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Author: Sharon D. Welch
Publisher: Fortress Press
ISBN: 9781451418255
Category : Religion
Languages : en
Pages : 260
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Book Description
A creative meditation on politics, engagement, and spirituality, Welch's latest work connects the personal to the political and the ethical to the historical stream in which we all live. At a time when many progressives feel disoriented and powerless, trapped in a narrative of unbridled assertion of U.S. power, Welch looks into the positive side of the American story, the struggles of peoples to act in concert for inclusive democracy, and hard-earned insights into civic and religious life. She finds the elements of a deep, vital, and hopeful spirituality there. Through chapters on virtuosity, ceremony, audacity, laughter, and risk, she recasts the shape and rationale of personal and political engagement with insights from Native American philosophy, social-contract theory, engaged Buddhism, and the new interreligious commitment to peace. For those who seek a way to affirm and embody a positive ethic in a time of conflict, war, and division, Welch offers this workbook for new human community.
Author: Sharon D. Welch
Publisher: Fortress Press
ISBN: 9781451418255
Category : Religion
Languages : en
Pages : 260
Get Book Here
Book Description
A creative meditation on politics, engagement, and spirituality, Welch's latest work connects the personal to the political and the ethical to the historical stream in which we all live. At a time when many progressives feel disoriented and powerless, trapped in a narrative of unbridled assertion of U.S. power, Welch looks into the positive side of the American story, the struggles of peoples to act in concert for inclusive democracy, and hard-earned insights into civic and religious life. She finds the elements of a deep, vital, and hopeful spirituality there. Through chapters on virtuosity, ceremony, audacity, laughter, and risk, she recasts the shape and rationale of personal and political engagement with insights from Native American philosophy, social-contract theory, engaged Buddhism, and the new interreligious commitment to peace. For those who seek a way to affirm and embody a positive ethic in a time of conflict, war, and division, Welch offers this workbook for new human community.
Author: Sarah Greer
Publisher: Routledge
ISBN: 0429683030
Category : History
Languages : en
Pages : 297
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Book Description
Using and Not Using the Past after the Carolingian Empire offers a new take on European history from c.900 to c.1050, examining the ‘post-Carolingian’ period in its own right and presenting it as a time of creative experimentation with new forms of authority and legitimacy. In the late eighth century, the Frankish king Charlemagne put together a new empire. Less than a century later, that empire had collapsed. The story of Europe following the end of the Carolingian empire has often been presented as a tragedy: a time of turbulence and disintegration, out of which the new, recognisably medieval kingdoms of Europe emerged. This collection offers a different perspective. Taking a transnational approach, the authors contemplate the new social and political order that emerged in tenth- and eleventh-century Europe and examine how those shaping this new order saw themselves in relation to the past. Each chapter explores how the past was used creatively by actors in the regions of the former Carolingian Empire to search for political, legal and social legitimacy in a turbulent new political order. Advancing the debates on the uses of the past in the early Middle Ages and prompting reconsideration of the narratives that have traditionally dominated modern writing on this period, Using and Not Using the Past after the Carolingian Empire is ideal for students and scholars of tenth- and eleventh-century European history.
Author: Michael Gorra
Publisher: University of Chicago Press
ISBN: 0226304760
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
In After Empire Michael Gorra explores how three novelists of empire—Paul Scott, V. S. Naipaul, and Salman Rushdie—have charted the perpetually drawn and perpetually blurred boundaries of identity left in the wake of British imperialism. Arguing against a model of cultural identity based on race, Gorra begins with Scott's portrait, in The Raj Quartet, of the character Hari Kumar—a seeming oxymoron, an "English boy with a dark brown skin," whose very existence undercuts the belief in an absolute distinction between England and India. He then turns to the opposed figures of Naipaul and Rushdie, the two great novelists of the Indian diaspora. Whereas Naipaul's long and controversial career maps the "deep disorder" spread by both imperialism and its passing, Rushdie demonstrates that certain consequences of that disorder, such as migrancy and mimicry, have themselves become creative forces. After Empire provides engaging and enlightening readings of postcolonial fiction, showing how imperialism helped shape British national identity—and how, after the end of empire, that identity must now be reconfigured.
