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Author: Dimitrios Kanellakis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110677032
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
The purpose of this book is to examine the variety, the mechanisms, and the poetological intention of the effect of surprise in Aristophanic comedy, addressing the phenomenon not as a self-evident or unselfconscious element of comedy as a genre, but as an elaborate system which characterises the style of the specific dramatist. More precisely, the book analyses Aristophanes’ most prominent verbal, thematic, and theatrical modes of surprise from a typological perspective, and interprets them as comprising the key area in which the playwright claims and demonstrates his artistic superiority over rival genres and individual poets. In line with this purpose, two parallel aims of the book are to provide an original commentary on the passages under examination, and to promote the study of modern performances – a practice which has so far been either restricted to Classical Reception or only theoretically acknowledged (if at all) by mainstream philological scholarship. This is a timely book on a topic of wide current interest across a range of interlocking disciplines: emotion studies, semiotics, narratology, information theory, and -most pertinently for this book- humour research.
Author: Dimitrios Kanellakis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110677032
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
The purpose of this book is to examine the variety, the mechanisms, and the poetological intention of the effect of surprise in Aristophanic comedy, addressing the phenomenon not as a self-evident or unselfconscious element of comedy as a genre, but as an elaborate system which characterises the style of the specific dramatist. More precisely, the book analyses Aristophanes’ most prominent verbal, thematic, and theatrical modes of surprise from a typological perspective, and interprets them as comprising the key area in which the playwright claims and demonstrates his artistic superiority over rival genres and individual poets. In line with this purpose, two parallel aims of the book are to provide an original commentary on the passages under examination, and to promote the study of modern performances – a practice which has so far been either restricted to Classical Reception or only theoretically acknowledged (if at all) by mainstream philological scholarship. This is a timely book on a topic of wide current interest across a range of interlocking disciplines: emotion studies, semiotics, narratology, information theory, and -most pertinently for this book- humour research.
Author: Dimitrios Kanellakis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110677164
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
The purpose of this book is to examine the variety, the mechanisms, and the poetological intention of the effect of surprise in Aristophanic comedy, addressing the phenomenon not as a self-evident or unselfconscious element of comedy as a genre, but as an elaborate system which characterises the style of the specific dramatist. More precisely, the book analyses Aristophanes’ most prominent verbal, thematic, and theatrical modes of surprise from a typological perspective, and interprets them as comprising the key area in which the playwright claims and demonstrates his artistic superiority over rival genres and individual poets. In line with this purpose, two parallel aims of the book are to provide an original commentary on the passages under examination, and to promote the study of modern performances – a practice which has so far been either restricted to Classical Reception or only theoretically acknowledged (if at all) by mainstream philological scholarship. This is a timely book on a topic of wide current interest across a range of interlocking disciplines: emotion studies, semiotics, narratology, information theory, and -most pertinently for this book- humour research.
Author: Zachary P. Biles
Publisher: Cambridge University Press
ISBN: 1139494724
Category : History
Languages : en
Pages : 303
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Book Description
Athenian comic drama was written for performance at festivals honouring the god Dionysos. Through dramatic action and open discourse, poets sought to engage their rivals and impress the audience, all in an effort to obtain victory in the competitions. This book uses that competitive performance context as an interpretive framework within which to understand the thematic interests shaping the plots and poetic quality of Aristophanes' plays in particular, and of Old Comedy in general. Studying five individual plays from the Aristophanic corpus as well as fragments of other comic poets, it reveals the competitive poetics distinctive to each. It also traces thematic connections with other poetic traditions, especially epic, lyric, and tragedy, and thereby seeks to place competitive poetics within broader trends in Greek literature.
Author: Matthew C. Farmer
Publisher: John Wiley & Sons
ISBN: 1119622883
Category : History
Languages : en
Pages : 469
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Book Description
Provides a comprehensive and systematic treatment of the life and work of Aristophanes A Companion to Aristophanes provides an invaluable set of foundational resources for undergraduates, graduate students, and scholars alike. More than a basic reference text, this innovative volume situates each of Aristophanes' surviving plays within discussion of key themes relevant to the study of the Aristophanic corpus. Throughout the Companion, an international panel of contributors incorporates material culture and performance context, offers methodological and theoretical insights into the study of Aristophanes, demonstrates the relevance of Aristophanes to modern life, and more. Each chapter focused on a particular play is paired with a theme that is exemplified by that play, such as gender, sexuality, religion, ritual, and satire. With an emphasis on understanding Greek comedy and its ancient Athenian context, the text includes approaches to Aristophanes through criticism, performance, translation, and teaching to encourage and inform future work on Greek comedy. Illustrating the vitality of contemporary engagement with one of the world's great literary figures, this comprehensive volume: Helps new readers and teachers of Aristophanes appreciate the broader importance of each play within the study of antiquity Offers sophisticated analyses of the Aristophanic corpus and its place in literary and cultural history Includes chapters focused on teaching Aristophanes, including one emphasizing performance Provides detailed syllabi and lesson plans for integrating the material into high school and college curricula A Companion to Aristophanes is an essential resource for advanced students and instructors in Classics, Ancient Literature, Comparative Literature, and Ancient Drama and Theater. It is also a must-have reference for academic scholars, university libraries, non-specialist Classicists and other literary critics researching ancient drama, and sophisticated general readers interested in Aristophanes, Greek drama, classical Athens, or the ancient Mediterranean world.
