Author: Jianfei Zhu
Publisher: Routledge
ISBN: 1134720394
Category : Architecture
Languages : en
Pages : 334
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Book Description
A collection of essays on architecture of modern China, arranged chronologically covering a period from 1729 to 2008, focusing mainly on the twentieth century. The distinctive feature of this book is a blending of ‘critical’ and ‘historical’ research, taking a long-range perspective transcending the current scene and the Maoist period. This is a short, elegant book that condenses the wide subject matter into key topics.
Author: Peter G. Rowe
Publisher: MIT Press
ISBN: 9780262681513
Category : Architecture
Languages : en
Pages : 312
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Book Description
A study of traditional and modernist attitudes toward architecture in China from the 1840s to the present. Built around snatches of discussion overheard in a Beijing design studio, this book explores attitudes toward architecture in China since the opening of the Treaty Ports in the 1840s. Central to the discussion are the concepts of ti and yong, or "essence" and "form," Chinese characters that are used to define the proper arrangement of what should be considered modern and essentially Chinese. Ti and yong have gone through various transformations--for example, from "Chinese learning for essential principles and Western learning for practical application" to "socialist essence and cultural form" and an almost complete reversal to "modern essence and Chinese form." The book opens with a discussion of cultural developments in China in response to the forced opening to the West in the mid-nineteenth century, efforts to reform the Qing dynasty, and the Nationalist and Communist regimes. It then considers the return of overseas-educated Chinese architects and foreign influences on Chinese architecture, four architectural orientations toward tradition and modernity in the 1920s and 1930s, and the controversy over the use of "big roofs" and other sinicizing aspects of Chinese architecture in the 1950s. The book then moves to the hard economic conditions of the Great Leap Forward and the Cultural Revolution, when architecture was almost abandoned, and the beginning of reform and opening up to the outside world in the late 1970s and 1980s. Finally, it looks at the present socialist market economy and Chinese architecture during the still incomplete process of modernization. It closes with a prognosis for the future.
Author: Peter G. Rowe
Publisher: Prestel Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 192
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Book Description
"The rise of Shanghai over the past decade is a story of superlatives. The city's skyline has been totally transformed. It now boasts some of world's tallest buildings and longest bridges. This volume presents portfolios of more than thirty design projects recently completed or currently underway, along with expert essays offering pointed analyses from urban design to conservation, confirming Shanghai's preeminent position in the global network."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Architectural Creation Magazine
Publisher: Shanghai Press
ISBN: 9781602201163
Category : Architecture
Languages : en
Pages : 0
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Book Description
Contemporary Architecture in China features new architecture by focusing on 30 structures built since 1999. These buildings, located in ten different cities over a vast geographical area, cover a wide variety of types, from residential to commercial to public use. China's architecture can be seen as a mirror of the country's development as a whole. During China's reform and opening up in the past 30 years, the country and its architecture have undergone great changes, developing at an overwhelming speed. In the past ten years, in particular, as China has strengthened its global ties, it has also experienced increasingly close cooperation between Chinese and foreign architects. This communication and exchange of ideas has resulted in an impressive number of internationally-recognized design projects. While introducing details of construction—including date, location, use and technical information—the book also focuses on the aesthetic contribution these innovative buildings have made to China's urban landscape. The book's abundant images further enhance the reader's understanding of architectural styles and design features. Developments in construction and engineering as well as trends in architectural design can also be traced, giving readers a better understanding of today's China and its dynamic architecture.
Author: 刘克成
Publisher:
ISBN: 9787538177909
Category : Architecture
Languages : zh-CN
Pages : 0
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Book Description
本书通过对当代中国本土博物馆的案例展示, 印证了当代中国建筑师游走于传统与现代之间的探寻之旅, 同时也反映出了中国的传统文化与建筑哲学之间的共生关系.书中每座博物馆案例都通过自身的鲜明个性, 艺术的展现方式传达出优雅与高尚的气息, 在建筑, 室内与景观的互动过程中, 表达出建筑师对于藏品, 氛围以及观众感知体验的尊重.通过对本书的阅读, 除了能够对中国当代建筑师的设计风格及理念有一定了解之外, 还能感受到博物馆作为一种独特的文化建筑, 通过自身的比例, 空间, 色彩与质感的组织传递出独特的文化内涵与意识形态.
Author: Christian Dubrau
Publisher: Dom Publishers
ISBN: 9783869221212
Category : Architecture
Languages : en
Pages : 312
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Book Description
Berlin-based writer Dubrau has selected 25 buildings for presentation, each with about eight to ten pages containing full-page or double-page photos, plans, and a page of text describing particularities of context, construction, challenges, and unique features. His essay on new trends in Chinese architecture, and another essay on the subject (by Brigitta Hahn-Melchor) describe some of the economic, social, cultural, and environmental forces that are shaping what has been getting built in China, much that is extraordinarily innovative and, also, extraordinarily controversial from both Chinese and international points of view.
