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Author: Jules Tasca
Publisher: Samuel French, Inc.
ISBN: 057361847X
Category : Women
Languages : en
Pages : 60
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Book Description
Author: Jules Tasca
Publisher: Samuel French, Inc.
ISBN: 057361847X
Category : Women
Languages : en
Pages : 60
Get Book Here
Book Description
Author: Aristophanes
Publisher: University of Pennsylvania Press
ISBN: 9780812216844
Category : Drama
Languages : en
Pages : 378
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Book Description
A volume in the acclaimed Penn Greek Drama Series containing Wasps, Lysistrata, Frogs, and The Sexual Congress.
Author: Aristophanes
Publisher: Simon and Schuster
ISBN: 1625580738
Category : Drama
Languages : en
Pages : 48
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Book Description
Aristophanes' "Esslesiazusae", written in the early 4th Century BC, marks a crossroads in his career. Post-dating the Peloponnesian War, it reflects a late change in his writing and a much changed society. This edition includes the complete text.
Author: Andrew Scholtz
Publisher: Harvard University Press
ISBN:
Category : Fiction
Languages : en
Pages : 196
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Book Description
Writing to a friend, Horace describes the man as fascinated by "the discordant harmony of the cosmos, its purpose and power." Andrew Scholtz takes this notion of "discordant harmony" and argues for it as an aesthetic principle where classical Athenian literature addresses politics in the idiom of sexual desire. His approach is an untried one for this kind of topic. Drawing on theorists of the sociality of language, Scholtz shows how eros, consuming, destabilizing desire, became a vehicle for exploring and exploiting dissonance within the songs Athenians sang about themselves. Thus he shows how societal tension and instability could register as an ideologically charged polyphony in works like the Periclean Funeral Oration, Aristophanes' Knights, and Xenophon's Symposium.
Author: Aristophanes
Publisher: Liveright Publishing
ISBN: 1631496336
Category : Drama
Languages : en
Pages : 452
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Book Description
Capturing the antic outrageousness and lyrical brilliance of antiquity’s greatest comedies, Aaron Poochigian’s Aristophanes: Four Plays brings these classic dramas to vivid life for a twenty-first century audience. The citizens of ancient Athens enjoyed a freedom of speech as broad as our own. This freedom, parrhesia, the right to say what one pleased, how and when one pleased, and to whom, had no more fervent champion than the brilliant fifth-century comic playwright Aristophanes. His plays, immensely popular with the Athenian public, were frequently crude, even obscene. He ridiculed the great and the good of the city, showing up their hypocrisy and arrogance in ways that went far beyond the standards of good taste, securing the ire (and sometimes the retaliation) of his powerful targets. He showed his contemporaries, and he teaches us now, that when those in power act obscenely, patriotic obscenity is a fitting response. Aristophanes’s satirical masterpieces were also surpassingly virtuosic works of poetry. The metrical variety of his plays has always thrilled readers who can access the original Greek, but until now, English translations have failed to capture their lyrical genius. Aaron Poochigian, the first poet-classicist to tackle these plays in a generation, brings back to life four of Aristophanes’s most entertaining, wickedly crude, and frequently beautiful lyric comedies—the pinnacle of his comic art: · Clouds, a play famous for its caricature of antiquity’s greatest philosopher, Socrates; · Lysistrata, in which a woman convinces her female compatriots to withhold sex from their warmongering lovers unless they negotiate peace; · Birds, in which feathered creatures build a great city and become like gods; · and Women of the Assembly, Aristophones’s most revolutionary play, which inverts the norms of gender and power. Poochigian’s new rendering of these comic masterpieces finally gives contemporary readers a sense of the subversive pleasure Aristophones’s original audiences felt when they were first performed on the Athenian stage.
Author: Leandra Ruth Zarnow
Publisher: Harvard University Press
ISBN: 0674737482
Category : History
Languages : en
Pages : 465
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Book Description
Bella Abzug’s promotion of women’s and gay rights, universal childcare, green energy, and more provoked not only fierce opposition from Republicans but a split within her own party. The story of this notorious, galvanizing force in the Democrats’ “New Politics” insurgency is a biography for our times. Before Alexandria Ocasio-Cortez, Elizabeth Warren, or Hillary Clinton, there was New York’s Bella Abzug. With a fiery rhetorical style forged in the 1960s antiwar movement, Abzug vigorously promoted gender parity, economic justice, and the need to “bring Congress back to the people.” The 1970 congressional election season saw Abzug, in her trademark broad-brimmed hats, campaigning on the slogan “This Woman’s Place Is in the House—the House of Representatives.” Having won her seat, she advanced the feminist agenda in ways big and small, from gaining full access for congresswomen to the House swimming pool to cofounding the National Women’s Political Caucus to putting the title “Ms.” into the political lexicon. Beyond women’s rights, “Sister Bella” promoted gay rights, privacy rights, and human rights, and pushed legislation relating to urban, environmental, and foreign affairs. Her stint in Congress lasted just six years—it ended when she decided to seek the Democrats’ 1976 New York Senate nomination, a race she lost to Daniel Patrick Moynihan by less than 1 percent. Their primary contest, while gendered, was also an ideological struggle for the heart of the Democratic Party. Abzug’s protest politics had helped for a time to shift the center of politics to the left, but her progressive positions also fueled a backlash from conservatives who thought change was going too far. This deeply researched political biography highlights how, as 1960s radicalism moved protest into electoral politics, Abzug drew fire from establishment politicians across the political spectrum—but also inspired a generation of women.
