Author: Silvia Micheli
Publisher: Bloomsbury Publishing
ISBN: 1350117145
Category : Architecture
Languages : en
Pages : 233
Book Description
Through the work of the Italian architect, theorist and historian Paolo Portoghesi (1931-2023), this book offers a new perspective on postmodern architecture, showing the agency of other spheres of knowledge history, politics and media in the making of postmodern architectural discourse. It explores how Portoghesi's personal postmodern project was based on the triangulation of a renewed interest in historical architectural language, unprecedented use of media and intertwined links between architecture and politics. Organized in a sequence of critical chapters supported by the analysis of Portoghesi's most significant architectural projects including Casa Baldi (1959), The Mosque in Rome (197595) and his Strada Novissima exhibition (1980) and publications, the book unfolds around the three main themes of history, politics and media. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, the study features previously-unpublished archival material, interviews by the authors and articles from professional and mainstream press to present Portoghesi in his multifaceted role of mediator, politician, historian and designer.
History of the exhibition of Italian art from the Thirties to today
Author: Claudia Salaris
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 306
Book Description
Paolo Portoghesi
Author: Silvia Micheli
Publisher: Bloomsbury Publishing
ISBN: 1350117145
Category : Architecture
Languages : en
Pages : 233
Book Description
Through the work of the Italian architect, theorist and historian Paolo Portoghesi (1931-2023), this book offers a new perspective on postmodern architecture, showing the agency of other spheres of knowledge history, politics and media in the making of postmodern architectural discourse. It explores how Portoghesi's personal postmodern project was based on the triangulation of a renewed interest in historical architectural language, unprecedented use of media and intertwined links between architecture and politics. Organized in a sequence of critical chapters supported by the analysis of Portoghesi's most significant architectural projects including Casa Baldi (1959), The Mosque in Rome (197595) and his Strada Novissima exhibition (1980) and publications, the book unfolds around the three main themes of history, politics and media. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, the study features previously-unpublished archival material, interviews by the authors and articles from professional and mainstream press to present Portoghesi in his multifaceted role of mediator, politician, historian and designer.
Publisher: Bloomsbury Publishing
ISBN: 1350117145
Category : Architecture
Languages : en
Pages : 233
Book Description
Through the work of the Italian architect, theorist and historian Paolo Portoghesi (1931-2023), this book offers a new perspective on postmodern architecture, showing the agency of other spheres of knowledge history, politics and media in the making of postmodern architectural discourse. It explores how Portoghesi's personal postmodern project was based on the triangulation of a renewed interest in historical architectural language, unprecedented use of media and intertwined links between architecture and politics. Organized in a sequence of critical chapters supported by the analysis of Portoghesi's most significant architectural projects including Casa Baldi (1959), The Mosque in Rome (197595) and his Strada Novissima exhibition (1980) and publications, the book unfolds around the three main themes of history, politics and media. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, the study features previously-unpublished archival material, interviews by the authors and articles from professional and mainstream press to present Portoghesi in his multifaceted role of mediator, politician, historian and designer.
Italian Living Design
Author: Giuseppe Raimondi
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 296
Book Description
"Superbly illustrated, this book discusses the interrelationships between culture and design in Italy in the 1960s, 1970s, and 1980s. Each decade is introduced with an outline of the popular trends in fashion, cinema, television, and industrial design in the context of Italian politics and society. The author discusses developments in manufacturing and marketing and the effect of economic trends on the design industry. The best of the furniture and design exhibitions and salons of the time are recaptured and their impact on other media is examined. The designs and projects of Franco Albini, Vittorio Gregotti, Gae Aulent, and Ettore Sottsass are among the many that are highlighted. Chairs, lighting, beds, and shelving are displayed in lofts, apartments, and country and suburban houses where conventional decor and cutting-edge furnishings are ingeniously combined. A multitude of products and interiors by the leading Italian designers of the last three decades is documented in beautiful photographs."--
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 296
Book Description
"Superbly illustrated, this book discusses the interrelationships between culture and design in Italy in the 1960s, 1970s, and 1980s. Each decade is introduced with an outline of the popular trends in fashion, cinema, television, and industrial design in the context of Italian politics and society. The author discusses developments in manufacturing and marketing and the effect of economic trends on the design industry. The best of the furniture and design exhibitions and salons of the time are recaptured and their impact on other media is examined. The designs and projects of Franco Albini, Vittorio Gregotti, Gae Aulent, and Ettore Sottsass are among the many that are highlighted. Chairs, lighting, beds, and shelving are displayed in lofts, apartments, and country and suburban houses where conventional decor and cutting-edge furnishings are ingeniously combined. A multitude of products and interiors by the leading Italian designers of the last three decades is documented in beautiful photographs."--
Flashback, Eclipse
Author: Romy Golan
Publisher: Princeton University Press
ISBN: 1942130511
Category : Art
Languages : en
Pages : 213
Book Description
From a leading art historian, a provocative exploration of the intersection of art, politics, and history in 1960s Italy Flashback, Eclipse is a groundbreaking study of 1960s Italian art and its troubled but also resourceful relation to the history and politics of the first part of the twentieth century and the aftermath of World War II. Most analyses have treated the 1960s in Italy as the decade of “presentism” par excellence, a political decade but one liberated from history. Romy Golan, however, makes the counterargument that 1960s Italian artists did not forget Italian and European history but rather reimagined it in oblique form. Her book identifies and explores this imaginary through two forms of nonlinear and decidedly nonpresentist forms of temporality—the flashback and the eclipse. In view of the photographic and filmic nature of these two concepts, the book’s analysis is largely mediated by black-and-white images culled from art, design, and architecture magazines, photo books, film stills, and exhibition documentation. The book begins in Turin with Michelangelo Pistoletto’s Mirror Paintings; moves on to Campo urbano, a one-day event in the city of Como; and ends with the Vitalità del Negativo exhibition in Rome. What is being recalled and at other moments occluded are not only episodes of Italian nationalism and Fascism but also various liberatory moments of political and cultural resistance. The book’s main protagonists are, in order of appearance, artists Michelangelo Pistoletto and Giosetta Fioroni, photographer Ugo Mulas, Ettore Sottsass (as critic rather than designer), graphic designer Bruno Munari, curators Luciano Caramel and Achille Bonito Oliva, architect Piero Sartogo, Carla Lonzi (as artist as much as critic), filmmakers Michelangelo Antonioni and Bernardo Bertolucci, and, in flashback among the departed, painter Felice Casorati, writer Massimo Bontempelli, art historian Aby Warburg, architect Giuseppe Terragni, and Renaissance friar-philosopher-mathematician Giordano Bruno (as patron saint of the sixty-eighters).