Author: Joseph R. Hartman
Publisher: University of Hawaii Press
ISBN: 9780824889203
Category : Architecture
Languages : en
Pages : 0
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Book Description
When the USS Maine mysteriously exploded in Havana's harbor on February 15, 1898, the United States joined local rebel forces to avenge the Maine and "liberate" Cuba from the Spanish empire. "Remember the Maine! To Hell with Spain!" So went the popular slogan. Little did the Cubans know that the United States was not going to give them freedom--in less than a year the American flag replaced the Spanish flag over the various island colonies of Cuba, Guam, Puerto Rico, and the Philippines. Spurred by military successes and dreams of an island empire, the US annexed Hawai'i that same year, even establishing island colonies throughout Micronesia and the Antilles. With the new governmental orders of creating new art, architecture, monuments, and infrastructure from the United States, the island cultures of the Caribbean and Pacific were now caught in a strategic scope of a growing imperial power. These spatial and visual objects created a visible confrontation between local indigenous, African, Asian, Spanish, and US imperial expressions. These material and visual histories often go unacknowledged, but serve as uncomplicated "proof" for the visible confrontation between the US and the new island territories. The essays in this volume contribute to an important art-historical, visual cultural, architectural, and materialist critique of a growing body of scholarship on the US Empire and the War of 1898. Imperial Islands seeks to reimagine the history and cultural politics of art, architecture, and visual experience in the US insular context. The authors of this volume propose a new direction of visual culture and spatial experience through nuanced terrains for writing, envisioning, and revising US-American, Caribbean, and Pacific histories. These original essays address the role of art and architecture in expressions of state power; racialized and gendered representations of the United States and its island colonies; and forms of resistance to US cultural presence. Featuring interdisciplinary approaches, Imperial Islands offers readers a new way of learning the ongoing significance of vision and experience in the US empire today, particularly for Caribbean, Latinx, Pilipinx, and Pacific Island communities.
Author: Renate Dohmen
Publisher: Manchester University Press
ISBN: 1526122952
Category : Art
Languages : en
Pages : 496
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Book Description
The book examines the interactions between Britain and India during the Raj in relation to issues of empire and visual culture. It explores the impact of the Anglo-Indian colonial encounter on the arts and aesthetic traditions of both cultures. Presenting a unique overview that ranges from painting, print-making and photography to architecture, exhibitions and Indian crafts, the book considers the art of urban elites and princely states alongside popular arts. The book highlights the key role of art in forging British colonial ideology. It offers accessible discussions of issues such as Orientalism and (post)colonialism and presents current approaches to questions of British art and empire. It is structured around visual examples which include early nineteenth-century British views of India, Indian negotiations of Western aesthetics represented by Company painting, Kalighat art, and the rise of Indian national art. It covers the display of Indian crafts both in India and at international exhibitions in Britain, as well as the place of India in the British Arts and Crafts movement. The role of the market and items of fashion such as the Kashmir shawl are also discussed, along with the role of photography in representing the colony and questions around national and imperial architecture. The book is aimed at students but will also be relevant to members of the general public with an interest in questions of art, visual culture and empire in relation to Britain and British India.
Author: Shana Klein
Publisher: University of California Press
ISBN: 0520296397
Category : Art
Languages : en
Pages : 259
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Book Description
The Fruits of Empire is a history of American expansion through the lens of art and food. In the decades after the Civil War, Americans consumed an unprecedented amount of fruit as it grew more accessible with advancements in refrigeration and transportation technologies. This excitement for fruit manifested in an explosion of fruit imagery within still life paintings, prints, trade cards, and more. Images of fruit labor and consumption by immigrants and people of color also gained visibility, merging alongside the efforts of expansionists to assimilate land and, in some cases, people into the national body. Divided into five chapters on visual images of the grape, orange, watermelon, banana, and pineapple, this book demonstrates how representations of fruit struck the nerve of the nation’s most heated debates over land, race, and citizenship in the age of high imperialism.
