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Author: Peter Defize
Publisher:
ISBN: 9789081159234
Category : Archival materials
Languages : en
Pages : 143
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Book Description
Hulpmiddel bij het herkennen en classificeren van schade aan archiefstukken.
Author: Peter Defize
Publisher:
ISBN: 9789081159234
Category : Archival materials
Languages : en
Pages : 143
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Book Description
Hulpmiddel bij het herkennen en classificeren van schade aan archiefstukken.
Author: Helen Forde
Publisher: Facet Publishing
ISBN: 1856048233
Category : Language Arts & Disciplines
Languages : en
Pages : 289
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Book Description
A brand new and fully updated edition of this seminal work on archival preservation. Access to archival material – the documentary heritage of people all over the world that gives them their identity and ensures their rights – is dependent on the survival of fragile materials: paper, parchment, photographic materials, audiovisual materials and, most recently, magnetic, optical and increasingly digital formats. The primary importance of such survival is widely acknowledged but sometimes overlooked in a rush to provide ever better means of access. But without the basic material, no services can be offered. Preservation is at the heart of archival activity. Archivists in all types of organizations face questions on how to plan a preservation strategy in less than perfect circumstances, or deal with a sudden emergency. This book considers the causes of threats to the basic material, outlines the preservation options available and offers flexible solutions applicable in a variety of situations. It offers a wide range of case studies and examples from international specialists. This revised edition includes additional material on digital preservation and green building as well as a new chapter on the management and training of volunteers, reflecting a key concern for many archival institutions. Key topics are: • Understanding archival materials and their characteristics • Managing digital preservation • Archive buildings and their characteristics • Safeguarding the building and its contents • Managing archival storage • Managing risks and avoiding disaster • Creating and using surrogates • Exhibiting archives • Handling the records • Managing a pest control programme • Training and the use of volunteers • Putting preservation into practice. Readership: Archivists, librarians, curators and enthusiasts, trained and untrained, in museums, local studies centres and voluntary societies in need of good clear advice.
Author: Silvana Bojanoski
Publisher: Fino Traço Editora
ISBN: 8580544645
Category : Art
Languages : en
Pages : 586
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Book Description
The preparation of specialized glossaries and dictionaries is a fundamental stage in the consolidation of an area of knowledge, since associated with the terms are concepts, which necessarily requires thinking about, assessing, and at times reconsidering the vocabulary used by professionals in a specialized area. The production of a multilingual glossary, in seeking equivalent terms in different languages, is a great challenge, but gains a special dimension by showing the approximations and/or the conceptual variations which exist in different countries. We understand that the precise designation of the physicochemical phenomenon associated with damage is essential for technical and scientific communication. Similarly, the presentation of the most common treatments used by paper conservators, with clear and objective definitions, facilitates communication among professionals. The Illustrated Glossary of Paper Conservation: damages and treatments – English, Portuguese, Spanish, Greek presents equivalences in four languages of terms and definitions related to bidimensional objects on paper, in other words, works of art, manuscripts, and engravings.
Author: Bogdan Zerek
Publisher: Elsevier
ISBN: 1780634404
Category : Business & Economics
Languages : en
Pages : 483
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Book Description
Preservation involves a complex of activities including climate, air-quality, and surface control, as well as microbiological control, which is a key part of preserving and protecting library collections. The Preservation and Protection of Library Collections examines microbiological control for preservation of library and archival collections. A supporting tool for conservators, this title should be integrated into conservation and preservation policy. The book comprises nine sections that cover three aspects: microbiology, surveying, and the response required. Chapters in this title cover the nature of the library collections, physical and chemicals factors and their impact on microbiological issues, as well as biological factors and methods of microbiological control of the air and objects. Later chapters examine methods of object disinfection, disaster response, methods of microbiological control and evaluation of collections, and includes a vocabulary guide, appendices, literature information and references. - Gives an overview of basic biological and environmental facts and their implications for library collections - Informed by practical experience in the library situation - Provides guidelines, requirements, procedures, workflow charts, regulations, and case studies
Author: Marijn de Valk
Publisher:
ISBN: 9789082280715
Category :
Languages : en
Pages : 164
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Book Description
Author: Gillian Fellows-Jensen
Publisher: Museum Tusculanum Press
ISBN: 9788770230759
Category : Antiques & Collectibles
Languages : en
Pages : 184
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Book Description
Care & Conservation of Manuscripts 4 - Proceedings of the fourth international seminar held at the University of Copenhagen 13th-14th October 1997
Author:
Publisher:
ISBN:
Category : Archival materials
Languages : en
Pages : 490
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Book Description
Author:
Publisher:
ISBN:
Category : Archives
Languages : en
Pages : 568
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Book Description
Author:
Publisher:
ISBN:
Category : Diagnosis, Laboratory
Languages : en
Pages : 1196
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Book Description
Author: Paula Amad
Publisher: Columbia University Press
ISBN: 0231135017
Category : Performing Arts
Languages : en
Pages : 430
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Book Description
"Counter-Archive brilliantly reflects the visual character of philosophy, geography, and historiography in twentieth-century France. Organized hermetically and crafted meticulously, this volume offers a wealth of information as it considers film theory."---Tom Conley, Harvard University Tucked Away in a Garden on the edge of Paris is a multimedia archive like no other: Albert Kahn's Archives de la Planete (1908-1931). Kahn's vast photo-cinematographic experiment preserved world memory through the privileged lens of everyday life, and Counter-Archive situates this project in its biographic, intellectual, and cinematic contexts. Tracing the archive's key influences, such as the philosopher Henri Bergson, the geographer Jean Brunhes, and the biologist Jean Comandon, Paula Amad maps an alternative landscape of French cultural modernity, in which vitalist philosophy cross-pollinated with early film theory, documentary film with the avant-grade, cinematic models of temporality with the early Annales school of history, and film's appropriation of the planet with human geography and colonial ideology. At the heart of the book is an insightful meditation upon the transformed concept of the archive in the age of cinema and an innovative argument about film's counter-archival challenge to history. "This impressive book carves out a field of interest that, prior to Paula Amad's scrutiny, did not exist. Amad displays extraordinary erudition, assembling a remarkable bibliography of primary sources. She invites us to ponder her ideas in relation to our own digital, counter-archival, image overload."---Antonia Lant, New York University, editor of Red Velvet Seat: Women's Writings on the First Fifty Years of Cinema. "Paula Amad handles technical details with flourish and mastery, and the research in the French archives is exhilarating."---Donald Crafton, University of Notre Dame "Paula Amad's book is far more than an unusually successful effort to recover and analyze Kahn's unique dream of `archiving the planet.' It stages a theoretical interrogation of the terms archive, everyday life, and modernity, arguing that the emergence of motion pictures produced a revisionist concept of the archive or what she calls the counter-archive. Her book ultimately mounts a highly original methodological exploration of the intersection of history and theory."---Richard Abel, University of Michigan
