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Author: Peter Lasko
Publisher:
ISBN: 9780300053678
Category : Art, Carolingian
Languages : en
Pages : 319
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Book Description
For an understanding of the art of the Early Middle Ages it is essential to consider reliquaries and shrines, book bindings and ivory carvings, goldsmith's work and bronze casting, as much as major sculpture and painting. This volume covers these Ars Sacra from 800 to 1200.
Author: Peter Lasko
Publisher:
ISBN: 9780300053678
Category : Art, Carolingian
Languages : en
Pages : 319
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Book Description
For an understanding of the art of the Early Middle Ages it is essential to consider reliquaries and shrines, book bindings and ivory carvings, goldsmith's work and bronze casting, as much as major sculpture and painting. This volume covers these Ars Sacra from 800 to 1200.
Author: Peter Lasko
Publisher: Yale University Press
ISBN: 0300060483
Category : Art
Languages : en
Pages : 350
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Book Description
The book traces the unbroken development of the Sacred Arts and their interrelationships throughout Europe from the Renovatio of the arts - the 'Rebirth of Antiquity' - encouraged under the Emperor Charlemagne in the late eighth century, until a renewed and fresh appreciation of the natural world - the Gothic - began to replace the powerful stylisations and the last vestiges of the classical tradition of the Romanesque in the early thirteenth century.
Author: Helena Hamerow
Publisher: OUP Oxford
ISBN: 0199212147
Category : Social Science
Languages : en
Pages : 1110
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Book Description
Written by a team of experts and presenting the results of the most up-to-date research, The Handbook of Anglo-Saxon Archaeology will both stimulate and support further investigation into a society poised at the interface between prehistory and history.
Author: Carole P. Biggam
Publisher: Bloomsbury Publishing
ISBN: 1350193488
Category : History
Languages : en
Pages : 289
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Book Description
A Cultural History of Color in the Medieval Age covers the period 500 to 1400. The medieval age saw an extraordinary burst of color - from illuminated manuscripts and polychrome sculpture to architecture and interiors, and from enamelled and jewelled metalwork to colored glass and the exquisite decoration of artefacts. Color was used to denote affiliation in heraldry and social status in medieval clothes. Color names were created in various languages and their resonance explored in poems, romances, epics, and plays. And, whilst medieval philosophers began to explain the rainbow, theologians and artists developed a color symbolism for both virtues and vices. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Carole P. Biggam is Honorary Senior Research Fellow in English Language and Linguistics at the University of Glasgow, UK. Kirsten Wolf is Professor of Old Norse and Scandinavian Linguistics at the University of Wisconsin-Madison, USA. Volume 2 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf The Cultural Histories Series A Cultural History of Color is part of The Cultural Histories Series. Titles are available as hardcover sets for libraries needing just one subject or preferring a tangible reference for their shelves or as part of a fully-searchable digital library. The digital product is available to institutions by annual subscription or on perpetual access via www.bloomsburyculturalhistory.com . Individual volumes for academics and researchers interested in specific historical periods are also available in print or digitally via www.bloomsburycollections.com .
Author: Cynthia Robinson
Publisher: BRILL
ISBN: 9004474560
Category : History
Languages : en
Pages : 494
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Book Description
This volume offers a reconstruction of the court culture of the taifa kings of al-Andalus (11th century A.D.), using both visual and textual evidence. A focus of particular attention is the court of the Banū Hūd at Zaragoza, and that dynasty's palace, the Aljafería. Principle written sources are not histories and chronicles, but the untranslated poetic anthologies of al-ḥimyarī and al-Fatḥ ibn Khāqān. The first part of the book addresses taifa visual and literary languages, with especial emphasis on connections between the literary and visual aspects of taifa aesthetics. The sections on the Aljafería's ornamental program will be of particular interest, not only to historians of Islamic art, but to students of all visual traditions with strong non-figural components. In addition, Part One also proposes that taifa court culture has been considered as a culture of "courtly love," and this argument also forms the point of departure for Part Two. The second part of the study uses luxury objects of Islamic and Limousine production as a point of departure for a detailed comparison of the thematics of taifa poetry in classical Arabic on the themes of courtly love and pleasures with those of the better-known Provençal tradition.
Author: Leslie Ross
Publisher: McFarland
ISBN: 1476616256
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
This book discusses text and image relationships in the history of art from ancient times to the contemporary period across a diversity of cultures and geographic areas. Focusing on the use of words in art and words as art forms, thematic chapters include "Pictures in Words/Words in Pictures," "Word/Picture Puzzles," "Picture/Word Puzzles," "Words as Images," "The Power of the Word," and "Monumental and Moving Words." Chapter subsections further explore cross-cultural themes. Examining text and image relationships from the obvious to the elusive, the puzzling to the profound, the minor to the major, the book demonstrates the diverse ways in which images and writing have been combined through the ages, and explores the interplay between visual and written communication in a wide range of thought-provoking examples. A color insert is included. Instructors considering this book for use in a course may request an examination copy here.
Author: R.N. Swanson
Publisher: Manchester University Press
ISBN: 9780719042560
Category : History
Languages : en
Pages : 254
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Book Description
This volume surveys the wide range of cultural and intellectual changes in western Europe in the period 1050-1250. The Twelfth-Century Renaissance first establishes the broader context for the changes and introduces the debate on the validity of the term "Renaissance" as a label for the period. Summarizing current scholarship, without imposing a particular interpretation of the issues, the book provides an accessible introduction to a vibrant and vital period in Europe’s cultural and intellectual history.
Author: Catherine E. Karkov
Publisher: SUNY Press
ISBN: 9780791434567
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
"A breadth of interdisciplinary voices" discuss how geographical insularity - specifically that of Britain and Ireland - has affected artistic tradition.
Author: Peter Anthony
Publisher: Bloomsbury Publishing
ISBN: 0567699781
Category : Religion
Languages : en
Pages : 257
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Book Description
Peter Anthony explores how visionary elements in Luke's Gospel had a particular influence on early interpretation of the Transfiguration, by examining the rich hermeneutical traditions that emerged - particularly in the Latin West - as the Transfiguration was first depicted visually in art. Anthony begins by comparing the visual and visionary culture of antiquity with that of the present, and their differing interpretations of the Transfiguration. He then examines the Transfiguration texts in the synoptic gospels and their interpretation in modern scholarship, and the reception of the Transfiguration in 2 Peter, the Apocalypse of Peter and the Acts of Peter, Tertullian and Origen. Proceeding to look at interpretations found in the Greek East and the Latin West, Anthony finally discusses the earliest visual depictions of the Transfiguration from the sixth century onward, drawn from a wealth of different art forms. Anthony concludes that early commentators' and artists' understanding of how we see and visualise, and therefore, how the Transfiguration was apprehended, is closer to that of the writers of the New Testament than many modern interpreters' is.
Author: Walter Cahn
Publisher: NYU Press
ISBN: 9780814713570
Category : Architecture
Languages : en
Pages : 232
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Book Description