Publisher: Princeton University Press
ISBN: 1942130511
Category : Art
Languages : en
Pages : 213
Book Description
From a leading art historian, a provocative exploration of the intersection of art, politics, and history in 1960s Italy Flashback, Eclipse is a groundbreaking study of 1960s Italian art and its troubled but also resourceful relation to the history and politics of the first part of the twentieth century and the aftermath of World War II. Most analyses have treated the 1960s in Italy as the decade of “presentism” par excellence, a political decade but one liberated from history. Romy Golan, however, makes the counterargument that 1960s Italian artists did not forget Italian and European history but rather reimagined it in oblique form. Her book identifies and explores this imaginary through two forms of nonlinear and decidedly nonpresentist forms of temporality—the flashback and the eclipse. In view of the photographic and filmic nature of these two concepts, the book’s analysis is largely mediated by black-and-white images culled from art, design, and architecture magazines, photo books, film stills, and exhibition documentation. The book begins in Turin with Michelangelo Pistoletto’s Mirror Paintings; moves on to Campo urbano, a one-day event in the city of Como; and ends with the Vitalità del Negativo exhibition in Rome. What is being recalled and at other moments occluded are not only episodes of Italian nationalism and Fascism but also various liberatory moments of political and cultural resistance. The book’s main protagonists are, in order of appearance, artists Michelangelo Pistoletto and Giosetta Fioroni, photographer Ugo Mulas, Ettore Sottsass (as critic rather than designer), graphic designer Bruno Munari, curators Luciano Caramel and Achille Bonito Oliva, architect Piero Sartogo, Carla Lonzi (as artist as much as critic), filmmakers Michelangelo Antonioni and Bernardo Bertolucci, and, in flashback among the departed, painter Felice Casorati, writer Massimo Bontempelli, art historian Aby Warburg, architect Giuseppe Terragni, and Renaissance friar-philosopher-mathematician Giordano Bruno (as patron saint of the sixty-eighters).
La terza avanguardia in architettura
Author: Gabriele De Giorgi
Publisher:
ISBN:
Category : Architecture
Languages : it
Pages : 200
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : it
Pages : 200
Book Description
Baroquemania
Author: Laura Moure Cecchini
Publisher: Manchester University Press
ISBN: 1526153165
Category : Art
Languages : en
Pages : 281
Book Description
Baroquemania explores the intersections of art, architecture and criticism to show how reimagining the Baroque helped craft a distinctively Italian approach to modern art. Offering a bold reassessment of post-unification visual culture, the book examines a wide variety of media and ideologically charged discourses on the Baroque, both inside and outside the academy. Key episodes in the modern afterlife of the Baroque are addressed, notably the Decadentist interpretation of Gianlorenzo Bernini, the 1911 universal fairs in Turin and Rome, Roberto Longhi’s historically grounded view of Futurism, architectural projects in Fascist Rome and the interwar reception of Adolfo Wildt and Lucio Fontana’s sculpture. Featuring a wealth of visual materials, Baroquemania offers a fresh look at a central aspect of Italy's modern art.
Publisher: Manchester University Press
ISBN: 1526153165
Category : Art
Languages : en
Pages : 281
Book Description
Baroquemania explores the intersections of art, architecture and criticism to show how reimagining the Baroque helped craft a distinctively Italian approach to modern art. Offering a bold reassessment of post-unification visual culture, the book examines a wide variety of media and ideologically charged discourses on the Baroque, both inside and outside the academy. Key episodes in the modern afterlife of the Baroque are addressed, notably the Decadentist interpretation of Gianlorenzo Bernini, the 1911 universal fairs in Turin and Rome, Roberto Longhi’s historically grounded view of Futurism, architectural projects in Fascist Rome and the interwar reception of Adolfo Wildt and Lucio Fontana’s sculpture. Featuring a wealth of visual materials, Baroquemania offers a fresh look at a central aspect of Italy's modern art.
Parole e immagini futuriste
Author: Silvia Barisione
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 228
Book Description
Carlo Mollino
Author: Giovanni Brino
Publisher:
ISBN:
Category : Architect-designed furniture
Languages : en
Pages : 180
Book Description
Publisher:
ISBN:
Category : Architect-designed furniture
Languages : en
Pages : 180
Book Description
Domus
Author:
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : it
Pages : 240
Book Description
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : it
Pages : 240
Book Description
Portogallo
Author: Regis St. Louis
Publisher: EDT srl
ISBN: 8860409446
Category : Travel
Languages : en
Pages : 613
Book Description
Publisher: EDT srl
ISBN: 8860409446
Category : Travel
Languages : en
Pages : 613
Book Description