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Author: Jules Tasca
Publisher: Samuel French, Inc.
ISBN: 057361847X
Category : Women
Languages : en
Pages : 60
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Book Description
Author: Jules Tasca
Publisher: Samuel French, Inc.
ISBN: 057361847X
Category : Women
Languages : en
Pages : 60
Get Book Here
Book Description
Author: Aristophanes
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
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Book Description
Author: Aristophanes
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
Author: Aristophanes
Publisher: Simon and Schuster
ISBN: 1625580738
Category : Drama
Languages : en
Pages : 48
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Book Description
Aristophanes' "Esslesiazusae", written in the early 4th Century BC, marks a crossroads in his career. Post-dating the Peloponnesian War, it reflects a late change in his writing and a much changed society. This edition includes the complete text.
Author: Aristophanes
Publisher: University of Pennsylvania Press
ISBN: 9780812216844
Category : Drama
Languages : en
Pages : 378
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Book Description
A volume in the acclaimed Penn Greek Drama Series containing Wasps, Lysistrata, Frogs, and The Sexual Congress.
Author: Peter Swallow
Publisher: Oxford University Press
ISBN: 019286856X
Category : Drama
Languages : en
Pages : 298
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Book Description
In this lively and wide-ranging study, Peter Swallow explores the reception of Aristophanes in Britain throughout the long-nineteenth century, setting it in the broader context of Victorian Classicism and, more specifically, the period's reception of Greek tragedy. Swallow shows the surprising extent to which Aristophanes was repurposed across an array of mediums in Victorian Britain, and demonstrates that Aristophanic reception in the period was always a process of speaking to contemporary issues--making Old Comedy new. The book examines two strands of Aristophanic reception: the political and the aesthetic. From the start of the long-nineteenth century, the British reception of Aristophanes tied into contemporary political debate, as historians, translators and commentators, and even the burlesque writer J.R. Planché activated Aristophanes in support of their own political positions. But each writer's conceptualisation of Aristophanes was as different as their political outlooks. While many writers who appropriated Aristophanes for their cause were Tories, a notable outlier is Percy Shelley, whose Aristophanic drama Swellfoot the Tyrant activated Old Comedy to argue for democratic republicanism--what we would now call a left-wing political revolution. The second strand of Aristophanic reception, which developed from around the middle of the nineteenth century, actively depoliticised Old Comedy and instead received it through an aesthetic lens. The aesthetics of Aristophanes--with an emphasis on the beautiful and the archaeological--also lay behind school and university productions of Old Comedy during this period. These strands of nineteenth-century Aristophanic reception find synthesis towards the book's conclusion. Edwardian women's receptions of Aristophanes show how activists used his plays to argue for equal educational opportunities and the right to vote. In the final chapter, Gilbert Murray and George Bernard Shaw's receptions reveal both the political and artistic potential of Aristophanes.
Author: Andrew Scholtz
Publisher: Harvard University Press
ISBN:
Category : Fiction
Languages : en
Pages : 196
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Book Description
Writing to a friend, Horace describes the man as fascinated by "the discordant harmony of the cosmos, its purpose and power." Andrew Scholtz takes this notion of "discordant harmony" and argues for it as an aesthetic principle where classical Athenian literature addresses politics in the idiom of sexual desire. His approach is an untried one for this kind of topic. Drawing on theorists of the sociality of language, Scholtz shows how eros, consuming, destabilizing desire, became a vehicle for exploring and exploiting dissonance within the songs Athenians sang about themselves. Thus he shows how societal tension and instability could register as an ideologically charged polyphony in works like the Periclean Funeral Oration, Aristophanes' Knights, and Xenophon's Symposium.
Author: Aristophanes
Publisher:
ISBN:
Category : Lysistrata (Fictitious character)
Languages : en
Pages : 64
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Book Description
Author: Minnie Bronson
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 652
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Book Description
Author: Aristophanes
Publisher: Liveright Publishing
ISBN: 1631496336
Category : Drama
Languages : en
Pages : 452
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Book Description
Capturing the antic outrageousness and lyrical brilliance of antiquity’s greatest comedies, Aaron Poochigian’s Aristophanes: Four Plays brings these classic dramas to vivid life for a twenty-first century audience. The citizens of ancient Athens enjoyed a freedom of speech as broad as our own. This freedom, parrhesia, the right to say what one pleased, how and when one pleased, and to whom, had no more fervent champion than the brilliant fifth-century comic playwright Aristophanes. His plays, immensely popular with the Athenian public, were frequently crude, even obscene. He ridiculed the great and the good of the city, showing up their hypocrisy and arrogance in ways that went far beyond the standards of good taste, securing the ire (and sometimes the retaliation) of his powerful targets. He showed his contemporaries, and he teaches us now, that when those in power act obscenely, patriotic obscenity is a fitting response. Aristophanes’s satirical masterpieces were also surpassingly virtuosic works of poetry. The metrical variety of his plays has always thrilled readers who can access the original Greek, but until now, English translations have failed to capture their lyrical genius. Aaron Poochigian, the first poet-classicist to tackle these plays in a generation, brings back to life four of Aristophanes’s most entertaining, wickedly crude, and frequently beautiful lyric comedies—the pinnacle of his comic art: · Clouds, a play famous for its caricature of antiquity’s greatest philosopher, Socrates; · Lysistrata, in which a woman convinces her female compatriots to withhold sex from their warmongering lovers unless they negotiate peace; · Birds, in which feathered creatures build a great city and become like gods; · and Women of the Assembly, Aristophones’s most revolutionary play, which inverts the norms of gender and power. Poochigian’s new rendering of these comic masterpieces finally gives contemporary readers a sense of the subversive pleasure Aristophones’s original audiences felt when they were first performed on the Athenian stage.
