Author: Diana Knight
Publisher: MHRA
ISBN: 1905981066
Category : Literary Criticism
Languages : en
Pages : 133
Book Description
Texts about paintings, painters and sculptors are obvious test cases for issues of representation. A significant corpus of artist stories is scattered through Honore de Balzac's Commedie humaine which, from Marx to Lukacs to Roland Barthes's enormously influential S/Z (1970), has been a key literary work for critical debates around French realism. In a series of close readings, Diana Knight explores Barthes's 'model of painting' - the metaphorical code of painting and sculpture that underpins realist discourse - in the context of Balzac's fictional representations of the relation between artists, their models and their works of art. Whereas critics have tended to denounce Balzac's realist aesthetic as complicit with the misogyny of the society he portrays, Balzac and the Model of Painting takes the artist-model relationship, variously gendered in these stories, as the focus of the author's powerful realist critique of the sexual politics of prostitution and marriage in nineteenth-century France.
Balzac and the Model of Painting
Author: Diana Knight
Publisher: MHRA
ISBN: 1905981066
Category : Literary Criticism
Languages : en
Pages : 133
Book Description
Texts about paintings, painters and sculptors are obvious test cases for issues of representation. A significant corpus of artist stories is scattered through Honore de Balzac's Commedie humaine which, from Marx to Lukacs to Roland Barthes's enormously influential S/Z (1970), has been a key literary work for critical debates around French realism. In a series of close readings, Diana Knight explores Barthes's 'model of painting' - the metaphorical code of painting and sculpture that underpins realist discourse - in the context of Balzac's fictional representations of the relation between artists, their models and their works of art. Whereas critics have tended to denounce Balzac's realist aesthetic as complicit with the misogyny of the society he portrays, Balzac and the Model of Painting takes the artist-model relationship, variously gendered in these stories, as the focus of the author's powerful realist critique of the sexual politics of prostitution and marriage in nineteenth-century France.
Publisher: MHRA
ISBN: 1905981066
Category : Literary Criticism
Languages : en
Pages : 133
Book Description
Texts about paintings, painters and sculptors are obvious test cases for issues of representation. A significant corpus of artist stories is scattered through Honore de Balzac's Commedie humaine which, from Marx to Lukacs to Roland Barthes's enormously influential S/Z (1970), has been a key literary work for critical debates around French realism. In a series of close readings, Diana Knight explores Barthes's 'model of painting' - the metaphorical code of painting and sculpture that underpins realist discourse - in the context of Balzac's fictional representations of the relation between artists, their models and their works of art. Whereas critics have tended to denounce Balzac's realist aesthetic as complicit with the misogyny of the society he portrays, Balzac and the Model of Painting takes the artist-model relationship, variously gendered in these stories, as the focus of the author's powerful realist critique of the sexual politics of prostitution and marriage in nineteenth-century France.
Art and Artists in Balzac's Comédie Humaine
Author: Mary Wingfield Scott
Publisher:
ISBN:
Category : Art and literature
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : Art and literature
Languages : en
Pages : 56
Book Description
The Unknown Masterpiece and Other Stories
Author: Honoré Balzac
Publisher: Courier Corporation
ISBN: 0486159094
Category : Fiction
Languages : en
Pages : 82
Book Description
Three of the author’s most highly regarded stories, newly translated: the title story, "An Episode During the Terror," and "Facino Cane."
Publisher: Courier Corporation
ISBN: 0486159094
Category : Fiction
Languages : en
Pages : 82
Book Description
Three of the author’s most highly regarded stories, newly translated: the title story, "An Episode During the Terror," and "Facino Cane."
