Author: Ralph M. Rosen
Publisher: BRILL
ISBN: 9004424466
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
The essays in this volume explore the many aspects of the “political” in the plays of Greek comic dramatist Aristophanes (5th century BCE), posing a variety of questions and approaching them through diverse methodological lenses. They demonstrate that “politics” as reflected in Aristophanes’ plays remains a fertile, and even urgent, area of inquiry, as political developments in our own time distinctly color the ways in which we articulate questions about classical Athens. As this volume shows, the earlier scholarship on politics in (or “and”) Aristophanes, which tended to focus on determining Aristophanes’ “actual” political views, has by now given way to approaches far more sensitive to how comic literary texts work and more attentive to the complexities of Athenian political structures and social dynamics. All the studies in this volume grapple to varying degrees with such methodological tensions, and show, that the richer and more diverse our political readings of Aristophanes can become, the less stable and consistent, as befits a comic work, they appear to be.
Aristophanes and Politics
Author: Ralph M. Rosen
Publisher: BRILL
ISBN: 9004424466
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
The essays in this volume explore the many aspects of the “political” in the plays of Greek comic dramatist Aristophanes (5th century BCE), posing a variety of questions and approaching them through diverse methodological lenses. They demonstrate that “politics” as reflected in Aristophanes’ plays remains a fertile, and even urgent, area of inquiry, as political developments in our own time distinctly color the ways in which we articulate questions about classical Athens. As this volume shows, the earlier scholarship on politics in (or “and”) Aristophanes, which tended to focus on determining Aristophanes’ “actual” political views, has by now given way to approaches far more sensitive to how comic literary texts work and more attentive to the complexities of Athenian political structures and social dynamics. All the studies in this volume grapple to varying degrees with such methodological tensions, and show, that the richer and more diverse our political readings of Aristophanes can become, the less stable and consistent, as befits a comic work, they appear to be.
Publisher: BRILL
ISBN: 9004424466
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
The essays in this volume explore the many aspects of the “political” in the plays of Greek comic dramatist Aristophanes (5th century BCE), posing a variety of questions and approaching them through diverse methodological lenses. They demonstrate that “politics” as reflected in Aristophanes’ plays remains a fertile, and even urgent, area of inquiry, as political developments in our own time distinctly color the ways in which we articulate questions about classical Athens. As this volume shows, the earlier scholarship on politics in (or “and”) Aristophanes, which tended to focus on determining Aristophanes’ “actual” political views, has by now given way to approaches far more sensitive to how comic literary texts work and more attentive to the complexities of Athenian political structures and social dynamics. All the studies in this volume grapple to varying degrees with such methodological tensions, and show, that the richer and more diverse our political readings of Aristophanes can become, the less stable and consistent, as befits a comic work, they appear to be.
Aristophanes the Democrat
Author: Keith Sidwell
Publisher: Cambridge University Press
ISBN: 0521519985
Category : Drama
Languages : en
Pages : 424
Book Description
This book argues that writers of Old Comedy belonged to recognisable political circles and used their comedy to disparage their political enemies.
Publisher: Cambridge University Press
ISBN: 0521519985
Category : Drama
Languages : en
Pages : 424
Book Description
This book argues that writers of Old Comedy belonged to recognisable political circles and used their comedy to disparage their political enemies.
Spectator Politics
Author: Niall W. Slater
Publisher: University of Pennsylvania Press
ISBN: 9780812236521
Category : Drama
Languages : en
Pages : 384
Book Description
Spectator Politics is the first major study of metatheatre, or theatrically self-conscious performance, in Aristophanes. Using a reception-based performance criticism, Niall Slater elucidates the comic effectiveness of the earliest surviving comedies in the Western tradition. Slater demonstrates that Aristophanes employed metatheatre not simply to entertain but also to teach his audience how to read and interpret performance in other key public venues of the ancient democracy of Athens, such as performances in the political assembly and law courts. Aristophanes was, Slater contends, the first performance critic. Spectator Politics shows how Aristophanes' comedy served the Athenians by helping them to become active political participants, teaching them to see through deceptive performances, whether on stage or in the political sphere. His comedies use self-conscious performance to encourage the public to move out of the role of passive consumers of spectacle and to reengage the political process. Aristophanes' critique of performance prefigures much in the performance-dominated culture of the modern American political scene. Throughout, detailed readings of the original stagings illuminate the plays for today's audiences and performers, while Slater's cultural critique provides much for those interested in Athenian democracy and its lesson for the contemporary political scene. Spectator Politics offers a salutary demonstration of the power of art to expose and resist the performance powers of would-be demagogues.
