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Author: Florence Ferrari
Publisher: Lulu.com
ISBN: 2366510020
Category :
Languages : fr
Pages : 137
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Book Description
Author: Florence Ferrari
Publisher: Lulu.com
ISBN: 2366510020
Category :
Languages : fr
Pages : 137
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Book Description
Author:
Publisher: Editions Publibook
ISBN: 2342161972
Category :
Languages : en
Pages : 226
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Book Description
Author: Carla Rodrigues Cardoso
Publisher: Cambridge Scholars Publishing
ISBN: 1527585670
Category : Social Science
Languages : en
Pages : 389
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Book Description
This book is a vital contribution to the development of Magazine Studies. It shows the urgent need for industry and academia to jointly find solutions for the challenges faced by magazines as they transition to digital formats. The spirit of magazines is to create communities and interconnections between human beings, and the global appeal of this subject matter is shown in contributions from 19 authors from four continents and 10 different countries. The book disseminates fresh research into a wide variety of periodical types, and will appeal to communication and journalism scholars, but also.
Author: Eivind Røssaak
Publisher: Amsterdam University Press
ISBN: 9089642137
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
Summary: Het in de jaren zeventig opkomende debat binnen de filmwetenschappen over stilstaand ('still') tegenover bewegend beeld ('moving') werd gevoed door de 'apparatus theory' en het idee van verstilde beweging door belichting. Filmische beweging was een illusie, luidde het axioma; beweging een 'ideologische invloed van het filmische apparaat'. Stilstaand beeld gold als de verborgen, zelfs verdrongen, basis voor de industriële illusie van filmische beweging. De auteurs stellen voor om af te stappen van dit verstokte 'still/moving'-debat binnen de filmstudies en zich te richten op een positievere kritiek en een meer affectieve vorm van mediaarcheologie.
Author: Ari J. Blatt
Publisher: U of Nebraska Press
ISBN: 0803238053
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
The explosive proliferation of pictures in advertising and pop culture, mass media, and cyberspace following World War II, along with the profusion of critical thinking that tries to make sense of it, has had wide-ranging implications for cultural production as such. Pictures into Words explores how this proliferation of graphic images has profoundly affected narrative writing in France, especially, as Ari J. Blatt argues, the structure, content, and symbolic logic of contemporary French fiction. By examining a specific corpus of narratives by authors Claude Simon, Georges Perec, Pierre Michon, and Tanguy Viel—books that originate amid, conjure up, and indeed are essentially about pictures—Blatt addresses the most salient questions pertaining to the relationship between literature and visual culture today. Each of the novels considered here engages the work of several postwar artists, from Robert Rauschenberg, Andy Warhol, Vincent van Gogh, and Orson Welles to Jeff Koons, Joseph L. Mankiewicz, Pierre Huyghe, and Marcel Duchamp. As Blatt’s cross-disciplinary readings show, despite their gleeful raiding of the visual archive to generate and enrich their stories, many contemporary narratives that tell tales about pictures simultaneously express a cautious skepticism toward vision and visual representation. Pictures into Words examines how such novels, while seemingly complicit with the visual, simultaneously “write back” against the images they exploit, reclaiming some of literature’s lost ground in our visually inundated world.
Author: Ingrid Hoelzl
Publisher: Intellect Books
ISBN: 1783205040
Category : Photography
Languages : en
Pages : 160
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Book Description
With today’s digital technology, the image is no longer a stable representation of the world, but a programmable view of a database that is updated in real time. It no longer functions as a political and iconic representation, but plays a vital role in synchronic data-to-data relationships. It is not only part of a program, but it contains its own operating code: the image is a program in itself. Softimage aims to account for that new reality, taking readers on a journey that gradually undoes our unthinking reliance on the apparent solidity of the photographic image and building in its place an original and timely theorization of the digital image in all its complexity, one that promises to spark debate within the evolving fields of image studies and software studies.
Author:
Publisher: BRILL
ISBN: 900429872X
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
The imaginary as a critical concept originated in the twentieth century and has been theorized in diverse ways. It can be understood as a register of thought; the way we interpret the world; the universe of images, signs, texts, and objects of thought. In this volume, it is explored as it manifests itself in encounters between the verbal and the visual. A number of the essays brought together here explore the transposition of the imaginary in illustrations of texts and verbal renditions of images, as well as in comic books based on paintings or on verbal narratives. Others analyze ways in which books deal with film or television and investigate the imaginary in digital media. Special attention is paid to the imaginary of places and the relationship of the imaginary with memory. Written in English and French, these contributions by European and American scholars demonstrate the various concerns and approaches characteristic of contemporary scholarship in word and image studies.
Author: Terence DEN HOED
Publisher: Lulu.com
ISBN: 1304426130
Category : Comics & Graphic Novels
Languages : en
Pages : 502
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Book Description
ZSF9IKN92, title based on a random code, is a comic book with no text (540 pages), inspired by my "Mars Girl" novel, and the complex graphic composition and the narration of which allows the reader to give several interpretations. The style of drawing favors more expressiveness than technique. This graphic novel, or art novel, has been made in 2009 and 2010. The achievement followed a personal steady maturation of my paradoxical ideas on comic books as an ancient art, according to the parameter pairs: page and composition, page and painting, series and painting, chronology and atemporality. The look becomes fragmented. The scenario's memory tends to blur. Without a word, the graphics speak for themselves, as the content's body and flesh. The number of possible stories is multiplying for this variety of reasons.
Author: Lorenz Engell
Publisher: Bloomsbury Publishing USA
ISBN: 1501349309
Category : Social Science
Languages : en
Pages : 392
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Book Description
Television is the most powerful system of images in the late 20th and early 21st centuries. Nonetheless, TV has attained only little philosophical attention so far, especially compared to other (visual) media such as film. This book looks at TV as what happens on the screen and beyond it; which is mainly the operation of switching images. It therefore proposes a new definition of TV as the first picture that can be switched on, off, and over, which stresses that TV is more tactile than visual. Through the operation of switching, TV figures the world from within and as the course of its figuration. This is grasped here by the term of ontography. Through the ongoing interlacing and bridging of TV 1.0 (the image is being switched) and TV 2.0 (the image is a switch), TV exponentially increases the production and circulation of images. It transforms the world and itself from an analogue state to a digital one and from central perspectivism to pluri-perspective. In terms of time, through switching and the switch, it develops and reworks new temporal orderings, such as instantaneity, synchronicity, flow, and seriality. TV makes its own history. In space, it creates a mediasphere as its habitat and hence new forms of being-in-the-world, of proximity and distance, and scale. Anthropologically, it works on what a subject and an object is, on what makes the human being, and ontographically, how it is possible that there is something at all instead of nothing: through switch-images.
