Archiving the First World Festival of Negro Arts (Dakar 1966) PDF Download
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Author: David Murphy
Publisher:
ISBN:
Category : Art festivals
Languages : en
Pages :
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Book Description
Author: David Murphy
Publisher:
ISBN:
Category : Art festivals
Languages : en
Pages :
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Book Description
Author: David Murphy
Publisher: Oxford University Press
ISBN: 1781383162
Category : Art
Languages : en
Pages : 246
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Book Description
In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts nègres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aimé Césaire, André Malraux and Wole Soyinka. Described by Senegalese President Léopold Sédar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy.
Author: David Murphy
Publisher: Liverpool University Press
ISBN: 1781383510
Category : Political Science
Languages : en
Pages : 246
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Book Description
This volume is the first sustained attempt to provide an overview of the First World Festival of Negro Arts, held in Dakar in 1966, and of its multiple legacies.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 79
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Author:
Publisher:
ISBN:
Category : Arts, Black
Languages : en
Pages :
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Author: Moyo Okediji
Publisher: Taylor & Francis
ISBN: 1003848931
Category : Art
Languages : en
Pages : 423
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Book Description
This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presents to scholars of the discipline today. The Ìwà (character) of each approach is unique; nevertheless, each is useful toward a fuller understanding of African art studies as an independent aspect of art historical research that is a branch or bud of the larger family of art history. The volume respects, highlights and celebrates the distinctiveness of each methodical approach, recognizing its contribution to the overall character or Ìwà of African art studies. The book will be of interest to students in undergraduate or graduate, intermediate or advanced courses as well as scholars in art history and African studies.
Author: Ferdinand De Jong
Publisher: Cambridge University Press
ISBN: 1316514536
Category : History
Languages : en
Pages : 311
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Book Description
An exploration of how Senegal has decolonised its cultural heritage sites since independence, many of which are remnants of the French empire.
Author: Hakim Adi
Publisher: Bloomsbury Publishing
ISBN: 1474254306
Category : History
Languages : en
Pages : 271
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Book Description
The first survey of the Pan-African movement this century, this book provides a history of the individuals and organisations that have sought the unity of all those of African origin as the basis for advancement and liberation. Initially an idea and movement that took root among the African Diaspora, in more recent times Pan-Africanism has been embodied in the African Union, the organisation of African states which includes the entire African Diaspora as its 'sixth region'. Hakim Adi covers many of the key political figures of the 20th century, including Du Bois, Garvey, Malcolm X, Nkrumah and Gaddafi, as well as Pan-African culture expression from Négritude to the wearing of the Afro hair style and the music of Bob Marley.
Author: Kerry Bystrom
Publisher: Routledge
ISBN: 1000399478
Category : History
Languages : en
Pages : 269
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Book Description
This volume investigates the cultural sites where the global Cold War played out. It brings to view unpredictable encounters that arose as writers, artists, filmmakers, and intellectuals from or aligned with the Third World navigated the ideological and material constraints set by superpowers and emerging regional powers. Often these encounters generated communitas and solidarity, while at times they fed old and new conflicts. Pushing forward recent scholarship that tracks the Cold War in the Global South and draws on postcolonial approaches, our contributors use archival, secondary, and ethnographic sources to trace the afterlives and memories of key figures and to explore meetings that performed cultural diplomacy. Our focus on sites of encounter or exchange underscores the situated, interpersonal, and embodied dimensions through which much of the cultural Cold War was experienced. While the global conflict divided citizens along ideological fault lines, it also linked people through circulating media—novels, film, posters, journals, and theatre—and multinational conferences that brought artists, intellectuals, and political activists together. Such contacts introduced new axes of solidarity and hierarchies of exclusion. Examining these connections and disjunctures, this new and necessary mapping of the cultural Cold War highlights under-addressed locations in Asia, Africa, and Latin America.
Author: WORLD FESTIVAL OF NEGRO ARTS.
Publisher:
ISBN:
Category :
Languages : en
Pages :
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