Publisher: University of Pennsylvania Press
ISBN: 9780812236521
Category : Drama
Languages : en
Pages : 384
Book Description
Spectator Politics is the first major study of metatheatre, or theatrically self-conscious performance, in Aristophanes. Using a reception-based performance criticism, Niall Slater elucidates the comic effectiveness of the earliest surviving comedies in the Western tradition. Slater demonstrates that Aristophanes employed metatheatre not simply to entertain but also to teach his audience how to read and interpret performance in other key public venues of the ancient democracy of Athens, such as performances in the political assembly and law courts. Aristophanes was, Slater contends, the first performance critic. Spectator Politics shows how Aristophanes' comedy served the Athenians by helping them to become active political participants, teaching them to see through deceptive performances, whether on stage or in the political sphere. His comedies use self-conscious performance to encourage the public to move out of the role of passive consumers of spectacle and to reengage the political process. Aristophanes' critique of performance prefigures much in the performance-dominated culture of the modern American political scene. Throughout, detailed readings of the original stagings illuminate the plays for today's audiences and performers, while Slater's cultural critique provides much for those interested in Athenian democracy and its lesson for the contemporary political scene. Spectator Politics offers a salutary demonstration of the power of art to expose and resist the performance powers of would-be demagogues.
The Cambridge Companion to Greek Comedy
Author: Martin Revermann
Publisher: Cambridge University Press
ISBN: 0521760283
Category : Drama
Languages : en
Pages : 523
Book Description
This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Publisher: Cambridge University Press
ISBN: 0521760283
Category : Drama
Languages : en
Pages : 523
Book Description
This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Plato and Aristophanes
Author: Marina Marren
Publisher: Northwestern University Press
ISBN: 0810144204
Category : Philosophy
Languages : en
Pages : 208
Book Description
In Plato and Aristophanes, Marina Marren contends that our search for communal justice must start with self-examination. The realization that there are things that we cannot know about ourselves unless we become the subject of a joke is integral to such self-scrutiny. Jokes provide a new perspective on our politics and ethics; they are essential to our civic self-awareness. Marren makes this case by delving into Plato’s Republic, a foundational work of political philosophy. While the Republic straightforwardly condemns the decadence and greed of a tyrant, Plato’s attack on political idealism is both solemn and comedic. In fact, Plato draws on the same comedic stock and tropes as do Aristophanes’s plays. Marren’s book strikes up an innovative conversation between three works by Aristophanes—Assembly Women, Knights, and Birds—and Plato’s philosophy, prompting important questions about individual convictions and one’s personal search for justice. These dialogic works offer critiques of tyranny that are by turns brilliant, scathing, and exuberant, making light of faults and ideals alike. Philosophical comedy exposes despotism in individuals as well as systems of government claiming to be just and good. This critique holds as much bite against contemporary injustices as it did at the time of Aristophanes and Plato. An ingenious new work by an emerging scholar, Plato and Aristophanes shows that comedy—in tandem with philosophy and politics—is essential to self-examination. And without such examination, there is no hope for a just life.
