : en
Pages : 245
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Book Description
Throughout the history of European modernism, philosophers and artists have been fascinated by madness. Something different happened in Brazil, however, with the “art of the insane” that flourished within the modernist movements there. From the 1920s to the 1960s, the direction and creation of art by the mentally ill was actively encouraged by prominent figures in both medicine and art criticism, which led to a much wider appreciation among the curators of major institutions of modern art in Brazil, where pieces are included in important exhibitions and collections. Kaira M. Cabañas shows that at the center of this advocacy stood such significant proponents as psychiatrists Osório César and Nise da Silveira, who championed treatments that included painting and drawing studios; and the art critic Mário Pedrosa, who penned Gestaltist theses on aesthetic response. Cabañas examines the lasting influence of this unique era of Brazilian modernism, and how the afterlife of this “outsider art” continues to raise important questions. How do we respect the experiences of the mad as their work is viewed through the lens of global art? Why is this art reappearing now that definitions of global contemporary art are being contested? Learning from Madness offers an invigorating series of case studies that track the parallels between psychiatric patients’ work in Western Europe and its reception by influential artists there, to an analogous but altogether distinct situation in Brazil.