Author: Stephen Halliwell
Publisher: Oxford University Press
ISBN: 0192670840
Category : Literary Criticism
Languages : en
Pages : 492
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Book Description
Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter. This is the third and final volume of a new verse translation of the complete plays of Aristophanes. It contains four of his most overtly political plays: Acharnians, in which an Athenian farmer rebels against the city's war policies; Knights, a biting satire of populist demagogues; Wasps, whose main theme is the Athenian system of lawcourts; and Peace, in which escape from war is symbolized in images of rustic fertility and sensuality. The translation combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. Each play is presented with a thought-provoking introduction and extensive editorial notes to accompany the vivid translations, balancing performability with faithfulness to the original.
Author: Peter Swallow
Publisher: Bloomsbury Publishing
ISBN: 1350101532
Category : Drama
Languages : en
Pages : 296
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Book Description
This volume sets out to discuss a crucial question for ancient comedy – what makes Aristophanes funny? Too often Aristophanes' humour is taken for granted as merely a tool for the delivery of political and social commentary. But Greek Old Comedy was above all else designed to amuse people, to win the dramatic competition by making the audience laugh the hardest. Any discussion of Aristophanes therefore needs to take into account the ways in which his humour actually works. This question is addressed in two ways. The first half of the volume offers an in-depth discussion of humour theory – a field heretofore largely overlooked by classicists and Aristophanists – examining various theoretical models within the specific context of Aristophanes' eleven extant plays. In the second half, contributors explore Aristophanic humour more practically, examining how specific linguistic techniques and performative choices affect the reception of humour, and exploring the range of subjects Aristophanes tackles as vectors for his comedy. A focus on performance shapes the narrative, since humour lives or dies on the stage – it is never wholly comprehensible on the page alone.
Author: Aristophanes
Publisher: Oxford University Press
ISBN: 0198900244
Category : Literary Criticism
Languages : en
Pages : 533
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Book Description
'No matter which way you look at us, you'll find that we're in all respects; Remarkably wasp-like in our habits, in every aspect of our lives.' Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BCE. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter. This is the third and final volume of a new verse translation of the complete plays of Aristophanes. It contains four of his most overtly political plays: Acharnians, in which an Athenian farmer rebels against the city's war policies; Knights, a biting satire of populist demagogues; Wasps, whose main theme is the Athenian system of lawcourts; and Peace, in which escape from war is symbolized in images of rustic fertility and sensuality. The translation combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. Each play is presented with a thought-provoking introduction and extensive editorial notes to accompany the vivid translations, balancing performability with faithfulness to the original.
Author: Kostas Apostolakis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111295990
Category : Literary Collections
Languages : en
Pages : 538
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Book Description
Ancient Greek comedy relied primarily on its text and words for the fulfilment of its humorous effects and aesthetic goals. In the wake of a rich tradition of previous scholarship, this volume explores a variety of linguistic materials and stylistic artifices exploited by the Greek comic poets, from vocabulary and figures of speech (metaphors, similes, rhyme) to types of joke, obscenity, and the mechanisms of parody. Most of the chapters focus on Aristophanes and Old Comedy, which offers the richest arsenal of such techniques, but the less ploughed fields of Middle and New Comedy are also explored. Emphasis is placed on practical criticism and textual readings, on the examination of particular artifices of speech and the analysis of individual passages. The main purpose is to highlight the use of language for the achievement of the aesthetic, artistic, and intellectual purposes of ancient comedy, in particular for the generation of humour and comic effect, the delineation of characters, the transmission of ideological messages, and the construction of poetic meaning. The volume will be useful to scholars of ancient drama, linguists, students of humour, and scholars of Classical literature in general.
Author: Georgios K. Giannakis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110719339
Category : Literary Criticism
Languages : en
Pages : 502
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Book Description
This collective volume contains thirty six original studies on various aspects of Ancient Greek language, linguistics and philology written by an international group of leading authorities in the field. The essays are organized in five thematic groups covering a wide variety of issues of ancient Greek linguistics, ranging from epigraphy and the study of individual dialects to various other aspects of the structure of the language, such as phonetics and phonology, morphology, lexicon and word formation, etymology, metrics as well as many syntactic matters and problems of pragmatics and stylistics of the language; a number of essays move in the middle ground where language, linguistics and philology crosscut and cross-fertilize each other with the application of linguistic theory to the study of classical texts. The work is of special relevance to scholars interested in Greek linguistics in general and in particular aspects of the Greek language.
Author: David Stuttard
Publisher: Bloomsbury Publishing
ISBN: 1350320862
Category : Drama
Languages : en
Pages : 265
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Book Description
This is a vital and accessible overview of Greek drama from its origins to its later reception, including chapters on authors and dramas in their social and religious context as well as key aspects such as structure, character, staging and music. With contributions by 13 international scholars, world experts in their field, it provides readers with clear, authoritative, up-to-date considerations of both the theory and practice of Greek drama. While each chapter can stand in isolation, the overall structure takes readers on a natural progression – beginning with sources of evidence and origins, considering the major genres and their authors, examining the traditional Aristotelean components of drama in the context of performance, and ending with later reception. In doing so, it explores Greek drama as at once a religious act, a stage for political propaganda, an opportunity for questioning social issues, and pure entertainment – a stunning melange of poetry, music, dance, and visual spectacle, specific to, yet transcending, its immediate context. Written for students, practitioners and a general readership, it forms part of Bloomsbury's Looking at... series, appealing to the same readership and providing context to existing volumes which focus on individual plays.