Publisher: Northwestern University Press
ISBN: 0810144204
Category : Philosophy
Languages : en
Pages : 208
Book Description
In Plato and Aristophanes, Marina Marren contends that our search for communal justice must start with self-examination. The realization that there are things that we cannot know about ourselves unless we become the subject of a joke is integral to such self-scrutiny. Jokes provide a new perspective on our politics and ethics; they are essential to our civic self-awareness. Marren makes this case by delving into Plato’s Republic, a foundational work of political philosophy. While the Republic straightforwardly condemns the decadence and greed of a tyrant, Plato’s attack on political idealism is both solemn and comedic. In fact, Plato draws on the same comedic stock and tropes as do Aristophanes’s plays. Marren’s book strikes up an innovative conversation between three works by Aristophanes—Assembly Women, Knights, and Birds—and Plato’s philosophy, prompting important questions about individual convictions and one’s personal search for justice. These dialogic works offer critiques of tyranny that are by turns brilliant, scathing, and exuberant, making light of faults and ideals alike. Philosophical comedy exposes despotism in individuals as well as systems of government claiming to be just and good. This critique holds as much bite against contemporary injustices as it did at the time of Aristophanes and Plato. An ingenious new work by an emerging scholar, Plato and Aristophanes shows that comedy—in tandem with philosophy and politics—is essential to self-examination. And without such examination, there is no hope for a just life.
Socrates and the Political Community
Author: Mary P. Nichols
Publisher: State University of New York Press
ISBN: 1438414676
Category : Political Science
Languages : en
Pages : 252
Book Description
This book takes a fresh look at Socrates as he appeared to three ancient writers: Aristophanes, who attacked him for his theoretical studies; Plato, who immortalized him in his dialogues; and Aristotle, who criticized his political views. It addresses the questions of the interrelation of politics and philosophy by looking at Aristophanes' Clouds, Plato's Republic, and Book II of Aristotle's Politics—three sides of a debate on the value of Socrates' philosophic life. Mary Nichols first discusses the relation between Aristophanes and Plato, showing that the city as Socrates' place of activity in the Republic resembles the philosophic thinktank mocked in Aristophanes' Clouds. By representing the extremes of the Republic's city, Plato shows that the dangers attributed by Aristophanes to the city are actually inherent in political life itself. They were to be moderated by Socratic political philosophy rather than Aristophanean comedy. Nichols concludes by showing how Aristotle addressed the question at issue between Plato and Aristophanes when he founded his political science. Judging Plato's and Aristophanes' positions as partial, Nichols argues that Aristotle based his political science on the necessity to philosophy of political involvement and the necessity to politics of philosophical thought.
Publisher: State University of New York Press
ISBN: 1438414676
Category : Political Science
Languages : en
Pages : 252
Book Description
This book takes a fresh look at Socrates as he appeared to three ancient writers: Aristophanes, who attacked him for his theoretical studies; Plato, who immortalized him in his dialogues; and Aristotle, who criticized his political views. It addresses the questions of the interrelation of politics and philosophy by looking at Aristophanes' Clouds, Plato's Republic, and Book II of Aristotle's Politics—three sides of a debate on the value of Socrates' philosophic life. Mary Nichols first discusses the relation between Aristophanes and Plato, showing that the city as Socrates' place of activity in the Republic resembles the philosophic thinktank mocked in Aristophanes' Clouds. By representing the extremes of the Republic's city, Plato shows that the dangers attributed by Aristophanes to the city are actually inherent in political life itself. They were to be moderated by Socratic political philosophy rather than Aristophanean comedy. Nichols concludes by showing how Aristotle addressed the question at issue between Plato and Aristophanes when he founded his political science. Judging Plato's and Aristophanes' positions as partial, Nichols argues that Aristotle based his political science on the necessity to philosophy of political involvement and the necessity to politics of philosophical thought.
"Women's Work" as Political Art
Author: Lisa Pace Vetter
Publisher: Lexington Books
ISBN: 9780739110638
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
This book shows that the metaphor of the quintessentially feminine art of weaving in Homer's Odyssey, Aristophanes' Lysistrata, and Plato's Statesman and Phaedo conveys complex and inclusive teachings about human nature and political life that address the concerns of women mor...