Theatre in Balzac's La Comédie Humaine
Author: Linzy Erika Dickinson
Publisher: Rodopi
ISBN: 9789042005495
Category : The human comedy (Balzac) Toneel
Languages : en
Pages : 384
Book Description
This study of Balzac's work examines theater in La Comedie humaine both as a theme in itself and for its influence on Balzac's techniques and modes of presentation in his novels, and demonstrates the symbiotic influence of novel and stage on Balzac's work as a playwright and novelist. Gives an account of his experience in theater, and examines the history of his portrayal of the theater world and how this portrayal serves his narrative purpose. Demonstrates how and why Balzac relies on the theater for metaphor and expressive devices, and shows how he brought scrutiny of the capitalist ethos to the stage. Annotation copyrighted by Book News Inc., Portland, OR
Publisher: Rodopi
ISBN: 9789042005495
Category : The human comedy (Balzac) Toneel
Languages : en
Pages : 384
Book Description
This study of Balzac's work examines theater in La Comedie humaine both as a theme in itself and for its influence on Balzac's techniques and modes of presentation in his novels, and demonstrates the symbiotic influence of novel and stage on Balzac's work as a playwright and novelist. Gives an account of his experience in theater, and examines the history of his portrayal of the theater world and how this portrayal serves his narrative purpose. Demonstrates how and why Balzac relies on the theater for metaphor and expressive devices, and shows how he brought scrutiny of the capitalist ethos to the stage. Annotation copyrighted by Book News Inc., Portland, OR
La Comédie Humaine
Author: Honoré de Balzac
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
Book Description
Balzac and the Model of Painting
Author: Diana Knight
Publisher: Routledge
ISBN: 135119545X
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
"Texts about paintings, painters and sculptors are obvious test cases for issues of representation. A significant corpus of artist stories is scattered through Honore de Balzac's Comedie humaine which, from Marx to Lukacs to Roland Barthes's enormously influential S/Z (1970), has been a key literary work for critical debates around French realism. In a series of close readings, Diana Knight explores Barthes's 'model of painting' - the metaphorical code of painting and sculpture that underpins realist discourse - in the context of Balzac's fictional representations of the relation between artists, their models and their works of art. Whereas critics have tended to denounce Balzac's realist aesthetic as complicit with the misogyny of the society he portrays,Balzac and the Model of Painting takes the artist-model relationship, variously gendered in these stories, as the focus of the author's powerful realist critique of the sexual politics of prostitution and marriage in nineteenth-century France."
Publisher: Routledge
ISBN: 135119545X
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
"Texts about paintings, painters and sculptors are obvious test cases for issues of representation. A significant corpus of artist stories is scattered through Honore de Balzac's Comedie humaine which, from Marx to Lukacs to Roland Barthes's enormously influential S/Z (1970), has been a key literary work for critical debates around French realism. In a series of close readings, Diana Knight explores Barthes's 'model of painting' - the metaphorical code of painting and sculpture that underpins realist discourse - in the context of Balzac's fictional representations of the relation between artists, their models and their works of art. Whereas critics have tended to denounce Balzac's realist aesthetic as complicit with the misogyny of the society he portrays,Balzac and the Model of Painting takes the artist-model relationship, variously gendered in these stories, as the focus of the author's powerful realist critique of the sexual politics of prostitution and marriage in nineteenth-century France."
The Cambridge Companion to Balzac
Author: Owen Heathcote
Publisher: Cambridge University Press
ISBN: 1316867382
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
One of the founders of literary realism and the serial novel, Honoré de Balzac (1799–1850) was a prolific writer who produced more than a hundred novels, plays and short stories during his career. With its dramatic plots and memorable characters, Balzac's fiction has enthralled generations of readers. 'La Comédie humaine', the vast collection of works in which he strove to document every aspect of nineteenth-century French society, has influenced writers from Flaubert, Zola and Proust to Dostoevsky and Oscar Wilde. This Companion provides a critical reappraisal of Balzac, combining studies of his major novels with guidance on the key narrative and thematic features of his writing. Twelve chapters by world-leading specialists encompass a wide spectrum of topics such as the representation of history, philosophy and religion, the plight of the struggling artist, gender and sexuality, and Balzac's depiction of the creative process itself.
Publisher: Cambridge University Press
ISBN: 1316867382
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
One of the founders of literary realism and the serial novel, Honoré de Balzac (1799–1850) was a prolific writer who produced more than a hundred novels, plays and short stories during his career. With its dramatic plots and memorable characters, Balzac's fiction has enthralled generations of readers. 'La Comédie humaine', the vast collection of works in which he strove to document every aspect of nineteenth-century French society, has influenced writers from Flaubert, Zola and Proust to Dostoevsky and Oscar Wilde. This Companion provides a critical reappraisal of Balzac, combining studies of his major novels with guidance on the key narrative and thematic features of his writing. Twelve chapters by world-leading specialists encompass a wide spectrum of topics such as the representation of history, philosophy and religion, the plight of the struggling artist, gender and sexuality, and Balzac's depiction of the creative process itself.