Author: Peter Swallow
Publisher: Oxford University Press
ISBN: 019286856X
Category : Drama
Languages : en
Pages : 298
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Book Description
In this lively and wide-ranging study, Peter Swallow explores the reception of Aristophanes in Britain throughout the long-nineteenth century, setting it in the broader context of Victorian Classicism and, more specifically, the period's reception of Greek tragedy. Swallow shows the surprising extent to which Aristophanes was repurposed across an array of mediums in Victorian Britain, and demonstrates that Aristophanic reception in the period was always a process of speaking to contemporary issues--making Old Comedy new. The book examines two strands of Aristophanic reception: the political and the aesthetic. From the start of the long-nineteenth century, the British reception of Aristophanes tied into contemporary political debate, as historians, translators and commentators, and even the burlesque writer J.R. Planché activated Aristophanes in support of their own political positions. But each writer's conceptualisation of Aristophanes was as different as their political outlooks. While many writers who appropriated Aristophanes for their cause were Tories, a notable outlier is Percy Shelley, whose Aristophanic drama Swellfoot the Tyrant activated Old Comedy to argue for democratic republicanism--what we would now call a left-wing political revolution. The second strand of Aristophanic reception, which developed from around the middle of the nineteenth century, actively depoliticised Old Comedy and instead received it through an aesthetic lens. The aesthetics of Aristophanes--with an emphasis on the beautiful and the archaeological--also lay behind school and university productions of Old Comedy during this period. These strands of nineteenth-century Aristophanic reception find synthesis towards the book's conclusion. Edwardian women's receptions of Aristophanes show how activists used his plays to argue for equal educational opportunities and the right to vote. In the final chapter, Gilbert Murray and George Bernard Shaw's receptions reveal both the political and artistic potential of Aristophanes.
Author: Minnie Bronson
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 652
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Book Description
Author: Hanna Rosin
Publisher: Penguin
ISBN: 1101596929
Category : Social Science
Languages : en
Pages : 322
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Book Description
Essential reading for our times, as women are pulling together to demand their rights— A landmark portrait of women, men, and power in a transformed world. “Anchored by data and aromatized by anecdotes, [Rosin] concludes that women are gaining the upper hand." –The Washington Post Men have been the dominant sex since, well, the dawn of mankind. But Hanna Rosin was the first to notice that this long-held truth is, astonishingly, no longer true. Today, by almost every measure, women are no longer gaining on men: They have pulled decisively ahead. And “the end of men”—the title of Rosin’s Atlantic cover story on the subject—has entered the lexicon as dramatically as Betty Friedan’s “feminine mystique,” Simone de Beauvoir’s “second sex,” Susan Faludi’s “backlash,” and Naomi Wolf’s “beauty myth” once did. In this landmark book, Rosin reveals how our current state of affairs is radically shifting the power dynamics between men and women at every level of society, with profound implications for marriage, sex, children, work, and more. With wide-ranging curiosity and insight unhampered by assumptions or ideology, Rosin shows how the radically different ways men and women today earn, learn, spend, couple up—even kill—has turned the big picture upside down. And in The End of Men she helps us see how, regardless of gender, we can adapt to the new reality and channel it for a better future.
Author: Elizabeth Cobbs
Publisher: Harvard University Press
ISBN: 0674237439
Category : History
Languages : en
Pages : 401
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Book Description
In 1918, the U.S. Army Signal Corps sent 223 women to France at General Pershing’s explicit request. They were masters of the latest technology: the telephone switchboard. While suffragettes picketed the White House and President Wilson struggled to persuade a segregationist Congress to give women of all races the vote, these courageous young women swore the army oath and settled into their new roles. Elizabeth Cobbs reveals the challenges they faced in a war zone where male soldiers wooed, mocked, and ultimately celebrated them. The army discharged the last Hello Girls in 1920, the year Congress ratified the Nineteenth Amendment. When they sailed home, they were unexpectedly dismissed without veterans’ benefits and began a sixty-year battle that a handful of survivors carried to triumph in 1979. “What an eye-opener! Cobbs unearths the original letters and diaries of these forgotten heroines and weaves them into a fascinating narrative with energy and zest.” —Cokie Roberts, author of Capital Dames “This engaging history crackles with admiration for the women who served in the U.S. Army Signal Corps during the First World War, becoming the country’s first female soldiers.” —New Yorker “Utterly delightful... Cobbs very adroitly weaves the story of the Signal Corps into that larger story of American women fighting for the right to vote, but it’s the warm, fascinating job she does bringing her cast...to life that gives this book its memorable charisma... This terrific book pays them a long-warranted tribute.” —Christian Science Monitor “Cobbs is particularly good at spotlighting how closely the service of military women like the Hello Girls was tied to the success of the suffrage movement.” —NPR
