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Author: William Richard Lethaby
Publisher: Courier Corporation
ISBN: 0486435199
Category : Architecture
Languages : en
Pages : 290
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Book Description
First published in 1892, this classic explores the symbolism of classical architecture. A milestone in relating mysticism to design, it shows the correlation between mythology and the design of St. Paul's Cathedral, the Taj Mahal, the Palace of Versailles, and other architectural masterpieces. 30 black-and-white illustrations.
Author: William Richard Lethaby
Publisher: Courier Corporation
ISBN: 0486435199
Category : Architecture
Languages : en
Pages : 290
Get Book Here
Book Description
First published in 1892, this classic explores the symbolism of classical architecture. A milestone in relating mysticism to design, it shows the correlation between mythology and the design of St. Paul's Cathedral, the Taj Mahal, the Palace of Versailles, and other architectural masterpieces. 30 black-and-white illustrations.
Author: W. R. Lethaby
Publisher: BookRix
ISBN: 3736819463
Category : Architecture
Languages : en
Pages : 388
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Book Description
This classic explores the symbolism of classical architecture. A milestone in relating mysticism to design, it shows the correlation between mythology and the design of St. Paul's Cathedral, the Taj Mahal, the Palace of Versailles, and other architectural masterpieces. This delightful book describes the symbolism of real-world architecture, as well as architecture described in fiction, myth and folklore. Lethaby believed that architecture reflected the macrocosm. He speculated that many of the seemingly ornamental details of classical buildings actually represented aspects of the land, the sea and the sky. This is one of those books like the Golden Bough or the White Goddess (albeit shorter and a less challenging read) that will turn you on to the mythopoetic side of reality, no matter whether you agree with its conclusions.
Author: Charles Rennie Mackintosh
Publisher: Rutgers University Press
ISBN: 9780813534459
Category : Architecture
Languages : en
Pages : 218
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Book Description
Of the many practitioners of art nouveau in Great Britain, Charles Rennie Mackintosh (1868-1928) has outlasted them all. His work bridged the more ornate style of the later nineteenth century and the forms of international modernism that followed. Like Frank Lloyd Wright, with whom he is frequently compared, he is known for so thoroughly integrating art and decoration that the two became inseparable. His work has been honored by a major exhibition at the Metropolitan Museum of Art, and his designs have proliferated to such an extent that they can be found reproduced in posters, prints, jewelry, and even new buildings. His most important project was the Glasgow School of Art, which still functions as a highly prestigious art school. This glorious building is visited each year by thousands of tourists from around the world. Built over a dozen years, beginning in 1897, the Glasgow School of Art is Mackintosh's greatest and most influential legacy. This completely redesigned and heavily illustrated edition of Mackintosh's Masterwork has been greatly expanded and contains newly discovered material about both the early life of the architect and the formative years in which his plans for the School of Art were executed.
Author: William Richard Lethaby
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 272
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Book Description
Author: W. R. Lethaby
Publisher:
ISBN: 9780243658107
Category :
Languages : en
Pages :
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Book Description
Author: William Richard Lethaby
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 292
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Book Description
Author: W. R. Lethaby
Publisher: Franklin Classics Trade Press
ISBN: 9780353059481
Category : History
Languages : en
Pages : 294
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Alberto Pérez-Gomez
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773570802
Category : Architecture
Languages : en
Pages : 392
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Book Description
Chora IV continues a tradition of excellence in open, interdisciplinary research into architecture.
Author: William R. Lethaby
Publisher:
ISBN: 9788826415864
Category : Architecture
Languages : en
Pages :
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Book Description
Author: Jason Ananda Josephson Storm
Publisher: University of Chicago Press
ISBN: 022640336X
Category : History
Languages : en
Pages : 428
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Book Description
A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.
