HSA Heritage Auctions Arms, Militaria and Civil War Auction Catalog #6050, Dallas, TX PDF Download
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Author: Marsha Dixey
Publisher: Heritage Capital Corporation
ISBN: 9781599675145
Category : Antiques & Collectibles
Languages : en
Pages : 240
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Book Description
Author: Marsha Dixey
Publisher: Heritage Capital Corporation
ISBN: 9781599675145
Category : Antiques & Collectibles
Languages : en
Pages : 240
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Book Description
Author: Marsha Dixey
Publisher: Heritage Capital Corporation
ISBN: 9781599673059
Category :
Languages : en
Pages : 150
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Book Description
Author: Diagram Group
Publisher: Macmillan
ISBN: 9780312039509
Category : Reference
Languages : en
Pages : 342
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Book Description
This definitive guide covers the entire history of weapons, from the earliest, most primitive instruments up to remarkable advances in modern defense and warfare, including:Riot-control devicesElectrified nightsticksInfantry weaponsMultiple-launch rocketsFiber-optic misslesWire-guided torpedoes"Stealth" technology
Author: norm Flayderman
Publisher:
ISBN: 9780873491983
Category : Firearms
Languages : en
Pages : 0
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Book Description
The leading reference for antique American arms.
Author:
Publisher:
ISBN:
Category : Military history
Languages : en
Pages : 654
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Book Description
Author: Robert Gould Shaw
Publisher: University of Georgia Press
ISBN: 0820342777
Category : History
Languages : en
Pages : 481
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Book Description
On the Boston Common stands one of the great Civil War memorials, a magnificent bronze sculpture by Augustus Saint-Gaudens. It depicts the black soldiers of the Fifty-fourth Massachusetts Infantry marching alongside their young white commander, Colonel Robert Gould Shaw. When the philosopher William James dedicated the memorial in May 1897, he stirred the assembled crowd with these words: "There they march, warm-blooded champions of a better day for man. There on horseback among them, in the very habit as he lived, sits the blue-eyed child of fortune." In this book Shaw speaks for himself with equal eloquence through nearly two hundred letters he wrote to his family and friends during the Civil War. The portrait that emerges is of a man more divided and complex--though no less heroic--than the Shaw depicted in the celebrated film Glory. The pampered son of wealthy Boston abolitionists, Shaw was no abolitionist himself, but he was among the first patriots to respond to Lincoln's call for troops after the attack on Fort Sumter. After Cedar Mountain and Antietam, Shaw knew the carnage of war firsthand. Describing nightfall on the Antietam battlefield, he wrote, "the crickets chirped, and the frogs croaked, just as if nothing unusual had happened all day long, and presently the stars came out bright, and we lay down among the dead, and slept soundly until daylight. There were twenty dead bodies within a rod of me." When Federal war aims shifted from an emphasis on restoring the Union to the higher goal of emancipation for four million slaves, Shaw's mother pressured her son into accepting the command of the North's vanguard black regiment, the Fifty-fourth Massachusetts. A paternalist who never fully reconciled his own prejudices about black inferiority, Shaw assumed the command with great reluctance. Yet, as he trained his recruits in Readville, Massachusetts, during the early months of 1963, he came to respect their pluck and dedication. "There is not the least doubt," he wrote his mother, "that we shall leave the state, with as good a regiment, as any that has marched." Despite such expressions of confidence, Shaw in fact continued to worry about how well his troops would perform under fire. The ultimate test came in South Carolina in July 1863, when the Fifty-fourth led a brave but ill-fated charge on Fort Wagner, at the approach to Charleston Harbor. As Shaw waved his sword and urged his men forward, an enemy bullet felled him on the fort's parapet. A few hours later the Confederates dumped his body into a mass grave with the bodies of twenty of his men. Although the assault was a failure from a military standpoint, it proved the proposition to which Shaw had reluctantly dedicated himself when he took command of the Fifty-fourth: that black soldiers could indeed be fighting men. By year's end, sixty new black regiments were being organized. A previous selection of Shaw's correspondence was privately published by his family in 1864. For this volume, Russell Duncan has restored many passages omitted from the earlier edition and has provided detailed explanatory notes to the letters. In addition he has written a lengthy biographical essay that places the young colonel and his regiment in historical context.
Author: Mary Lee Stubbs
Publisher:
ISBN:
Category :
Languages : en
Pages : 342
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Book Description
Author: Christie's East (Firm)
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 48
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Book Description
Author: John R. Angolia
Publisher: R James Bender Pub
ISBN: 9780912138404
Category : National socialism and art.
Languages : en
Pages : 496
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Book Description
Author: Craig Dworkin
Publisher: punctum books
ISBN: 1953035647
Category : Art
Languages : en
Pages : 225
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Book Description
Part art history essay, part experimental fiction, part theoretical manifesto on the politics of equivalence, Helicography examines questions of scale in relation to Robert Smithson's iconic 1970 artwork Spiral Jetty. In an essay and film made to accompany the earthwork, Smithson invites us to imagine the stone helix of his structure at various orders of magnitude, from microscopic molecules to entire galaxies. Taking up this invitation with an unrelenting and literal enthusiasm, Helicography pursues the implications of such transformations all the way to the limits of logic. If other spirals, from the natural to the man-made, were expanded or condensed to the size of Spiral Jetty, what are the consequences of their physical metamorphoses? What other equivalences follow in turn, and where do their surprising historical, cultural, and mechanical connections lead? This book considers a number of forms in order to find out: the fluid vortices of whirlpools, hurricanes, and galaxies; the delicate shells of snails and the threatening pose of rattlesnakes; prehistoric ferns and the turns of the inner ear; the monstrous jaws of ancient sharks; a baroque finial scroll on a bass viol; a 19th-century watch spring; phonograph discs and spooled film; the largest open-pit mine on the planet. The result is a narrative laboratory for the "science of imaginary solutions" proposed by Alfred Jarry (whose King Ubu also plays a central role in the story told here), a work of fictocriticism blurring form and content, and the story of a single instant in time lost in the deserts of the intermountain west. Craig Dworkin is the author of four scholarly monographs - Reading the Illegible (Northwestern University Press), No Medium (MIT Press), Dictionary Poetics: Toward a Radical Lexicography (Fordham University Press), and Radium of the Word: a Poetics of Materiality (Chicago University Press) - as well as a half-dozen edited collections and a dozen books of experimental writing, including, most recently, The Pine-Woods Notebook (Kenning Editions). He teaches literary history and theory at the University of Utah.
