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Author: Alix Christie
Publisher: HarperCollins Canada
ISBN: 1443433853
Category : Fiction
Languages : en
Pages : 349
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Book Description
An Economist Book of the Year An October 2014 Indie Next Pick An enthralling literary debut that evokes one of the most momentous events in history, the birth of printing in medieval Germany—a story of invention, intrigue and betrayal Youthful, ambitious Peter Schoeffer is on the verge of professional success as a scribe in Paris when his foster father, the wealthy merchant and bookseller Johann Fust, summons him home to corrupt, feud-plagued Mainz to meet “a most amazing man.” Johann Gutenberg, a driven and caustic inventor, has devised a revolutionary—and to some, blasphemous—method of bookmaking: a machine he calls a printing press. Fust is financing Gutenberg’s workshop, and he orders Peter to become Gutenberg’s apprentice. Resentful at having to abandon a prestigious career as a scribe, Peter begins his education in the “darkest art.” As his skill grows, so, too, does his admiration for Gutenberg and his dedication to their daring venture: printing copies of the Holy Bible. But when outside forces align against them, Peter finds himself torn between two father figures—the generous Fust and the brilliant, mercurial Gutenberg, who inspires Peter to achieve his own mastery. Caught between the genius and the merchant, the old ways and the new, Peter and the men he admires must work together to prevail against overwhelming obstacles—a battle that will change history . . . and irrevocably transform them all.
Author: Alix Christie
Publisher: HarperCollins Canada
ISBN: 1443433853
Category : Fiction
Languages : en
Pages : 349
Get Book Here
Book Description
An Economist Book of the Year An October 2014 Indie Next Pick An enthralling literary debut that evokes one of the most momentous events in history, the birth of printing in medieval Germany—a story of invention, intrigue and betrayal Youthful, ambitious Peter Schoeffer is on the verge of professional success as a scribe in Paris when his foster father, the wealthy merchant and bookseller Johann Fust, summons him home to corrupt, feud-plagued Mainz to meet “a most amazing man.” Johann Gutenberg, a driven and caustic inventor, has devised a revolutionary—and to some, blasphemous—method of bookmaking: a machine he calls a printing press. Fust is financing Gutenberg’s workshop, and he orders Peter to become Gutenberg’s apprentice. Resentful at having to abandon a prestigious career as a scribe, Peter begins his education in the “darkest art.” As his skill grows, so, too, does his admiration for Gutenberg and his dedication to their daring venture: printing copies of the Holy Bible. But when outside forces align against them, Peter finds himself torn between two father figures—the generous Fust and the brilliant, mercurial Gutenberg, who inspires Peter to achieve his own mastery. Caught between the genius and the merchant, the old ways and the new, Peter and the men he admires must work together to prevail against overwhelming obstacles—a battle that will change history . . . and irrevocably transform them all.
Author:
Publisher: New York : R.R. Bowker Company
ISBN:
Category : Libraries
Languages : en
Pages : 1092
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Book Description
Author:
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 532
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Book Description
Author: Lee Ash
Publisher: New Providence, N.J. : R.R. Bowker
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 1314
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Book Description
Author: Jennifer Morla
Publisher:
ISBN:
Category :
Languages : en
Pages : 432
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Book Description
A brilliant, bold, and sensationally produced book on the work of Jennifer Morla, a luminary of contemporary design.
Author:
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 822
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Book Description
Author: Edward Ripley-Duggan
Publisher: Psychology Press
ISBN: 9780866565943
Category : Bibliographical libraries
Languages : en
Pages : 142
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Book Description
In response to the present day revival of interest in fine printing and binding, this unique volume highlights several of North America's special collections focusing on various aspects of the history and art of the book. Experts describe the scope, value, and utility of diverse collections in Canada, New York, California, Washington, New Jersey, and more, that reflect the collecting interests of librarians and private donors. Bibliophiles will be fascinated by the historical overviews of the collections on calligraphy, papermaking, bookbinding, printing, and illustration and the insight into the future direction of library acquisitions. The addition of a list of readings provides a basic framework and helpful suggestions for further reading on the topics covered in this definitive book.