Publisher: Lexington Books
ISBN: 9780739110638
Category : Literary Criticism
Languages : en
Pages : 198
Book Description
This book shows that the metaphor of the quintessentially feminine art of weaving in Homer's Odyssey, Aristophanes' Lysistrata, and Plato's Statesman and Phaedo conveys complex and inclusive teachings about human nature and political life that address the concerns of women mor...
Political Humor
Author: Charles E. Schutz
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838615362
Category : Humor
Languages : en
Pages : 364
Book Description
Presents and seeks to explain the variety of humor in democratic politics. The humor ranges from the bawdy political comedies of Aristophanes in ancient Athens to the journalistic satires of our daily newspapers, and includes the jokes and comic invective of the people and their politicians.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838615362
Category : Humor
Languages : en
Pages : 364
Book Description
Presents and seeks to explain the variety of humor in democratic politics. The humor ranges from the bawdy political comedies of Aristophanes in ancient Athens to the journalistic satires of our daily newspapers, and includes the jokes and comic invective of the people and their politicians.
Politics and Persuasion in Aristophanes' Ecclesiazusae
Author: K.S. Rothwell
Publisher: BRILL
ISBN: 9004329072
Category : Literary Criticism
Languages : en
Pages : 130
Book Description
This study shows that the Ecclesiazusae is an affirmation of the importance of persuasion in the fourth- century democracy. Praxagora, the attractive and articulate female protagonist, virtually personifies peitho, the realm of both political persuasion and erotic seduction. The ability of peitho to address both public and private motivations makes it the perfect instrument to resolve the tension in the fourth century between selfishness and civic participation. This is, after all, the central issue in the later episodes of the play.
Publisher: BRILL
ISBN: 9004329072
Category : Literary Criticism
Languages : en
Pages : 130
Book Description
This study shows that the Ecclesiazusae is an affirmation of the importance of persuasion in the fourth- century democracy. Praxagora, the attractive and articulate female protagonist, virtually personifies peitho, the realm of both political persuasion and erotic seduction. The ability of peitho to address both public and private motivations makes it the perfect instrument to resolve the tension in the fourth century between selfishness and civic participation. This is, after all, the central issue in the later episodes of the play.
Parody, Politics and the Populace in Greek Old Comedy
Author: Donald Sells
Publisher: Bloomsbury Publishing
ISBN: 1350060526
Category : Literary Collections
Languages : en
Pages : 305
Book Description
This book argues that Old Comedy's parodic and non-parodic engagement with tragedy, satyr play, and contemporary lyric is geared to enhancing its own status as the preeminent discourse on Athenian art, politics and society. Donald Sells locates the enduring significance of parody in the specific cultural, social and political subtexts that often frame Old Comedy's bold experiments with other genres and drive its rapid evolution in the late fifth century. Close analysis of verbal, visual and narrative strategies reveals the importance of parody and literary appropriation to the particular cultural and political agendas of specific plays. This study's broader, more flexible definition of parody as a visual – not just verbal – and multi-coded performance represents an important new step in understanding a phenomenon whose richness and diversity exceeds the primarily textual and literary terms by which it is traditionally understood.
Publisher: Bloomsbury Publishing
ISBN: 1350060526
Category : Literary Collections
Languages : en
Pages : 305
Book Description
This book argues that Old Comedy's parodic and non-parodic engagement with tragedy, satyr play, and contemporary lyric is geared to enhancing its own status as the preeminent discourse on Athenian art, politics and society. Donald Sells locates the enduring significance of parody in the specific cultural, social and political subtexts that often frame Old Comedy's bold experiments with other genres and drive its rapid evolution in the late fifth century. Close analysis of verbal, visual and narrative strategies reveals the importance of parody and literary appropriation to the particular cultural and political agendas of specific plays. This study's broader, more flexible definition of parody as a visual – not just verbal – and multi-coded performance represents an important new step in understanding a phenomenon whose richness and diversity exceeds the primarily textual and literary terms by which it is traditionally understood.