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Author: Aristotle
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 508
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Book Description
Author: Aristotle
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 508
Get Book Here
Book Description
Author: Aristotle
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 628
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Book Description
Author: Aristotle Aristotle
Publisher: Forgotten Books
ISBN: 9781334502538
Category : Literary Collections
Languages : en
Pages : 626
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Book Description
Excerpt from Aristotle's Treatise on Poetry, Translated: With Notes on the Translation, and on the Original; And Two Dissertations, on Poetical, and Musical, Imitation It would be doing injuf'rice to the tran ation lately given to the public by Mr. Pye, to place it, in any view, however favour able, by the tide of thefe. 'a particular and critical examination of its merits would come with little propriety from me. So much, however, I may be allowed to fay, for it is an indifputable fact, that Mr. Pye's tran ation and mine are frequently very different and that, in many pa 'ag'es, if he' is right, I inuf't confefs myfelf to be wrong. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Author: Aristotle
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544217574
Category :
Languages : en
Pages : 82
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Book Description
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
Author: Finley Melville Kendall Foster
Publisher: Columbia University Studies in English and Comparative Literature
ISBN:
Category : History
Languages : en
Pages : 188
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Book Description
A bibliography of English translations, from the establishment of Caxton's printing press in 1476 to the early 20th century, of Ancient Greek texts to 200 A.D.
Author: Aristotle
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 152
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Book Description
Author: Lisa Shapiro
Publisher: Oxford University Press
ISBN: 0190225122
Category : Philosophy
Languages : en
Pages : 317
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Book Description
For many, the word 'pleasure' conjures associations with hedonism, indulgence, and escape from the life of the mind. However little we talk about it, though, pleasure also plays an integral role in cognitive life, in both our sensory perception of the world and our intellectual understanding. This previously important but now neglected philosophical understanding of pleasure is the focus of the essays in this volume, which challenges received views that pleasure is principally motivating of action, unanalyzable, and caused, rather than responsive to reason. Like other books in the Oxford Philosophical Concepts series, it traces the development of the focal idea from ancient times through the 20th century. The essays highlight points of departure for new lines of inquiry rather than attempting to provide a full picture of how the idea of pleasure has been explored in philosophy. The volume begins by showing how Plato, Aristotle, early Islamic philosophers, and philosophers in the Medieval Latin tradition, such as Aquinas, honed in on the challenge of unifying the variety of pleasures so that they fall under one concept. In the early modern period, philosophers shifted from understanding the logic of pleasure to treating pleasure as a mental state. As the studies of Malebranche, Berkeley and Kant show, the central problem becomes understanding the relation of pleasure to other sensory experiences, and the role of pleasure in human cognition and knowledge. Short interdisciplinary reflections interspersed between essays focus on art of 16th and 17th century textbooks and the difficult music of composers like Bach, which demonstrate translation of these concerns to cultural production in the period. As the essay on Mill shows, the 19th century development of scientific psychology narrowed the definition of pleasure, and so its philosophical focus. Contemporary accounts of pleasure, however, in both philosophy and psychology, are now recognizing the limitations of this narrow focus, and are once again recognizing the complexity of pleasure and its role in human life.
Author:
Publisher: BRILL
ISBN: 9004294651
Category : History
Languages : en
Pages : 694
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Book Description
Essays in Renaissance Thought and Letters is a volume dedicated to John Monfasani, renowned scholar of Latin and Greek rhetoric and philosophy. These essays range from Antiquity to the Enlightenment, in genre from learned notes to editiones principes, and in discipline from intellectual to socio-economic history. An introduction to Monfasani’s life and works, and a list of his opera open the volume. Contributors include Michael J.B. Allen, Sándor Bene, Concetta Bianca, Robert Black, Christopher Celenza, Brian Copenhaver, John Demetracopoulos, James Hankins, Martin Hinterberger, Thomas Izbicki, David Jacoby, Peter Mack, Lodi Nauta, David Rundle, David Rutherford, Chris Schabel, April Shelford, and Thomas M. Ward.
Author: Magda Dragu
Publisher: Routledge
ISBN: 1000026221
Category : Art
Languages : en
Pages : 257
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Book Description
This book uses intermedial theories to study collage and montage, tracing the transformation of visual collage into photomontage in the early avant-garde period. Magda Dragu distinguishes between the concepts of collage and montage, as defined across several media (fine arts, literature, music, film, photography), based on the type of artistic meaning they generate, rather than the mechanical procedures involved. The book applies theories of intermediality to collage and montage, which is crucial for understanding collage as a form of cultural production. Throughout, the author considers the political implications, as collages and montages were often used for propagandistic purposes. This book combines research methods used in several areas of inquiry: art history, literary criticism, analytical philosophy, musicology, and aesthetics.
Author: Henry George Bohn
Publisher: New York : AMS Press
ISBN:
Category : Bibliography Universal catalogs
Languages : en
Pages : 1134
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Book Description