Author: Shuishan Yu
Publisher: University of Washington Press
ISBN: 0295804483
Category : Architecture
Languages : en
Pages : 366
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Book Description
In this interdisciplinary narrative, the never-ending "completion" of China's most important street offers a broad view of the relationship between art and ideology in modern China. Chang'an Avenue, named after China's ancient capital (whose name means "Eternal Peace"), is supremely symbolic. Running east-west through the centuries-old heart of Beijing, it intersects the powerful north-south axis that links the traditional centers of political and spiritual legitimacy (the imperial Forbidden City and the Temple of Heaven). Among its best-known features are Tiananmen Square and the Great Hall of the People, as well as numerous other monuments and prominent political, cultural, financial, and travel-related institutions. Drawing on Chang'an Avenue's historic ties and modern transformations, this study explores the deep structure of the Chinese modernization project, providing both a big picture of Beijing's urban texture alteration and details in the design process of individual buildings. Political winds shift, architectural styles change, and technological innovations influence waves of demolition and reconstruction in this analysis of Chang'an Avenue's metamorphosis. During collective design processes, architects, urban planners, and politicians argue about form, function, and theory, and about Chinese vs. Western and traditional vs. modern style. Every decision is fraught with political significance, from the 1950s debate over whether Tiananmen Square should be open or partially closed; to the 1970s discussion of the proper location, scale, and design of the Mao Memorial/Mausoleum; to the more recent controversy over whether the egg-shaped National Theater, designed by the French architect Paul Andreu, is an affront to Chinese national pride. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/chang-an
Author: Jeffrey W. Cody
Publisher: University of Hawaii Press
ISBN: 0824834569
Category : Architecture
Languages : en
Pages : 410
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Book Description
In the early twentieth century, Chinese traditional architecture and the French-derived methods of the École des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events. Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications. This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the École des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two "met" in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history. Contributors: Tony Atkin, Peter J. Carroll, Yung Ho Chang,Jeffrey W. Cody, Kerry Sizheng Fan, Fu Chao-Ching, Gu Daqing, Seng Kuan,Delin Lai, Xing Ruan, Joseph Rykwert, Nancy S. Steinhardt, David VanZanten, Rudolf Wagner, Zhang Jie, Zhao Chen.
Author: Edward Denison
Publisher: Taylor & Francis
ISBN: 1317179293
Category : Architecture
Languages : en
Pages : 391
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Book Description
This book explores China’s encounter with architecture and modernity in the tumultuous epoch before Communism – an encounter that was mediated not by a singular notion of modernism emanating from the west, but that was uniquely multifarious, deriving from a variety of sources both from the west and, importantly, from the east. The heterogeneous origins of modernity in China are what make its experience distinctive and its architectural encounters exceptional. These experiences are investigated through a re-evaluation of established knowledge of the subject within the wider landscape of modern art practices in China. The study draws on original archival and photographic material from different artistic genres and, architecturally, concentrates on China’s engagement with the west through the treaty ports and leased territories, the emergence of architecture as a profession in China, and Japan’s omnipresence, not least in Manchuria, which reached its apogee in the puppet state of Manchukuo. The study’s geographically, temporally, and architecturally inclusive approach framed by the concept of multiple modernities questions the application of conventional theories of modernity or post-colonialism to the Chinese situation. By challenging conventional modernist historiography that has marginalised the experiences of the west’s other for much of the last century, this book proposes different ways of grappling with and comprehending the distinction and complexity of China’s experiences and its encounter with architectural modernity.
Author: Bianca Bosker
Publisher: University of Hawaii Press
ISBN: 0824837835
Category : Architecture
Languages : en
Pages : 178
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Book Description
A 108-meter high Eiffel Tower rises above Champs Elysées Square in Hangzhou. A Chengdu residential complex for 200,000 recreates Dorchester, England. An ersatz Queen’s Guard patrols Shanghai’s Thames Town, where pubs and statues of Winston Churchill abound. Gleaming replicas of the White House dot Chinese cities from Fuyang to Shenzhen. These examples are but a sampling of China’s most popular and startling architectural movement: the construction of monumental themed communities that replicate towns and cities in the West. Original Copies presents the first definitive chronicle of this remarkable phenomenon in which entire townships appear to have been airlifted from their historic and geographic foundations in Europe and the Americas, and spot-welded to Chinese cities. These copycat constructions are not theme parks but thriving communities where Chinese families raise children, cook dinners, and simulate the experiences of a pseudo-Orange County or Oxford. In recounting the untold and evolving story of China’s predilection for replicating the greatest architectural hits of the West, Bianca Bosker explores what this unprecedented experiment in “duplitecture” implies for the social, political, architectural, and commercial landscape of contemporary China. With her lively, authoritative narrative, the author shows us how, in subtle but important ways, these homes and public spaces shape the behavior of their residents, as they reflect the achievements, dreams, and anxieties of those who inhabit them, as well as those of their developers and designers. From Chinese philosophical perspectives on copying to twenty-first century market forces, Bosker details the factors giving rise to China’s new breed of building. Her analysis draws on insights from the world’s leading architects, critics and city planners, and on interviews with the residents of these developments.