Author: Wulf D. von Lucius
Publisher: Lucius & Lucius DE
ISBN: 9783828200753
Category : Architecture
Languages : en
Pages : 136
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Book Description
Author: Elizabeth Savage
Publisher:
ISBN: 9781911300755
Category : Color prints
Languages : en
Pages : 0
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Book Description
This richly illustrated publication reproduces and describes effectively every early modern German color print held at the British Museum. It is one of the world's most significant collections of these rare milestones of cultural heritage and technology. New photography reveals 150 impressions in jaw-dropping detail, most life-size. Some have never been seen in public or reproduced. It is the first major study of the first wave of German color printing. It spans medieval printing in the late 1400s through the Renaissance and Reformation of the 1500s. Early Colour Printing features masterpieces by leading figures like Erhard Ratdolt, Lucas Cranach, Hans Baldung Grien, and Hans Burgkmair, as well as unfairly overlooked entrepreneurs and innovators like Erasmus Loy (and his daughter Anna). Their breakthroughs reproduced artworks and simplified astronomical calculations. They created trends in interior design and signalled 'red-letter days'. They helped musicians sight-read and they color-coded metals for goldsmiths. These diverse new functions and markets might seem unrelated. But they are connected, and they cannot be understood in isolation. From artworks to missals, icons to wallpapers, this book breaks new ground by revealing the fascinating underlying technologies that enabled the production of these color-printed objects. The many inventions of color printing in the German-speaking lands began with medieval novel solutions. They were devised long before color printing inks could be formulated. Then, color printing techniques transformed how printed material could be used during the technological and cultural revolutions of the sixteenth century. Later designers and artists around Europe celebrated these techniques' heritage for centuries, from the 'D rer Renaissance' until chromolithography revolutionized the print market in the nineteenth century. Early Colour Printing captures this story in rich detail. It sets the stage for second wave of German color woodcut, which was triggered by the Expressionist revival at the turn of the twentieth century. Thoroughly researched and engagingly written, this collection guide will be a standard reference on German graphic art, early modern visual culture, and the history of printing itself. Early Colour Printing: German Renaissance Woodcuts at the British Museum offers significant new research, including previously unidentified examples of early modern color-printing. Some are believed to be unique in the world; others were made decades before the landmark invention of colorful chiaroscuro woodcut in Italy in 1516. By modeling a printer- and technology-based approach to the history of printing, it contributes to scholarship by pinpointing attributions to printers--not just to artists or designers. In doing so, it lays the groundwork for a new understanding of the history of print, one that encompasses all forms of printed material. This publication derives from an exhibition at the British Museum curated by Elizabeth Savage.
Author: Xavier de Maistre
Publisher:
ISBN:
Category : French fiction
Languages : en
Pages : 176
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Book Description
In 1790, Xavier de Maistre was 27 years old, and a soldier in the army of the Sardinian Kingdom, which covered swathes of modern-day Northern Italy and Southern France. He was placed under house-arrest in Turin for fighting an illegal duel. It was during the 42 days of his confinement here that he wrote the manuscript that would become Voyage autour de ma chambre. Inspired by the works of Laurence Sterne, with their digressive and colloquial style, de Maistre decided to make the most of his sentence by recording an exploration of the room as a travel journal. de Maistre’s book imbues the tour of his chamber with great mythology and grand scale. As he wanders the few steps that it takes to circumnavigate the space, his mind spins off into the ether. It parodies the travel journals of the eighteenth-century (such as A Voyage Around the World by Louis de Bougainville, 1771), and could be read today as an early take on the modern vogue for “psychogeography” — each tiny thing that he encounters sends de Maistre into rhapsodies, and mundane journeys become magnificent voyages.