Author: Adom Getachew
Publisher: Princeton University Press
ISBN: 0691184348
Category : Philosophy
Languages : en
Pages : 288
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Book Description
Decolonization revolutionized the international order during the twentieth century. Yet standard histories that present the end of colonialism as an inevitable transition from a world of empires to one of nations—a world in which self-determination was synonymous with nation-building—obscure just how radical this change was. Drawing on the political thought of anticolonial intellectuals and statesmen such as Nnamdi Azikiwe, W.E.B Du Bois, George Padmore, Kwame Nkrumah, Eric Williams, Michael Manley, and Julius Nyerere, this important new account of decolonization reveals the full extent of their unprecedented ambition to remake not only nations but the world. Adom Getachew shows that African, African American, and Caribbean anticolonial nationalists were not solely or even primarily nation-builders. Responding to the experience of racialized sovereign inequality, dramatized by interwar Ethiopia and Liberia, Black Atlantic thinkers and politicians challenged international racial hierarchy and articulated alternative visions of worldmaking. Seeking to create an egalitarian postimperial world, they attempted to transcend legal, political, and economic hierarchies by securing a right to self-determination within the newly founded United Nations, constituting regional federations in Africa and the Caribbean, and creating the New International Economic Order. Using archival sources from Barbados, Trinidad, Ghana, Switzerland, and the United Kingdom, Worldmaking after Empire recasts the history of decolonization, reconsiders the failure of anticolonial nationalism, and offers a new perspective on debates about today’s international order.
Author: Timothy Barringer
Publisher: Manchester University Press
ISBN: 9780719081934
Category : Art
Languages : en
Pages : 464
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Book Description
This pioneering study argues that the concept of ‘empire’ belongs at the centre, rather than in the margins, of British art history. Recent scholarship in history, anthropology, literature and post-colonial studies has superseded traditional definitions of empire as a monolithic political and economic project. Emerging across the humanities is the idea of empire as a complex and contested process, mediated materially and imaginatively by multifarious forms of culture. The twenty essays in Art and the British Empire offer compelling methodological solutions to this ambiguity, while engaging in subtle visual analysis of a previously neglected body of work. Authors from Australia, Canada, New Zealand, South Africa, the USA and the UK examine a wide range of visual production, including book illustration, portraiture, monumental sculpture, genre and history painting, visual satire, marine and landscape painting, photography and film. Together these essays propose a major shift in the historiography of British art and a blueprint for further research.
Author: Lee M. Jefferson
Publisher: Fortress Press
ISBN: 1506402844
Category : Religion
Languages : en
Pages : 368
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Book Description
In recent years, art historians such as Johannes Deckers (Picturing the Bible, 2009) have argued for a significant transition in fourth- and fifth-century images of Jesus following the conversion of Constantine. Broadly speaking, they perceive the image of a peaceful, benevolent shepherd transformed into a powerful, enthroned Jesus, mimicking and mirroring the dominance and authority of the emperor. The powers of church and state are thus conveniently synthesized in such a potent image. This deeply rooted position assumes that ante-pacem images of Jesus were uniformly humble while post-Constantinian images exuded the grandeur of power and glory. The Art of Empire contends that the art and imagery of Late Antiquity merits a more nuanced understanding of the context of the imperial period before and after Constantine. The chapters in this collection each treat an aspect of the relationship between early Christian art and the rituals, practices, or imagery of the Empire, and offer a new and fresh perspective on the development of Christian art in its imperial background.
Author: Vivien Green Fryd
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 292
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Book Description
The subject matter and iconography of much of the art in the U.S. Capitol forms a remarkably coherent program of the early course of North American empire, from discovery and settlement to the national development and westward expansion that necessitated the subjugation of the indigenous peoples. In Art and Empire, Vivien Green Fryd's revealing cultural and political interpretation of the portraits, reliefs, allegories, and historical paintings commissioned for the U.S. Capitol, the reader is given an enhanced appreciation for the racial and ethnic implications of these works. This latest contribution to the United States Capitol Historical Society's Perspectives on the Art and Architectural History of the United States Capitol series provides an affordable and accessible insight into one of our most visited, viewed, and revered national buildings. Professor Fryd demonstrates how the politics of our history is written in stone and painted on the walls of these hallowed halls.