Meaningful Absence Across Arts and Media
Author: Werner Wolf
Publisher: Brill
ISBN: 9789004391727
Category : Absence in literature
Languages : en
Pages : 0
Book Description
This volume focusses on a rarely discussed method of meaning production, namely via the absence, rather than presence, of signifiers. It does so from an interdisciplinary, transmedial perspective, which covers systematic, media-comparative and historical aspects, and reveals various forms and functions of missing signifiers across arts and media. The meaningful silences, blanks, lacunae, pauses, etc., treated by the ten contributors are taken from language and literature, film, comics, opera and instrumental music, architecture, and the visual arts. Contributors are: Nassim Balestrini, Walter Bernhart, Olga Fischer, Saskia Jaszoltowski, Henry Keazor, Peter Revers, Klaus Rieser, Daniel Stein, Anselm Wagner, Werner Wolf
Publisher: Brill
ISBN: 9789004391727
Category : Absence in literature
Languages : en
Pages : 0
Book Description
This volume focusses on a rarely discussed method of meaning production, namely via the absence, rather than presence, of signifiers. It does so from an interdisciplinary, transmedial perspective, which covers systematic, media-comparative and historical aspects, and reveals various forms and functions of missing signifiers across arts and media. The meaningful silences, blanks, lacunae, pauses, etc., treated by the ten contributors are taken from language and literature, film, comics, opera and instrumental music, architecture, and the visual arts. Contributors are: Nassim Balestrini, Walter Bernhart, Olga Fischer, Saskia Jaszoltowski, Henry Keazor, Peter Revers, Klaus Rieser, Daniel Stein, Anselm Wagner, Werner Wolf
Theatre in Balzac's La Comedie humaine
Author: Linzy Erika Dickinson
Publisher: BRILL
ISBN: 9004490655
Category : Social Science
Languages : en
Pages : 380
Book Description
This is the first study of Balzac's work to examine theatre in La Comédie humaine both as a theme in itself and for its influence on Balzac's techniques and modes of presentation in his novels, and to demonstrate the symbiotic influence of novel and stage on Balzac's work as a playwright and novelist. It will be of interest not only to students of Balzac, but also to students of nineteenth-century theatre and history. The introduction gives an account of Balzac's experience of the theatre; the first three chapters examine the historicity of Balzac's portrayal of the theatre world and how this portrayal serves his wider narrative purpose; the two following chapters demonstrate how and why Balzac relies on the theatre to provide a rich tissue of metaphor and bank of expressive devices with which to communicate his critique of society; finally the work shows how Balzac succeeded in bringing to the stage the same scrutiny of the capitalist ethos which underpins La Comédie humaine. An index of references to playwrights, plays, actors and stage characters in La Comédie humaine is given in an appendix.
Publisher: BRILL
ISBN: 9004490655
Category : Social Science
Languages : en
Pages : 380
Book Description
This is the first study of Balzac's work to examine theatre in La Comédie humaine both as a theme in itself and for its influence on Balzac's techniques and modes of presentation in his novels, and to demonstrate the symbiotic influence of novel and stage on Balzac's work as a playwright and novelist. It will be of interest not only to students of Balzac, but also to students of nineteenth-century theatre and history. The introduction gives an account of Balzac's experience of the theatre; the first three chapters examine the historicity of Balzac's portrayal of the theatre world and how this portrayal serves his wider narrative purpose; the two following chapters demonstrate how and why Balzac relies on the theatre to provide a rich tissue of metaphor and bank of expressive devices with which to communicate his critique of society; finally the work shows how Balzac succeeded in bringing to the stage the same scrutiny of the capitalist ethos which underpins La Comédie humaine. An index of references to playwrights, plays, actors and stage characters in La Comédie humaine is given in an appendix.
The Artists in the Novels of Balzac and Balzac's Theory Regarding Inspiration ...
Author: Caroline Bates Singleton
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
Book Description